comes out in a lightning-fast bit of speech, and then I’m running full tilt along the wall.

I forget my blisters, my hunger, my thirst. Everything fades into the background as I count the shamblers, note their gait. You have to kill the freshies first. They’re the fastest, the smartest. The ones that have been running for a while are always slower, like a clockwork toy that just won’t wind. From my observations there looks to be three that are moving well, the rest of the group kind of straggling behind.

By the time I get to the girls I have a stitch in my side and my feet are screaming, but I push it all aside. I pick my way down the wall, jumping too early and dropping a sickle, nearly losing my balance when I hit the bottom. I grab my fallen weapon and pick my first target, a Negro girl wearing clothing that looks eerily like mine, and leap, sickle swinging to take the thing down.

Here’s the thing. If these were my sickles, my beloved, sharp, well-weighted combat sickles, they would’ve gone through the shambler’s neck like a hot knife through lard. But these are not my sickles. So the blade gets stuck halfway, the beast snapping its teeth at me and clawing at my arms as it tries to get free.

I place my foot behind the shambler’s and use my sickle to push it backward. Once it’s down I use a mule kick against the curved edge to force the blade through. The head goes rolling off down into the culvert and the body goes still.

But my kill has taken time. The other two patrol girls, whom I don’t know, are grappling with the remaining two freshies in close quarters, shoving them and swinging their scythes ineffectively. The rest of the pack is still fifty yards away and moving like elderly folks, hunched over and slow. If I can take down the other two, then we might have a fighting chance.

I switch my grip on my weapons as I run up behind the one closest to me. I cross my arms and use a blade on each side of the neck and pull the metal through. But as I’m trying to yank the sickles through the shambler’s neck I get a good look at its face, and my heart stutters to a stop.

The dead girl reaching for my throat is Maisie Carpenter.

Maisie was in her last year when I got to Miss Preston’s. The last time I saw her was the night of Professor Ghering’s lecture, when she stood along the wall, nodding in agreement as I protested using that poor man in that professor’s ill-conceived experiment. And now, here she is.

My penny goes cold, and the sensation is enough to snap me out of my poorly timed ruminations. I grunt and yank the blades the rest of the way through Maisie’s neck. It’s not as efficient as a swing, but with the rusty blades it’s the best I can do. Still, it takes entirely too much effort. In the time I’ve taken down two shamblers, I could normally have taken down five or six.

One of the other girls finally gets her scythe up and swings it at a shambler’s neck. The thing goes to the ground; it’s another girl dressed like an Attendant. I recognize this one as well. It’s the girl that ran off, leaving Mayor Carr’s wife to her fate.

Looks like I found the answer to what happened to the girls assigned to the fine ladies of Baltimore. I file the fact away for later, another piece of a puzzle I ain’t sure I understand or even want to parse.

I rest my hands on my knees and breathe deeply as the antique shamblers amble close enough to be a threat. I have to take care of them quickly, before any others show up to see what’s going on. After all, we still have a wall to climb. The other two girls stand a few feet behind me, their expressions dazed and more than a little shocked.

“Go on, get back up. I’ll take care of these.” I don’t have to tell them twice. They run toward the wall, trying to find the handholds that’ll allow them to climb to the top. That’s the problem with walls: they don’t just keep the enemy out.

The remaining shamblers are practically ancient, wearing uniforms from the war, and it takes very little effort to separate their heads from their bodies. They’re all extremely decayed, a few of them missing arms. One has a cavalry sword hanging from his belt, and after I put him down I unsheathe the sword and test its weight. It’s a real sword, not a decoration like the major used back at Rose Hill. I ain’t partial to swords—the time on the reverse is too long if you miscalculate your swing—but it’s better than a couple of rusty gardening blades.

I use the sword to put down the rest of the decrepit pack. The euphoria, that light-headed feeling I get after every battle, is stronger than ever, most likely because this is the first time in a very, very long time where I could have died. Another few seconds removing poor Maisie’s head, another couple of shamblers, and I could be lumbering and dragging along just like them.

After the last of the old dead has been dispatched, I wipe the sword off on the nearest body. I toss the sword onto the top of the wall and locate a couple of possible handholds before backing up a few steps to get a running start. I run and jump, my hand digging into the uneven spots in the wall. I haul myself up to the top, groaning from the effort, kicking and scrabbling in a downright ungainly manner. But I’ve managed to clear the wall, and that’s a feat in and of itself.

A crawling sensation tickles across my skin as I stand. That’s when I see Bill, below

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