signing stock at the Ocean Terminal Waterstones in Leith, and I noticed the bookseller was left-handed, and commented on it. He said all the booksellers in the shop that day were left-handed. Please forgive me that I didn’t note your surname, Stephen the bookseller of Leith, and thank you for the spark that led to this book.

I also am grateful to my friends Inspector Roger Nield MBE (Surrey Police, rtd) and WPC Lucy Nield (Surrey Police, rtd) for answering my questions about British policing. If I’ve gotten something right, it’s thanks to Roger and Lucy; if wrong, it’s all my fault. Or it’s different in this somewhat alternate 1983. . . .

I must thank my agents for their expertise, encouragement, and unfailing business acumen: Jill Grinberg and her team at Jill Grinberg Literary Management in New York; Fiona Inglis and the gang at Curtis Brown Australia; and Matthew Snyder and his associates, who look after film/TV for me at CAA in Los Angeles.

My publishers help me in many different ways to do my job and make beautiful books; they also market and sell them superbly, and I am honored to be on their lists: Katherine Tegen and the HarperCollins crew in the USA; Eva Mills and everyone at Allen & Unwin in Australia; and Gillian Redfearn and the team at Gollancz in the United Kingdom. I have also been very lucky to work with fantastic audiobook publishers, at Listening Library/Random House, Bolinda, and Brilliance. I am also very grateful to the translators and publishers who make my books work in other languages and countries.

Booksellers have been absolutely essential in helping my books reach readers. I am grateful to all booksellers, not only for supporting my own books but for everything you do to connect people and reading. I would particularly like to thank Margaret and Teki Dalton and the Dalton family, and everyone I worked with at Dalton’s Bookshop in Canberra, way back in 1987 when the height of bookshop technology was calling the Penguin warehouse every evening to recite a list of ISBNs for restocking.

I should also mention that the modern-era Foyles bookshops have all the good aspects of the fabled older store at 121 Charing Cross Road, but not what might perhaps be called the negative eccentricities. The St. Jacques booksellers are also biased, of course.

Similarly, the actual ancient yew, village, and church of Totteridge, and whoever was vicar in 1983, are not the same as in this book, which depicts an alternate, imagined 1983 and not the real places or persons.

I am eternally grateful to my wife, Anna McFarlane, who not only manages a very busy career as a publisher, but also our family; and to our sons, Thomas and Edward, who are very understanding of their father’s foibles and limitations, so often related to at least half my mind being absent in a book.

About the Author

PHOTO CREDIT WENDY MCDOUGALL

GARTH NIX is the New York Times bestselling author of the Old Kingdom series, beginning with Sabriel, and many other fantasy novels for teens and children, including the Seventh Tower series and the Keys to the Kingdom series. More than six million copies of his books have been sold worldwide and his work has been translated into forty-two languages. You can find him online at www.garthnix.com.

Discover great authors, exclusive offers, and more at hc.com.

Books by Garth Nix

THE OLD KINGDOM SERIES

Sabriel

Lirael

Abhorsen

Clariel

Goldenhand

The Old Kingdom Collection

To Hold the Bridge

Across the Wall: A Tale of the Abhorsen and Other Stories

The Creature in the Case: An Old Kingdom Novella

The Ragwitch

One Beastly Beast: Two Aliens, Three Inventors, Four Fantastic Tales

Shade’s Children

A Confusion of Princes

Newt’s Emerald

Angel Mage

The Left-Handed Booksellers of London

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Copyright

Katherine Tegen Books is an imprint of HarperCollins Publishers.

THE LEFT-HANDED BOOKSELLERS OF LONDON. Copyright © 2020 by Garth Nix. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereafter invented, without the express written permission of HarperCollins e-books.

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Cover art ©2020 by Leo Nickolls

Cover design by David Curtis

Library of Congress Control Number: 2020937197

Digital Edition SEPTEMBER2020 ISBN: 978-0-06-268327-4

Print ISBN: 978-0-06-268325-0

ISBN 978-0-06-305081-5 (int.)

2021222324PC/LSCH10987654321

FIRST EDITION

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