on the other side of that mist?”

She shook her head. “Beyond the mist is Malkuth: the Kingdom. But it does not exist unless you make it so. It becomes as you create it. If you dare to walk into the mist, then you will build a world or you will cease to exist entirely. And you can do this thing. I do not know what will happen, except for this: if you walk away from me you can never return.”

He heard a pounding still, but was no longer certain that it was the feet of a giant. It felt more like the beat, beat, beat of his own heart.

He turned towards the mist, before he could change his mind, and he walked into the nothingness, cold and clammy against his skin. With each step he felt himself becoming less. His neural plugs died, and gave him no new information, until even his name and his status were lost to him.

He was not certain if he was seeking a place or making one. But he remembered dark skin and her amber eyes. He remembered the stars—there would be stars where he was going, he decided. There must be stars.

He pressed on. He suspected he had once been wearing armor, but he felt the damp mist on his face, and on his neck, and he shivered in his thin coat against the cold night air.

He stumbled, his foot glancing against the curb.

Then he pulled himself upright, and peered at the blurred streetlights through the fog. A car drove close—too close—and vanished past him, the red rear lights staining the mist crimson.

My old manor, he thought, fondly, and that was followed by a moment of pure puzzlement, at the idea of Beckenham as his old anything. He’d only just moved there. It was somewhere to use as a base. Somewhere to escape from. Surely, that was the point?

But the idea, of a man running away (a lord or a duke, perhaps, he thought, and liked the way it felt in his head), hovered and hung in his mind, like the beginning of a song.

“I’d rather write a something song than rule the world,” he said aloud, tasting the words in his mouth. He rested his guitar case against a wall, put his hand in the pocket of his duffel coat, found a pencil stub and a shilling notebook, and wrote them down. He’d find a good two-syllable word for the something soon enough, he hoped.

Then he pushed his way into the pub. The warm, beery atmosphere embraced him as he walked inside. The low fuss and grumble of pub conversation. Somebody called his name, and he waved a pale hand at them, pointed to his wristwatch and then to the stairs. Cigarette smoke gave the air a faint blue sheen. He coughed, once, deep in his chest, and craved a cigarette of his own.

Up the stairs with the threadbare red carpeting, holding his guitar case like a weapon, whatever had been in his mind before he turned the corner into the High Street evaporating with each step. He paused in the dark corridor before opening the door to the pub’s upstairs room. From the buzz of small talk and the clink of glasses, he knew there were already a handful of people waiting and working. Someone was tuning a guitar.

Monster? thought the young man. That’s got two syllables.

He turned the word around in his mind several times before he decided that he could find something better, something bigger, something more fitting for the world he intended to conquer, and, with only a momentary regret, he let it go forever, and walked inside.

Excerpt from Anansi Boys

2005

How Anansi Tricked Tiger

NOW, PROBABLY YOU KNOW some Anansi stories. Probably there’s no one in the whole wide world doesn’t know some Anansi stories.

Anansi was a spider, when the world was young, and all the stories were being told for the first time. He used to get himself into trouble, and he used to get himself out of trouble. The story of the Tar-Baby, the one they tell about Bre’r Rabbit? That was Anansi’s story first. Some people think he was a rabbit. But that’s their mistake. He wasn’t a rabbit. He was a spider.

Anansi stories go back as long as people been telling each other stories. Back in Africa, where everything began, even before people were painting cave lions and bears on rock walls, even then they were telling stories, about monkeys and lions and buffalo: big dream stories. People always had those proclivities. That was how they made sense of their worlds. Everything that ran or crawled or swung or snaked got to walk through those stories, and different tribes of people would venerate different creatures.

Lion was the king of beasts, even then, and Gazelle was the fleetest of foot, and Monkey was the most foolish, and Tiger was the most terrible, but it wasn’t stories about them people wanted to hear.

Anansi gave his name to stories. Every story is Anansi’s. Once, before the stories were Anansi’s, they all belonged to Tiger (which is the name the people of the islands call all the big cats), and the tales were dark and evil, and filled with pain, and none of them ended happily. But that was a long time ago. These days, the stories are Anansi’s.

Seeing we were just at a funeral, let me tell you a story about Anansi, the time his grandmother died. (It’s okay: she was a very old woman, and she went in her sleep. It happens.) She died a long way from home, so Anansi, he goes across the island with his handcart, and he gets his grandmother’s body, and puts it on the handcart, and he wheels it home. He’s going to bury her by the banyan tree out the back of his hut, you see.

Now, he’s passing through the town, after pushing his grandmother’s corpse in the cart all morning, and he thinks, I need

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