Ponce de Leon, besides having so many new schemes up my sleeve that I had to wear kimonos to hold 'em.

'I intended to assume a funnel shape and mow a path nine miles wide though the farming belt of the Middle West; so we headed in that direction. But when we got as far as Lexington we found Binkley Brothers' circus there, and the blue-grass peasantry romping into town and pounding the Belgian blocks with their hand-pegged sabots as artless and arbitrary as an extra session of a Datto Bryan drama. I never pass a circus without pulling the valve- cord and coming down for a little Key West money; so I engaged a couple of rooms and board for Rufe and me at a house near the circus grounds run by a widow lady named Peevy. Then I took Rufe to a clothing store and gent's-outfitted him. He showed up strong, as I knew he would, after he was rigged up in the ready-made rutabaga regalia. Me and old Misfitzky stuffed him into a bright blue suit with a Nile green visible plaid effect, and riveted on a fancy vest of a light Tuskegee Normal tan color, a red necktie, and the yellowest pair of shoes in town.

'They were the first clothes Rufe had ever worn except the gingham layette and the butternut top-dressing of his native kraal, and he looked as self-conscious as an Igorrote with a new nose-ring.

'That night I went down to the circus tents and opened a small shell game. Rufe was to be the capper. I gave him a roll of phony currency to bet with and kept a bunch of it in a special pocket to pay his winnings out of. No; I didn't mistrust him; but I simply can't manipulate the ball to lose when I see real money bet. My fingers go on a strike every time I try it.

'I set up my little table and began to show them how easy it was to guess which shell the little pea was under. The unlettered hinds gathered in a thick semicircle and began to nudge elbows and banter one another to bet. Then was when Rufe ought to have single-footed up and called the turn on the little joker for a few tens and fives to get them started. But, no Rufe. I'd seen him two or three times walking about and looking at the side-show pictures with his mouth full of peanut candy; but he never came nigh.

'The crowd piked a little; but trying to work the shells without a capper is like fishing without a bait. I closed the game with only forty-two dollars of the unearned increment, while I had been counting on yanking the yeomen for two hundred at least. I went home at eleven and went to bed. I supposed that the circus had proved too alluring for Rufe, and that he had succumbed to it, concert and all; but I meant to give him a lecture on general business principles in the morning.

'Just after Morpheus had got both my shoulders to the shuck mattress I hears a houseful of unbecoming and ribald noises like a youngster screeching with green-apple colic. I opens my door and calls out in the hall for the widow lady, and when she sticks her head out, I says: 'Mrs. Peevy, ma'am, would you mind choking off that kid of yours so that honest people can get their rest?

''Sir, says she, 'it's no child of mine. It's the pig squealing that your friend Mr. Tatum brought home to his room a couple of hours ago. And if you are uncle or second cousin or brother to it, I'd appreciate your stopping its mouth, sir, yourself, if you please.

'I put on some of the polite outside habiliments of external society and went into Rufe's room. He had gotten up and lit his lamp, and was pouring some milk into a tin pan on the floor for a dingy-white, half-grown, squealing pig.

''How is this, Rufe? says I. 'You flimflammed in your part of the work to-night and put the game on crutches. And how do you explain the pig? It looks like back-sliding to me.

''Now, don't be too hard on me, Jeff, says he. 'You know how long I've been used to stealing shoats. It's got to be a habit with me. And to-night, when I see such a fine chance, I couldn't help takin' it.

''Well, says I, 'maybe you've really got kleptopigia. And maybe when we get out of the pig belt you'll turn your mind to higher and more remunerative misconduct. Why you should want to stain your soul with such a distasteful, feeble-minded, perverted, roaring beast as that I can't understand.

''Why, Jeff, says he, 'you ain't in sympathy with shoats. You don't understand 'em like I do. This here seems to me to be an animal of more than common powers of ration and intelligence. He walked half across the room on his hind legs a while ago.

''Well, I'm going back to bed, says I. 'See if you can impress it upon your friend's ideas of intelligence that he's not to make so much noise.

''He was hungry, says Rufe. 'He'll go to sleep and keep quiet now.

'I always get up before breakfast and read the morning paper whenever I happen to be within the radius of a Hoe cylinder or a Washington hand-press. The next morning I got up early, and found a Lexington daily on the front porch where the carrier had thrown it. The first thing I saw in it was a double-column ad. on the front page that read like this:

FIVE THOUSAND DOLLARS REWARD

The above amount will be paid, and no questions asked, for the return, alive and uninjured, of Beppo, the famous European educated pig, that strayed or was stolen from the side-show tents of Binkley Bros. circus last night.

Geo. B. Tapley, Business Manager.

At the circus grounds.

'I folded up the paper flat, put it into my inside pocket, and went to Rufe's room. He was nearly dressed, and was feeding the pig the rest of the milk and some apple-peelings.

''Well, well, well, good morning all, I says, hearty and amiable. 'So we are up? And piggy is having his breakfast. What had you intended doing with that pig, Rufe?

''I'm going to crate him up, says Rufe, 'and express him to ma in Mount Nebo. He'll be company for her while I am away.

''He's a mighty fine pig, says I, scratching him on the back.

''You called him a lot of names last night, says Rufe.

''Oh, well, says I, 'he looks better to me this morning. I was raised on a farm, and I'm very fond of pigs. I used to go to bed at sundown, so I never saw one by lamplight before. Tell you what I'll do, Rufe, I says. 'I'll give you ten dollars for that pig.

''I reckon I wouldn't sell this shoat, says he. 'If it was any other one I might.

''Why not this one? I asked, fearful that he might know something.

''Why, because, says he, 'it was the grandest achievement of my life. There ain't airy other man that could have done it. If I ever have a fireside and children, I'll sit beside it and tell 'em how their daddy toted off a shoat from a whole circus full of people. And maybe my grandchildren, too. They'll certainly be proud a whole passel. Why, says he, 'there was two tents, one openin' into the other. This shoat was on a platform, tied with a little chain. I seen a giant and a lady with a fine chance of bushy white hair in the other tent. I got the shoat and crawled out from under the canvas again without him squeakin' as loud as a mouse. I put him under my coat, and I must have passed a hundred folks before I got out where the streets was dark. I reckon I wouldn't sell that shoat, Jeff. I'd want ma to keep it, so there'd be a witness to what I done.

''The pig won't live long enough, I says, 'to use as an exhibit in your senile fireside mendacity. Your grandchildren will have to take your word for it. I'll give you one hundred dollars for the animal.

'Rufe looked at me astonished.

''The shoat can't be worth anything like that to you, he says. 'What do you want him for?

''Viewing me casuistically, says I, with a rare smile, 'you wouldn't think that I've got an artistic side to my temper. But I have. I'm a collector of pigs. I've scoured the world for unusual pigs. Over in the Wabash Valley I've got a hog ranch with most every specimen on it, from a Merino to a Poland China. This looks like a blooded pig to me, Rufe, says I. 'I believe it's a genuine Berkshire. That's why I'd like to have it.

''I'd shore like to accommodate you, says he, 'but I've got the artistic tenement, too. I don't see why it ain't art when you can steal a shoat better than anybody else can. Shoats is a kind of inspiration and genius with me. Specially this one. I wouldn't take two hundred and fifty for that animal.

''Now, listen, says I, wiping off my forehead. 'It's not so much a matter of business with me as it is art; and not so much art as it is philanthropy. Being a connoisseur and disseminator of pigs, I wouldn't feel like I'd done my duty to the world unless I added that Berkshire to my collection. Not intrinsically, but according to the ethics of pigs as friends and coadjutors of mankind, I offer you five hundred dollars for the animal.

''Jeff, says this pork esthete, 'it ain't money; it's sentiment with me.

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