With that, the wayfarer kissed Satlyt’s helmet, and then NuTay’s, and wiped each with their gloved hand, before folding themself into the drone and detaching it from the ship. Lightless and silent, they sailed away into the night. NuTay hoped they didn’t crash it.
NuTay felt sick, dangling from the ship, even though they were on an incline. Below them, the lights of the launching pad lit a slow mist rising from the bottom of the starship, about four hundred feet down. The skin of the ship was warm and rumbled in a sleeping, breathing rhythm. They switched on the camo-field, which covered them both, though they couldn’t see the effects.
Satlyt was frighteningly silent. Chota kin, NuTay whispered to test the range com. Maba, Satlyt whispered back with a sweaty smile.
The starship awoke with the suns. Their uneasy dozing was broken by the light, and by the deeper rumble in the starship’s skin. The brown planet of arrivals and departures stretched away from them, in the distance those dun hills. The pale blue sky flecked with thin icy clouds. The port dromes, the dirt roads like pale veins, the shanties glittering under the clear day in the far distance. Their one and only place. Hom, as wayfarers said. A strange word. Those fucking dun hills, thought NuTay.
Bless us Sol and all the stars without ghosts, whispered NuTay. Close your eyes, chota kin.
Remember Farweh, maba, said Satlyt, face wet behind the curved visor. The bottom of the starship exploded into light, and NuTay thought they were doomed, the juddering sending them sliding down the incline. NuTay held Satlyt’s gloved hand tight, grip painful, flesh and bone pressed against flesh and bone through the nanoweaves.
I am old, NuTay thought. Let Satlyt live to see Earth.
The light, the sound, was gone.
Satlyt convulsed next to NuTay, who felt every movement of their kin through closed eyes. They embraced, NuTay holding Satlyt tight, a hollow vibration when their visors met. The ship was eerily still under them, no longer warm through the thick suit. Satlyt was making small sounds that coalesced slowly into words. We’re alive.
Their breathing harsh in the helmet, the only sound along with the hissing breath of Satlyt into their own mic.
NuTay opened their eyes to see the universe looking back.
Don’t look. Don’t look. Don’t look.
I know you opened your eyes, maba. What did you see?
I don’t. Don’t look. I saw darkness. Time like a living thing, a … a womb, with the light beyond its skin the light from creation, from the beginning of time and the end, so far away, shining through the dark skin. There were veins, of light, and information, pulsing around us. I saw our djeens rippling through those veins in the universe, humanity’s djeens. Time is alive, Satlyt. Don’t let it see us. Keep your eyes closed.
I will, maba. That is a good story, Satlyt gasped. Remember it, for the refuji lawyer.
Time is alive, and eventually it births all things, just as it ends all things.
When the ship turned warm with fresh thunder, their visors were set aglow, bathing their quivering eyelids with hot red light, the light of blood and djeens. Their spacesuits thumped down on the incline, the tethers umbilical around each other, kin and kin like twins through time entwined, clinging to the skin of a ship haunted by exoghosts.
They held each other tight, and under Sol, knew the light of hom, where the first djeens came from.
Rachael K. Jones grew up in various cities across Europe and North America, picked up (and mostly forgot) six languages, and acquired several degrees in the arts and sciences. Now she writes speculative fiction in Portland, Oregon. Contrary to the rumors, she is probably not a secret android. Rachael is a World Fantasy Award nominee, Tiptree Award honoree, and winner ofWriters of the Future. Her fiction has appeared in dozens of venues worldwide, including Lightspeed, Beneath Ceaseless Skies, Strange Horizons, and PodCastle. Follow her on Twitter @RachaelKJones.
Khaalidah Muhammad-Ali lives in Houston, Texas, with her family. By day she works as a breast oncology nurse. At all other times, she juggles, none too successfully, the multiple other facets of her very busy life. Khaalidah’s publications include Strange Horizons, Fiyah Magazine, Diabolical Plots, and others. You can hear her narrations at any of the four Escape Artists podcasts, Far Fetched Fables, and Strange Horizons. As co-editor of PodCastle audio magazine, Khaalidah is on a mission to encourage more women and POC to submit fantasy stories. She can be found online at khaalidah.com and on Twitter at @khaalidah.
REGARDING THE ROBOT RACCOONS ATTACHED TO THE HULL OF MY SHIP
Rachael K. Jones and Khaalidah Muhammad-Ali
From: Alamieyeseigha, Anita
To: Alamieyeseigha, Ziza
Date: 2160-11-11
Dear Ziza,
You already know what this is about, don’t you,