of influence? This John Gisburne might be of use. Yet having met him – I would prefer a more palatable man in our confidence. He is the sort to make an enemy with each breath. And it appears he considers himself above the law. Someone needs to teach him his place. What did Prince Edward’s man Antony of Egypt think of him?’

‘My secretary Leufrid found Antony inscrutable. He was courteous to Gisburne, no more, no less.’

‘What of the late John Thoresby’s spy, the one-eyed Welshman?’

‘Archer? He’s now captain of bailiffs for the city. And Prince Edward’s man in the city, his eyes and ears in the North, they say. He entertained Antony in his home. Geoffrey Chaucer as well.’

Owen Archer’s position with the prince was precisely why Ambrose had come north.

‘I am aware Archer has the favor of the prince’s household. What do we know about him?’

‘The city sought his protection. He’s said to be a clever bloodhound, still a fine archer – he was captain of archers for Henry Grosmont before the loss of an eye, then his spy. Grosmont educated him to the latter position before he died. By all accounts he’s Gisburne’s nemesis. At some point the merchant crossed Archer and all the city awaits the day Gisburne is made to pay, and pay dearly.’

‘So Archer has enemies.’

‘Other than Gisburne?’ Ambrose wished he could see black jacket’s face, read the expression that lit up Alexander’s face. ‘Oh. Yes, I see.’

Ambrose settled himself to hear more. His distasteful interlude with the kitchen wench had been worth it.

As the company proceeded into the hall Ambrose cringed at the fog of greasy smoke in the great space, the rising odor of sweet wine, roasted meats, and sweat. And the noise! It was not the worst he had experienced, but that did not make the prospect any less daunting. To sing with his lungs filling with smoke – he would suffer tomorrow. At least he need not fret about the rough lyrics – few would hear them.

His heart lightened when Carl directed them to ascend to a gallery overlooking the feast. Closer to fresh air, at a slight distance from the fire and the noise. Better. The steep wooden steps were a challenge with the instruments, the man before him stumbling, almost knocking the crwth from his grasp. Ambrose’s quick reflex saved it.

‘How will they hear us?’ Matthew whispered as Ambrose joined the youth.

‘Those who wish to will find a way.’

And, lo, as soon as the musicians struck up a jig, faces lifted to see whence came the sound.

‘Ah,’ breathed Matthew.

‘Just so,’ said Ambrose, staring directly into the eyes of Sir John Neville, Knight of the Garter, Admiral of the North, Steward of the King’s Household, he of the gorgeous silver-seamed jacket. So the archbishopric of York was that important to the family that Alexander’s eldest brother took time away from his military activities and duties at court to attend this meeting. Suddenly what Ambrose had conceived as a fortuitous opportunity to gather a tidbit of gossip that might be of use had become a far more dangerous ploy than he had intended. John Neville’s cool gaze chilled him. Ambrose did not recall having been introduced. But he was glad the velvet hat covered his long, lustrous white hair, just in case Neville had seen him at the French court. He had certainly heard much about Neville there. He, in turn, might have heard of Ambrose, who was known as the silver-haired troubadour. God help him. He was glad he had decided to play an instrument that had been of no interest in France, the Welsh crwth.

The song ended, and the players fanned out to make room for Ambrose and Matthew in the center. Lifting his crwth, Ambrose teased out the melody, giving Matthew the pitch.

The pure voice rose up in praise of the Nevilles, Ambrose answered. John Neville’s eyes crinkled in delight.

God be praised. Perhaps that was all his concern, that the entertainment be suitable and pleasing to the ear.

While his companions busied themselves preparing for the performance, Ambrose had gathered the belongings he would not be needing and taken them to a spot he had found beside the gatehouse. A break in the wall, narrow, but he was still slender and agile, God be thanked. An overturned barrow covered his pack. Now, as the players were settling for the night, having drunk deeply and eaten their fill, Ambrose lay awake fully dressed, even to his boots, listening to the rustling, the stumbles and slurred apologies. He might simply slip out as if heading out to relieve himself but for his instrument and the blankets. So he waited.

The danger lay in waiting too long, and he must have fallen asleep, for he came alert of a sudden, heart pounding, with a vague sense of someone thrashing about. Was that a cry? He lay still, holding his breath. There. A muffled cry, a grunt of warning. He sat up and blinked to adjust to the unhelpful light from a torch by the door, flame dancing in a strong draft. Someone hunched over Matthew’s pallet. Real? He quietly collected his things, donned his hat, and rose, gathering his cloak about him. His instrument case securely hanging from his shoulder, he crept toward the sound, and, seeing that he was right, reached out and yanked the naked man away from Matthew, tossing him aside. Ambrose would never be considered strong, but he knew how to make use of surprise, and the awkwardness of a swollen cock. A loud thud, a curse, then silence.

‘Get your things and come with me,’ Ambrose whispered, offering Matthew a hand.

‘I can manage,’ the youth muttered, scrambling up, gathering blankets, clothes, a pack, turning back with a curse for the boots that had been kicked away.

‘I have your boots. Hurry!’

They picked their way among the players, some cursing, others merely turning over and resuming their snores. No one seemed to be chasing them. Near the door, Ambrose noted Carl

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