Contents

Cover

About the Book

About the Author

Also by Gladys Mitchell

Vintage Murder Mysteries

Title Page

Chapter One: No Haste to the Wedding

Chapter Two: Rumours of Mayering

Chapter Three: Chance Encounter

Chapter Four: The Signs of the Zodiac

Chapter Five: Mayering Eve

Chapter Six: Mayering Morn

Chapter Seven: The Green Man

Chapter Eight: Douston Hall

Chapter Nine: Unusual Honeymoon

Chapter Ten: The Charnel House

Chapter Eleven: Witch’s Sabbath

Chapter Twelve: Unconsecrated Ground

Chapter Thirteen: A Little Nearer the Truth

Chapter Fourteen: Jack-in-the-Green

Chapter Fifteen: Substitution

Chapter Sixteen: Friendless Bodies

Chapter Seventeen: Recapitulation

Chapter Eighteen: Fresh Evidence

Chapter Nineteen: The Lady Mother

Copyright

About the Book

Fenella unwittingly stumbles upon a pagan ritual in the sleepy village of Seven Wells. When the village’s pub landlord disappears, Fenella calls on the expert advice of her great aunt – who happens to be the psychoanalyst and master sleuth Mrs Bradley – to help her unravel the developing mysteries. Why was the squire of the village stabbed in the back? And what is the secret of the five skeletons in the crypt?

About the Author

Gladys Maude Winifred Mitchell – or ‘The Great Gladys’ as Philip Larkin called her – was born in 1901, in Cowley in Oxfordshire. She graduated in history from University College London and in 1921 began her long career as a teacher. She studied the works of Sigmund Freud and attributed her interest in witchcraft to the influence of her friend, the detective novelist Helen Simpson.

Her first novel, Speedy Death, was published in 1929 and introduced readers to Beatrice Adela Lestrange Bradley, the heroine of a further sixty six crime novels. She wrote at least one novel a year throughout her career and was an early member of the Detection Club, alongside Agatha Christie, G.K Chesterton and Dorothy Sayers. In 1961 she retired from teaching and, from her home in Dorset, continued to write, receiving the Crime Writers’ Association Silver Dagger in 1976. Gladys Mitchell died in 1983.

ALSO BY GLADYS MITCHELL

Speedy Death

The Mystery of a Butcher’s Shop

The Longer Bodies

The Saltmarsh Murders

Death and the Opera

The Devil at Saxon Wall

Dead Men’s Morris

Come Away, Death

St Peter’s Finger

Printer’s Error

Hangman’s Curfew

When Last I Died

Laurels Are Poison

The Worsted Viper

Sunset Over Soho

My Father Sleeps

The Rising of the Moon

Here Comes a Chopper

Death and the Maiden

Tom Brown’s Body

Groaning Spinney

The Devil’s Elbow

The Echoing Strangers

Merlin’s Furlong

Watson’s Choice

Faintley Speaking

Twelve Horses and the Hangman’s Noose

The Twenty-Third Man

Spotted Hemlock

The Man Who Grew Tomatoes

Say It With Flowers

The Nodding Canaries

My Bones Will Keep

Adders on the Heath

Death of the Delft Blue

Pageant of a Murder

The Croaking Raven

Skeleton Island

Three Quick and Five Dead

Dance to Your Daddy

Gory Dew

Lament for Leto

A Hearse on May-Day

The Murder of Busy Lizzie

Winking at the Brim

A Javelin for Jonah

Convent on Styx

Late, Late in the Evening

Noonday and Night

Fault in the Structure

Wraiths and Changelings

Mingled With Venom

The Mudflats of the Dead

Nest of Vipers

Uncoffin’d Clay

The Whispering Knights

Lovers, Make Moan

The Death-Cap Dancers

The Death of a Burrowing Mole

Here Lies Gloria Mundy

Cold, Lone and Still

The Greenstone Griffins

The Crozier Pharaohs

No Winding-Sheet

VINTAGE MURDER MYSTERIES

With the sign of a human skull upon its back and a melancholy shriek emitted when disturbed, the Death’s Head Hawkmoth has for centuries been a bringer of doom and an omen of death – which is why we chose it as the emblem for our Vintage Murder Mysteries.

Some say that its appearance in King George III’s bedchamber pushed him into madness. Others believe that should its wings extinguish a candle by night, those nearby will be cursed with blindness. Indeed its very name, Acherontia atropos, delves into the most sinister realms of Greek mythology: Acheron, the River of Pain in the underworld, and Atropos, the Fate charged with severing the thread of life.

The perfect companion, then, for our Vintage Murder Mysteries sleuths, for whom sinister occurrences are never far away and murder is always just around the corner …

MORE VINTAGE MURDER MYSTERIES

EDMUND CRISPIN

Buried for Pleasure

The Case of the Gilded Fly

Holy Disorders

Love Lies Bleeding

The Moving Toyshop

Swan Song

A. A. MILNE

The Red House Mystery

GLADYS MITCHELL

Speedy Death

The Mystery of a Butcher’s Shop

The Longer Bodies

The Saltmarsh Murders

Death and the Opera

The Devil at Saxon Wall

Dead Men’s Morris Come Away, Death

St Peter’s Finger

Brazen Tongue

Hangman’s Curfew

When Last I Died

Laurels Are Poison

Here Comes a Chopper

Death and the Maiden

Tom Brown’s Body

Groaning Spinney

The Devil’s Elbow

The Echoing Strangers

Watson’s Choice

The Twenty-Third Man

Spotted Hemlock

My Bones Will Keep

Three Quick and Five Dead

Dance to Your Daddy

A Hearse on May-Day

Late, Late in the Evening

Fault in the Structure

Nest of Vipers

MARGERY ALLINGHAM

Mystery Mile

Police at the Funeral

Sweet Danger

Flowers for the Judge

The Case of the Late Pig

The Fashion in Shrouds

Traitor’s Purse

Coroner’s Pidgin

More Work for the Undertaker

The Tiger in the Smoke

The Beckoning Lady

Hide My Eyes

The China Governess

The Mind Readers

Cargo of Eagles

E. F. BENSON

The Blotting Book

The Luck of the Vails

NICHOLAS BLAKE

A Question of Proof

Thou Shell of Death

There’s Trouble Brewing

The Beast Must Die

The Smiler With the Knife

Malice in Wonderland

The Case of the Abominable Snowman

Minute for Murder

Head of a Traveller

The Dreadful Hollow

The Whisper in the Gloom

End of Chapter

The Widow’s Cruise

The Worm of Death

The Sad Variety

The Morning After Death

CHAPTER ONE

No Haste to the Wedding

‘ “Ride softly up,” said the best young man;

“I think our bride come slowly on.”

“Ride up, ride up,” said the second man;

“I think our bride look pale and wan.” ’

Anon. – The Cruel Brother

When she was questioned about it afterwards, Fenella Lestrange was forced to admit that there was no very good reason why she should have chosen to break her journey at the village of Seven Wells. It was off her

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