pyre, but they would not stare at her with such mingled pity and disgust.

But she had not burned it. Instead she had been swept into the usual business of widowhood — papers to sort through and allotments to settle. He had left most of his affairs in good order, but there were a few things missing, and she had to turn the house over looking for them, while the lawyers tapped their feet and sent politely worded notes about how vital it all was that they receive this by such-and-such a time to avoid some unspecified unpleasantness.

At last, with one of the lawyers actually in the house, she had remembered the room at the top of the tower.

“There’s one other place I suppose it could be,” she said dubiously. “My husband’s study — I never went in there. But I suppose it’s possible.”

“Were there papers in there?” asked the lawyer.

“I haven’t the faintest idea,” said Althea. “I still haven’t gone in there. Let me find the key.”

She had to get a chair into the library, and then check three or four bookends — was it the elephant with the saddle, or the woman with the urn, or the dragon clutching the treasure chest? — until she found the key. There were cobwebs in the urn, but nothing more. The key was as brilliantly gold as it had been the day that Bluebeard had handed it to her.

They went up the stairs to the top of the tower — stupid having a tower in a manor house, but the previous earl had been fond of eccentric architecture — and Althea fitted the key to the door.

“The dust is probably appalling,” she said. “Nobody’s been in here in six months, and I doubt my husband kept it up very well. He was a dear thing, but not much of a housekeep — ”

She pushed the door open, with the lawyer at her back.

No overstuffed chairs. No etchings. Bare floors, bare walls — and them. The previous wives of Bluebeard.

The irony was that there was bad taxidermy after all. He hadn’t been good at it. Those poor women. Bad enough that he had killed them at all, but their bodies were preserved so badly that they barely looked human. At first she had thought they were festival costumes with poorly-constructed masks, draped over dress-maker’s dummies. Something. Not people.

Cobwebs draped each of the figures. There were seven in all.

“What on earth … ” she said, peering more closely. “What are — oh god — ”

When Althea realized what they were, she sat down in the middle of the floor and put her hands over her face. The lawyer caught her shoulder. “Miss — miss — ” and then, bless him, he picked her up bodily and carried her out of that terrible room.

She didn’t go back. They had men out — constables and investigators and who knew what. They went into the room and took the pitiful contents out. Althea lay in bed for three days, her mind a great roaring silence, and then her sisters arrived and she rose off her bed long enough to throw them out again.

Once she was up, she figured that she might as well stay up. She packed the entire household up in a week, left most of the furniture to the lawyers to auction off, and went to the hunting lodge in the country. Before the horses were even unloaded, she went into every room, throwing the doors and windows open, letting light shine into every crack of the house.

There were no dead women there. She moved in at once.

It was not a bad place. It was rougher than the manor house, and the cook complained endlessly about the stove, but be damned if she was moving to the townhouse to be the butt of pity and accusation. She walked through the woods every day, wearing mourning black, not entirely sure who she was mourning for.

She still missed her husband sometimes. Every time it felt like a betrayal of those women — those other wives — and yet it was what she felt. Twenty-seven years of living with someone, sharing their bed and crying on their shoulder, were not so easily erased. There was a great deal of guilt and fury as well — enough to fill an ocean, enough to make her pound her fists on the walls and howl — but there was no one she could talk to. No one else had ever been in this situation. The one person she could always talk to, the one who would have listened, was dead. And a murderer. But mostly dead.

When the lawyers found her at last, and made their report, she learned that she had a great deal of money. A murderer’s estate was automatically forfeit to the Crown, but apparently her husband had, in the last few months of his life, put everything into a trust in her name — except for the manor house.

Very well. Let it be someone else’s problem now.

She also learned that around the neck of each of his dead wives had been a necklace, and on each necklace hung a brilliant golden key.

“How frustrating that must have been for him,” she said, and laughed a little to herself. Her laughter sounded rusty and disused, but it was a laugh all the same.

She really hadn’t known.

She’d just thought that the world was a complicated place, and everyone in it deserved a little bit of privacy, and perhaps a room of one’s own.

 

Loathly

It is a hard, sometimes ugly story, and hard, ugly things happen in it, including sexual assault. The reader is advised to proceed at their own risk.

My husband never forgave me for the hounds.

Everyone knows the song by now, I suppose — how the king was hunting, and stayed the night in a haunted hall, and a monster came in the night and trapped him inside. He killed his animals —“his hawk and his

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