“In addition—and more relevant to our discussion today—there is comparably less of the infection west of the Mississippi River, especially amongst the Indians. It’s similar to what we’ve seen in the South with the Negro, where the plague often fails to spread widely within populations of colored peoples.”
There is considerable murmuring at this, and Professor Ghering smiles, his full-moon face glistening. I lean forward and frown. Fewer cases of the shambler plague amongst Negroes? That is a bald-faced lie if ever I’ve heard one.
The professor wipes at his brow with a pocket square before continuing. “I personally believe that the low rate of infection amongst the red man and the Negro is a direct consequence of the fact that neither the Indian nor the Negro is as highly developed as their European cousins, and thus show some of the resistance to the pathogen that we see in animals. Many argue this is an indication that, as polygenesis proponents have speculated in centuries past, the Negro is descended from a species entirely separate from the European Homo sapiens—one more closely related to the wild apes of the African jungle.”
The crowd stirs again, while a few of the girls from my school look at one another in shock. I’ve learned a bit about evolution thanks to the books and newspapers Jackson smuggles me, and the comparison doesn’t sit well. I cross my arms, as next to me Katherine mutters, “He did not just compare Negroes to apes.”
I grimace. “Oh yes, he did. I told you this man was a crackpot.”
At the front of the hall, Professor Ghering holds his hands up for attention, a benevolent smile on his face. His eyes scan the room, not even bothering to land on our group in the far back. I guess he pretty much figures where we stand on the whole nonsense, being beastly Negroes and all.
“Now, I believe this divergent ancestry indeed gives the Negro and the Indian a natural resistance to the undead plague. Not only that, but I am going to prove that a simple vaccination can increase this resistance, much the same way Louis Pasteur has vaccinated livestock against various diseases in France.”
Katherine sniffs. “Livestock.”
I know what she means. The more this man talks, the less I like him.
The professor is feeling his oats now, and he struts across the stage confidently. “And in order to validate this theory, I have prepared a demonstration that I am certain you shall all find fascinating.” At that he gestures to the side, offstage. There’s a creaking sound, and then a chorus of moans echo through the auditorium.
It’s the dead.
They say once you hear the shambler’s call you never forget the sound, and I don’t know who “they” are, but they’re right. It ain’t a moan, and it ain’t a groan; it’s a sound somewhere in between, mixed with the keening whine of a starving animal. I’d been hearing that noise in the distance, past the walls of Rose Hill, since before I can remember, but the first time I heard it up close was the day Zeke was devoured. The second was when I was a little girl sleeping with my momma in her big four-poster bed, the major standing over us with a look in his bright yellow eyes like he was about to enjoy a whole pan of cobbler. Neither memory is one I want to revisit, so when that sound fills the lecture hall it takes everything I got not to jump up, whip out my revolver, and start plugging away at anyone that ain’t looking right. But I don’t. Instead, I dig my fingers into my thighs, biding my time so I can see what kind of foolishness this professor is playing at.
The rest of the room ain’t so patient, and several of the men in the front are already drawing their guns and aiming up at the stage, not waiting to see where the sound is coming from. But the professor holds his hands out in a placating gesture. “Gentlemen, please. The situation is completely under control. You may retake your seats and put away your firearms.”
The creak-creak-moan sound resolves itself into a colored man pushing a sheet-covered contraption. I can tell from the size and shape that it’s a shambler’s cage. They use them during roundups, which are usually in the spring after the first thaw. The risen dead will lie down during the winter, since, like most folks, they don’t much care for the cold. The first few warm days of the year, the patrols will put out cages and tie a chicken or turkey or hog to the metal bars inside. Since shamblers can’t resist living meat as they wake, they’ll come out of the woods, jamming into the cage. Once it’s full, the patrols will close the steel door and set the whole mess on fire. It ain’t fancy, but it keeps the undead from attacking settlements and multiplying like rabbits come the spring.
This cage is on the smaller size, like the sort a farmer might use in his field, and once the man has pushed it into the middle of the stage the professor pulls the sheet off with a flourish. Inside are three shamblers: two men and one woman, all white folks. Sympathy for them twinges through me—I ain’t seen a sight like this in a while. They ain’t decayed much, so they must be new turns, and it makes me feel a little maudlin to think that a few weeks ago they probably had lives, families that loved them, jobs they didn’t care for, petty grievances they nursed grudges over. Now they’re nothing but yellow-eyed creatures out of a nightmare.
“Ladies and gentlemen, here we have three specimens, all recently infected. I would like to thank our fine Mayor Carr for allowing me to utilize these poor souls, gathered from the outskirts of Baltimore County, for our demonstration before their
