were open, their lights shining gaily out across lawn and flower borders and hedge. John Sanderson’s house showed lights in the lower windows, but the village street was dark now, candles all put out.

Just before eleven o’clock, Macdonald went through the park gates into the garden of Gramarye, keeping in the shadow of the ilex trees until he came to the garden door—a small side door which opened into a passage between Sister Monica’s office and the parlour. He turned the handle of the door and found it yielded silently to his touch as a well-oiled door handle should, and the door opened with neither creak nor groan. Closing the door behind him, Macdonald stood still in the darkness, as he had stood so often in other buildings. Houses, barns, shops, flats, warehouses, all dark, as this passage was dark, but having in the darkness their own character because each had its own peculiar smell. Gramarye smelt of floor polish and carbolic and soap: something of the unwelcoming smell of an institution, but behind the overlay of modern cleanliness, the smell of the ancient house declared itself, of old mortar, of stone walls built without damp courses, of woodwork decaying under coats of paint, of panelling and floor boards which gave out their ancient breath as the coldness of the stone house triumphed over the warmth of the midsummer evening. It flashed through Macdonald’s mind that he would remember the village of Milham on the Moor through the fragrance of midsummer, new-mown hay, roses and clove pinks and honeysuckle, the “unforgettable, unforgotten river smell”—and lime trees in flower: all these wafted on the warm air in sensuous delight. But he would remember Gramarye for its chill stone smell, coupled to the soap and polish and disinfectant which were so virtuous in intention and so comfortless in achievement.

He walked along the dark passage to the little square entrance hall, where he could see a rectangle of half light—the diamond-paned window beside the front door—and he stood and listened to the creepy rattle which told of mice scuttling or nibbling in the ancient beams. It was next to impossible to rid an ancient house of mice, unless you kept a company of cats. “She would have thought cats were unhygienic,” thought Macdonald, who liked cats. He went slowly and silently upstairs to the first floor, and sat down on the top stair. He knew that all was well in the silent house. Reeves was here—somewhere—as good as a watch dog and an insurance policy in one. Reeves would have been all over the house, as silent as a shadow, prying and guarding both. He would have looked in at the two sleeping women, quite calm and unembarrassed. Reeves was a very domestic character.

There was nothing to do but to wait, so Macdonald settled himself comfortably on his top stair: “Waiting for somebody else ‘to be helpful’,” as he told Reeves the next day.

2

It was midnight before anything happened. The church clock had just struck, with maddening deliberation, slower than Big Ben. Then Macdonald thought: “It’s generally a cold draught. This time it’s warm.” Somebody had opened the garden door, quite silently. They must have left it open, wide, for the still air of the stone house was astonishingly animated by a breath of warmer air laden with the scent of hay and clove pinks. Incredibly the fragrance of the summer night was diffused into the institutional carbolic of Gramarye, and the song of nightingales became suddenly louder and closer.

Macdonald stood up on his top stair and moved a step to the left, waiting for a sound from below. It wasn’t long in coming: the footstep was quiet enough, the faintest shuffle of list slippers, but the person who moved was heavy in body, and the old boards creaked and sprang…crack…crack…crack. “The Warden would have used that door when she came in from her midnight wanderings,” thought Macdonald, and then, strangely, came a deep sigh from below: a sigh compounded of fear and physical weariness and mental stress, sounding preposterously loud in the enclosed space of the panelled passage. Then came a slight rattle and fumbling. “The office door…drawn a blank there,” thought Macdonald. (Reeves had seen to that.) “The parlour? Well, it’s not very helpful, sheeted and shrouded by the industrious Hannah, and not so much as a wall cupboard to conceal a promising clue. Kitchen quarters? I think not, and certainly not the schoolroom or chapel room. Most unsuitable. Coming up? I thought so.”

Macdonald slipped like a shadow into a room immediately behind him, where drawn blinds kept out the faint luminosity of the starlit northern sky. He slipped behind the door, which was half open. It was one of the children’s play rooms, and as such would be of little interest to the unknown ‘helper.’ Macdonald stood so that he could see through the crack of the door should a glimmer of torch-light be shown. “They’ll have to use a light sometime. Even a cat would be defeated by this floor of the house,” thought Macdonald. “Reeves again. He’s pulled all the blinds down, thoughtful fellow. If ever a chap learnt by experience, it’s Reeves.”

The stairs creaked so loudly that Macdonald thought that even Emma Higson would wake up, though he had noticed she was a bit hard of hearing. Evidently the nocturnal visitor thought so too, for there was a full minute’s cessation of movement. The only sound was laboured breathing, heavy, distressed, and quite unreasonably loud. Then the shuffling footsteps moved on, along the passage to the right, and a slender upright of light showed down the hinged edge of Macdonald’s door: the torch had come into operation.

Macdonald moved out from behind the door and stood flat against the wall beside the door jamb, whence he could see through the doorway along the passage, without being seen if the visitor turned round. Against the faint glimmer of torch-light a dark figure showed for a moment in silhouette, and

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