words you should and shouldn’t use for people, based on what problems they have, what race they are, or who they like to sleep with. While Cal agrees that you should call people whatever they prefer to be called, he considers this to be a question of basic manners, not of morals. This outraged Ben enough that he stormed out of Cal and Donna’s house in the middle of Thanksgiving dessert, with Alyssa in tears running after him, and it took him an hour to cool down enough to come back in.

In Cal’s view, morals involve something more than terminology. Ben damn near lost his mind over the importance of using the proper terms for people in wheelchairs, and he clearly felt pretty proud of himself for doing that, but he didn’t mention ever doing anything useful for one single person in one single wheelchair, and Cal would bet a year’s pension that the little twerp would have brought it up if he had. And on top of that, the right terms change every few years, so that someone who thinks like Ben has to be always listening for other people to tell him what’s moral and immoral now. It seems to Cal that this isn’t how a man, or a woman either, goes about having a sense of right and wrong.

He tried putting it down to him getting middle-aged and grumpy about young people these days, but then the department went the same way. They brought in a mandatory sensitivity training session—which was fine by Cal, given the way some of the guys treated, for example, witnesses from bad hoods and rape victims, except the session turned out to be all about what words they were and weren’t allowed to use; nothing about what they were doing, underneath all the words, and how they could do it better. Everyone was always talking about talking, and the most moral person was the one who yelled at the most other people for doing the talking all wrong.

He’s afraid to answer Trey, in case he leads him wrong and gets him into all kinds of trouble, but no one else is going to do it. “Morals,” he says in the end, “is the stuff that doesn’t change. The stuff you do no matter what other people do. Like, if someone’s an asshole to you, you might not be mannerly to him; you might tell him to go fuck himself, or even punch him in the face. But if you see him trapped in a burning car, you’re still gonna open the door and pull him out. However much of an asshole he is. That’s your morals.”

Trey chews and considers this. “What if he was a psycho killer?”

“Then maybe I wouldn’t help him up if he fell down and broke his leg. Still wouldn’t leave him in that car, though.”

Trey thinks that over some more. “I might,” he says. “Depending.”

“Well,” Cal says, “I got my code.”

“You don’t ever break it?”

“If you don’t have your code,” Cal says, “you’ve got nothing to hold you down. You just drift any way things blow you.”

“What’s your code?”

“Kid,” Cal says, with a sudden surge of weariness, “you don’t want to listen to me about this stuff.”

“How come?”

“You don’t want to listen to anyone about this stuff. You gotta come up with your own code.”

“But what’s yours?”

“I just try to do right by people,” Cal says. “Is all.”

Trey is silent, but Cal can feel more questions shaping themselves in his mind. He says, “Eat your dinner.”

Trey shrugs and does as he’s told. When he finishes his second helping, he sets down his fork and knife, leans back in his chair with his hands on his belly and gives a satisfied sigh. “Stuffed,” he says.

Cal hates to bring the kid’s mind back to Brendan, but if he doesn’t provide a plan for the next step, Trey is liable to come up with one of his own. After he clears the table, he finds a pen and a fresh page in his notebook, and puts them in front of Trey. “Draw me a map,” he says. “How to get to the cottage where Brendan hung out.”

The kid genuinely tries, but Cal can tell within a minute that it’s hopeless. All the landmarks are shit like BIG GORSE BUSH and WALL THAT BENDS LEFT. “Forget it,” he says in the end. “You’re gonna have to take me there.”

“Now?” The kid is half off his seat.

“No, not now. We’ll go tomorrow. Up to here”—Cal taps the map at a bend in the mountain road—“I can follow what you’re driving at. I’ll meet you here. Three-thirty.”

“Earlier. Morning time.”

“Nope,” Cal says. “You got school. Which means right now you need to go home and get your homework done.” He stands up and takes the notebook away, ignoring the look that says Trey will do no such thing. “Take one of those cupcakes with you, for your dessert.”

On his way out the door Trey turns, unexpectedly, to give Cal a great big grin over his shoulder, through the half of the cupcake that’s already stuffed in his mouth. Cal grins back. He wants to tell the kid to be careful out there, but he knows it wouldn’t do any good.

FOURTEEN

During the night, something happens. It reaches Cal through his sleep, a snag somewhere in the night’s established rhythms, a disturbance. As he comes awake he hears, away across the fields, a hard savage howl of pain or rage or both.

He goes to the window, cracks it open and looks out. The cloud has cleared some, but the moon is slim and he can see very little except different densities and textures of darkness. The night is cold and windless. The howl has stopped, but there’s still movement, far off and ragged, ruffling the edge of his hearing.

He waits. After a minute or two, the sounds grow and sharpen, and his eyes pick out a shape among the grass

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