Bella shrugs.
Juniper returns to her apple-tossing, whispering words to herself, only some of which are profanities. Sometimes she pauses to inspect the apple closely, as if looking for worms, then resumes her whispering. She touches the apple with various objects—coins and bones, red strings and crow feathers, to no discernible effect.
Nearly an hour later she taps her thumbnail against the skin of the apple and grins at the delicate tink-tink sounds it produces. “Well, I hope our sister has her head on straight by the full moon.”
Bella makes a distracted mmm? noise without looking up from her book. Juniper sets a small, heavy object in its pages. Bella peers at it through her spectacles and gives a soft gasp. “What—how—”
“Electa taught me one of her mama’s old songs. I thought there might be something to it.” She plucks the heavy thing from her sister’s book and holds it up to the light. It’s round and lustrous, glowing yellow as butter: a small, golden apple.
Juniper grins at it, this thing that fell out of storybook and song to shine in her palm, real as anything. “Think I found our third spectacle.”
Ferrum rubigine, pernay o chronoss.
A spell to rust, requiring salt, spit, & considerable patience
The night after Agnes Amaranth shattered every stein and bottle in The Workingman’s Friend, Mr. August Lee knocks at the door of Room No. 7 in the South Sybil boarding house.
Agnes is bent over a map of New Salem with a handful of other Sisters, debating the best routes to approach their third spectacle, when a man’s voice husks, “Uh, hyssop,” from the hall. The room falls still. Worried glances dart like swallows between them.
Juniper rises from the bed, reaching for her red-cedar staff the way a man might reach for a loaded pistol. “It’s fine, June. It’s just Annie’s cousin.”
Juniper has already whipped open the door to reveal the lanky, shockingly dapper Mr. Lee. His shirt appears to have been ironed and his summer-straw hair looks as though it suffered a recent encounter with a comb; in his left hand he holds a red burst of carnations.
He touches a polite hand to his cap. “Evening, ladies. I’m here at the request of a Miss Agnes Ama—”
“We know who you are. What’re these?” Juniper snatches the carnations and inspects them. She plucks a few petals and crushes them between her fingers, sniffing suspiciously. “Don’t think my Mama Mags ever used these in her witching. What properties do they have?”
Mr. Lee is struck briefly silent by the uncivil young woman and her green-lit glare. “It’s not—they’re not a spell. They’re flowers, for Miss—” Mr. Lee looks a little frantically around the larger-than-it-ought-to-be room and finally spots Agnes leaning her hip against the kitchen table, fighting a smile.
She loses. “Let him in, June. Give me those.” Agnes rescues the flowers and arranges them in a chipped porcelain vase. They sag forlornly over the edge, looking distinctly misused. “So glad you could join us, Mr. Lee. You’ve already met my younger sister, Miss James Juniper. This is Miss Beatrice Belladonna, Misses Victoria and Tennessee Hull—”
Agnes circles the room, introducing both her sisters and Sisters. Mr. Lee, in an attempt to recover his footing, assays a charming smile at a pair of girls from Salem’s Sin; they return looks of such surpassing coldness that Agnes almost feels sorry for him. He redirects the smile to Bella, whose polite but profound disinterest is somehow even more crushing. Mr. Lee’s gaze swings back to Agnes in desperation.
She gestures to one of their mismatched chairs. “Shall we begin?”
In the end Mr. Lee’s first lesson in men’s magic is not so much a lesson as a hostile interrogation. Bella perches in a seat next to him with her little black notebook propped on her knees, interrupting every six or seven seconds with probing questions and obscure remarks (“How do celestial movements alter the efficacy?” “Are all your spells in the imperative rather than subjunctive mood?”). As Mr. Lee fumbles through answers that are mostly long pauses and pained expressions, Juniper sits on his other side, mangling the words at the top of her voice and complaining when they produce no obvious results (“Some good men’s magic is. What’s Latin for horseshit, Mr. Lee?”). It’s clear that whatever work Mr. Lee did in Chicago—Annie said he was a lineman who became one of Debs’s left-hand boys, charged with arson and inciting to riot by the state of Illinois—it hadn’t prepared him for two hours with the Eastwood sisters.
Looking harassed, Lee withdraws a pinch of salt and a bent nail from his vest pocket and chants at the nail in rough-cut Latin until it looks marginally flakier and redder, as if it contracted a sudden rash.
“Neat,” Juniper sneers, “if you’ve got a year or two to spare.”
Lee slaps a hand on the table, his charm hanging in ragged tatters around him. “Listen. This exact spell took out a mile of track in Chicago and got me beaten damn near to death. When you’re out on the front lines—”
Agnes thinks he might be warming up to a real speech, full of aggrieved passion and chest-thumping, when one of the other girls at the table gives a soft, devastating snort. “You wouldn’t know a front line if it bit you, boy.” It’s Gertrude Bonnin, the clay-colored woman from one of the Dakotas.
Mr. Lee looks at her, not so much offended as despairing, and Juniper slings an arm around Gertrude’s stiff shoulders. “Our girl here fought in the Indian Wars out west, Mister Lee. She and a bunch of other girls busted out of their boarding school—using Saints only know what kind of witching, because she won’t tell us—and joined their mamas and aunties on the front lines.”
Gertrude pats Juniper’s arm and says, without a trace of apology, “Not every word and way belongs to you.”
“What about the uplift of women around the globe?
