The Runt stood in the little graveyard all on his own, listening to the birdsong on the morning air. Then he made his way up the hill. It was harder by himself.
He picked up his schoolbag from the place he had left it. He ate his last Milky Way and stared at the tumbledown building. The empty windows of the farmhouse were like eyes, watching him.
It was darker inside there. Darker than anything.
He pushed his way through the weed-choked yard. The door to the farmhouse was mostly crumbled away. He stopped at the doorway, hesitating, wondering if this was wise. He could smell damp, and rot, and something else underneath. He thought he heard something move, deep in the house, in the cellar, maybe, or the attic. A shuffle, maybe. Or a hop. It was hard to tell.
Eventually, he went inside.
NOBODY SAID ANYTHING. October filled his wooden mug with apple cider when he was done, and drained it, and filled it again.
“It was a story,” said December. “I’ll say that for it.” He rubbed his pale blue eyes with a fist. The fire was almost out.
“What happened next?” asked June, nervously. “After he went into the house?”
May, sitting next to her, put her hand on June’s arm. “Better not to think about it,” she said.
“Anyone else want a turn?” asked August. There was silence. “Then I think we’re done.”
“That needs to be an official motion,” pointed out February.
“All in favor?” said October. There was a chorus of “Aye”s. “All against?” Silence. “Then I declare this meeting adjourned.”
They got up from the fireside, stretching and yawning, and walked away into the wood, in ones and twos and threes, until only October and his neighbor remained.
“Your turn in the chair next time,” said October.
“I know,” said November. He was pale and thin-lipped. He helped October out of the wooden chair. “I like your stories. Mine are always too dark.”
“I don’t think so,” said October. “It’s just that your nights are longer. And you aren’t as warm.”
“Put it like that,” said November, “and I feel better. I suppose we can’t help who we are.”
“That’s the spirit,” said his brother. And they touched hands as they walked away from the fire’s orange embers, taking their stories with them back into the dark.
FOR RAY BRADBURY
Closing Time
2002
THERE ARE STILL clubs in London. Old ones, and mock-old, with elderly sofas and crackling fireplaces, newspapers, and traditions of speech or of silence, and new clubs, the Groucho and its many knockoffs, where actors and journalists go to be seen, to drink, to enjoy their glowering solitude, or even to talk. I have friends in both kinds of club, but am not myself a member of any club in London, not anymore.
Years ago, half a lifetime, when I was a young journalist, I joined a club. It existed solely to take advantage of the licensing laws of the day, which forced all pubs to stop serving drinks at eleven P.M., closing time. This club, the Diogenes, was a one-room affair located above a record shop in a narrow alley just off the Tottenham Court Road. It was owned by a cheerful, chubby, alcohol-fueled woman called Nora, who would tell anyone who asked and even if they didn’t that she’d called the club the Diogenes, darling, because she was still looking for an honest man. Up a narrow flight of steps, and, at Nora’s whim, the door to the club would be open, or not. It kept irregular hours.
It was a place to go once the pubs closed, that was all it ever was, and despite Nora’s doomed attempts to serve food or even to send out a cheery monthly newsletter to all her club’s members reminding them that the club now served food, that was all it would ever be. I was saddened several years ago when I heard that Nora had died; and I was struck, to my surprise, with a real sense of desolation last month when, on a visit to England, walking down that alley, I tried to figure out where the Diogenes Club had been, and looked first in the wrong place, then saw the faded green cloth awnings shading the windows of a tapas restaurant above a mobile phone shop, and, painted on them, a stylized man in a barrel. It seemed almost indecent, and it set me remembering.
There were no fireplaces in the Diogenes Club, and no armchairs either, but still, stories were told.
Most of the people drinking there were men, although women passed through from time to time, and Nora had recently acquired a glamorous permanent fixture in the shape of a deputy, a blonde Polish émigrée who called everybody “darlink” and who helped herself to drinks whenever she got behind the bar. When she was drunk, she would tell us that she was by rights a countess, back in Poland, and swear us all to secrecy.
There were actors and writers, of course. Film editors, broadcasters, police inspectors, and drunks. People who did not keep fixed hours. People who stayed out too late or who did not want to go home. Some nights there might be a dozen people there, or more. Other nights I’d wander in and I’d be the only person around—on those occasions I’d buy myself a single drink, drink it down, and then leave.
That night, it was raining, and there were four of us in the club after midnight.
Nora and her deputy were sitting up at the bar, working on their sitcom. It was about a chubby-but-cheerful woman who owned a drinking club, and her scatty deputy, an aristocratic foreign blonde who made amusing English mistakes. It would be like Cheers, Nora used to tell people. She named the comical Jewish landlord after me. Sometimes they would ask me to read a script.
There was an actor named Paul (commonly known as Paul-the-actor, to stop people confusing him with Paul-the-police-inspector or Paul-the-struck-off-plastic-surgeon, who were also regulars), a
