real concern. “What’s the matter with your brother?”

“He’s thirteen,” said Glen.

All Souls’ Day dawned cool, and the people of Grace put on their sweatshirts and gave thanks. The heat wave was broken. By half past eight the sun was well up and sweatshirts peeled off again, but it was still a perfect day. Every able-bodied person in Grace climbed the canyon roads to converge on the cemetery.

It was the bittersweet Mexican holiday, the Day of the Dead, democratic follow-up to the Catholic celebration of All Hallows. Some people had business with the saints on November 1, and so went to mass, but on November 2 everybody had business at the graveyard. The families traipsing slowly uphill resembled harvester ants, carrying every imaginable species of real and artificial flower: bulging grocery sacks of chrysanthemums and gladioli; tulips made from blue and pink Styrofoam egg cartons; long-stemmed silk roses bouncing in children’s hands like magic wands; and unclassifiable creations out of fabric and colored paper and even the plastic rings from six-packs. The Stitch and Bitch Club had had four special meetings in a row.

When Hallie and I were very small we used to be allowed to participate in this celebration, with J.T.’s family. I wondered if Viola remembered having us in tow. In my own mind it was all vague; what I remembered best was the marigolds. Cempazuchiles, the flowers of the dead. I asked Viola about them.

“They come on the truck,” she answered cryptically.

“Do you remember when Hallie and I used to come up here with you?”

“Sure I do. You always ran all over the graves and messed up everything.” Viola didn’t pull her punches.

“Well, we were little,” I said defensively. “Doc Homer made us quit coming after a while. I remember that. I remember him saying, ‘Those great-grandmothers aren’t any of your business.’”

“Well, he was the boss.”

“Right. He was the boss.”

Emelina and the four older boys were marching ahead, but I was pushing the stroller over gravel and Viola was over sixty, so we both had an excuse to lag. We were a harvester-ant clan ourselves, burdened not only with flowers but with food and beer and soft drinks and sundry paraphernalia. John Tucker was carrying a new, largish St. Joseph for Viola’s husband’s grave. J.T. was still in El Paso, and Loyd was on a switch engine in Yuma, but we didn’t seem to need them all that much. It looked like a female holiday, what with the egg-carton flowers. A festival of women and children and old people and dead ancestors.

Viola stopped for breath, holding the bosom of her shiny black dress and looking down at the canyon. I waited with her, adjusting the red handkerchief Emelina had tied over Nicholas’s bald head to shield it from sun. As he vibrated over the corduroy road the kerchief kept slipping down over his eyes, and he looked like a drunken pirate. I bent over and looked into his face, upside-down. He enlightened me with a wicked pirate smile.

It was a spectacular day. The roadside was lined with bright yellow plumes of rabbitbrush, apparently too common a flower for anyone to take to a grave, but I liked them. I would try to remember to pick some on my way back down, to stick into the clay ollas around my house; I was determined to prove to Emelina that I wasn’t completely bereft of domestic instincts.

From where we stood we could look down on the whole of Grace plus the many small settlements that lay a little apart from the town, strung out along the length of Gracela Canyon and its tributaries, often inhabited by just a few families, some with their own tiny graveyards. These settlements were mostly abandoned now. A lot of them had been torn right up when Black Mountain chased a vein of copper under their floors; others had been buried; the company had an old habit of digging and dumping where it pleased. Grace’s huge main cemetery was located on the opposite side of the canyon, as far as possible from the mine, for exactly that reason. Not even the graveyards were sacred.

At the upstream end of the canyon we could also see the beginnings of the dam that would divert the river out Tortoise Canyon. There had been a ridiculous photo in the local paper: the company president and a couple of managers at a ground-breaking ceremony, wearing ties, stepping delicately on shovels with their wing-tip shoes. These men had driven down from Phoenix for the morning, and would drive right back. They all had broad salesmen’s smiles. They pretended the dam was some kind of community-improvement project, but from where Viola and I stood it looked like exactly what it was-a huge grave. Marigold-orange earth movers hunched guiltily on one corner of the scarred plot of ground.

“So what’s going to happen?” I asked Viola.

“The Lord in heaven knows,” she said.

I prodded. “Well, there was a meeting last night. Have you talked to anybody?”

“Oh, sure. The men on the council had another one of their big meetings about it and decided to have a lawsuit. A lawyer came up from Tucson to meet with Jimmy Soltovedas.”

Jimmy was the mayor. The town council had nothing to do with Black Mountain anymore; Grace wasn’t a company town in the classical sense, except for the fact that the company owned everything we walked on.

“What did the lawyer say?” In a moment of vanity I wondered if anyone had mentioned my affidavit. My line about “the approximate pH of battery acid” seemed like something a lawyer could gleefully quote.

“The lawyer said we might have grandfather rights to the water, and so we could have a class-action lawsuit to make the company give us back our river.”

“How long will that take?”

She shrugged. “Maybe ten years.”

“Ten years?”

“Right. In ten years we can all come back and water our dead trees.”

“Did anybody go to the newspapers to get some publicity about this? It’s ridiculous.”

“Jimmy called the newspapers half a dozen

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