many of the interior furnishings were moved to Chatsworth, the duke's residence in the countryside. You can still see some of them there.

Sean's house was inspired by Kenwood House in Hampstead. Set in an idyllic landscape beside Hampstead Heath, the house was expanded by Robert Adam between 1764 and 1779. Although Sean didn't have any paintings, the real house is a veritable gallery. Edward Cecil Guinness, brewing magnate and first Earl of Iveagh, bought Kenwood House in 1925, and when he died in 1927, he bequeathed the estate and part of his art collection to Britain. The house is open daily all year round, and if you visit you will see important paintings by many great artists including Rembrandt, Vermeer, Constable, Turner, Reynolds, and Gainsborough. I like to imagine that, with Sean's vast fortune at her disposal, Corinna might have put together such a collection!

The Chases' town house at 44 Berkeley Square has been described as "the finest terrace house of London." It was designed in 1742 by William Kent for Lady Isabella Finch. Unfortunately, you cannot visit, because the building is currently being used as a private club, but if you go to Berkeley Square, you can see it from the outside. Look for the blue door.

Stafford House, Juliana's home in St. James's Place, is based on Spencer House, one of the great architectural landmarks of London. Built in the eighteenth century by John, 1st Earl Spencer (an ancestor of Diana, Princess of Wales), it was immediately recognized as a building of major importance. Should you ever find yourself in London, I highly recommend a visit. Spencer House is open to the public every Sunday except during January and August.

To see pictures and learn more about the real people and real places featured in The Art of Temptation, please visit my website at www.LaurenRoyal.com, where you can also find modern versions of all the recipes in this book, sign up for my newsletter, and enter a contest to win Corinna's claddagh necklace.

If you missed Alexandra's story, you can find it in Lost in Temptation, the first book in my Regency Chase Family Series. Juliana's story was told in the second book, Tempting Juliana.

And if you'd like to read about earlier generations of the Chase family, check out my book Amethyst, the first title in my Chase Family Series. You'll find an excerpt in the back of this book. Amethyst, set in 1666, features Colin Chase, an ancestor of Rachael's brother and sisters. And the second Chase Family Series book, Emerald, is the story of Jason Chase, an ancestor of Griffin and his sisters.

To hear about my upcoming releases, my contests, and other news, please sign up for my newsletter, friend me on Facebook, or follow me on Twitter (@readLaurenRoyal) or Pinterest. I love to keep up with my readers!

I hope you enjoyed The Art of Temptation—thank you for reading!

Till next time,

BOOKS BY LAUREN ROYAL

For more information, click on a cover.

Chase Family Series

Regency Chase Family Series

Renaissance Chase Family Series

Boxed Sets

REGENCY CHASE FAMILY TREE

Click here to see the tree much larger!

Meet more of the Chase family in…

AMETHYST

Book One of the

Chase Family Series

Amethyst Goldsmith makes dazzling jewelry, but her future isn't nearly as bright as the pieces she creates. Though custom dictates she wed her father's apprentice, her heart rebels against the match. In mere days Amy will be condemned to a stifling, loveless marriage, and she sees no way out—until the devastating fire of 1666 sweeps through London, and tragedy lands her in the arms of a dashing nobleman who knows a diamond in the rough when he sees it...

Colin Chase, the Earl of Greystone, has his future all figured out. He's restoring his crumbling castle and estate to its former glory, and the key to its completion is his rich bride-to-be. But the Great Fire lays waste to his plans, saddling him with trouble—in the form of a lowly shopkeeper's daughter with whom he's most inconveniently falling in love...

Read an excerpt…

London

April 22, 1661

THE LAST TIME Amethyst Goldsmith saw her king, she was five years old and he was about to have his head severed from his body. Now, twelve years later, she sincerely hoped his son would have better luck.

She shouldered her way through the crowd, her parents and aunt murmuring apologies in her wake. "Here, there's room!" Finally reaching a few bare inches of rail, she clasped it with both hands and turned to flash them a victorious smile. "Come along, it's starting!"

Hugh and Edith Goldsmith joined her, shaking their heads at their daughter's tenacity. Hugh's sister Elizabeth squeezed in behind. Ignoring the grumbling of displaced spectators, Amy spread her feet wide to save more room at the front. "Robert, over here!"

Robert Stanley tugged on her long black plait as he wedged himself in beside her. She shot him a grin; he was fun. Although he'd arrived just last week to train as her father's apprentice, Amy had known for years that she was to marry him. So far they'd gotten along fine, although he'd been surprised to find she was far more skilled as a jeweler than he. Surprised and none too pleased, Amy suspected. But he would get over those feelings.

She might be female, but her talent was a God-given gift, and she'd never in this lifetime give up her craft. Robert would have to learn to accept that.

With a sigh of pleasure, Amy shuffled her shoes on the scrubbed cobblestones. "Look, Mama! Everything is so clean and glorious." She breathed deep of the fresh air, blinking against

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