“Kinda like a faint muffled moan. I asked the driver if he had a dog in the back and I tried to look inside through his side window.”
“What you see?”
“Nothing, the reflection blocked me.”
“What did the guy say?”
“The driver said his wife was in the back trying to sleep, so that was it. I was real quiet after that and he gave me a fifteen-buck tip. That’s why I remember.”
“Did he have any other passengers?”
“None that I could tell.”
“Did you tell the Rennerton cops about this?”
“Never thought of it until just now.”
Meckler pulled out his notebook, checked his watch.
“What do you remember about the driver—can you describe him?”
“He was a white guy, I’d say about forties, bald, had sunglasses on.”
“Wait. Did Rennerton review your security cameras?”
“They tried to, but they’re broken. I’ve been meaning to ask Mrs. Bishop if we can get a new system.”
Meckler rolled his eyes.
“Your system’s not broken, Ferg. I showed you the problem about two weeks ago. Let me get back there.”
Ferg stepped clear as Meckler came around the counter and looked at the lower shelf, exhaling in frustration at the monitor, which was a black screen.
“Ferg, I showed you how to fix this.”
Meckler squatted to the lower shelf before the DVR, which looked like a DVD player. He pulled the system out, and studied the web of wires and cables running between the DVR and the monitor, which recorded everything seen by the camera in the store and the camera at the pumps. He tightened a cable for the monitor’s input. The monitor came to life, sectioned, splitting the screen into two, one with live images of the store, the other with images of the pump.
“See?” Meckler said. “The monitor cable came loose.”
“Oh.”
“Darn it, Ferg.”
The image inside was fuzzy and the image outside was too dark.
“Ferg, you have to clean the inside camera lens. It’s way too dusty. You need to get up there—” Meckler nodded to the camera in the corner near the ceiling “—and clean it with a soft cloth.” Then Meckler pointed to the controls for the outside camera. “Look, I told you the light changes outside and you have to set the camera to the auto brightness setting, here, so it adjusts to the changing light conditions. You got it?”
“Yup. Auto bright for outside. Clean the lens inside and check the cable.”
“Good, now it still recorded, so let’s see if there’s anything here. Is that okay with you?”
“Oh, yes, anything to help.”
“Now we need to know what day that was, the day that you got your big tip from our van.”
“Well, I remember Molly dropped some bread just before he came so that had to be Monday, around noon or so.”
“I’ll enter the date and the approximate time, so the recording takes us to there.”
“Sounds good.”
Images of activity at the pumps appeared. Vehicles came and went with Ferg pumping gas, checking oil or cleaning windshields. But this time they were so bright they were difficult to distinguish, like staring into the sun at silhouettes.
“Wait, go back,” Ferg said. “There! That’s him! I recognize the shape.”
A van rolled up to the pumps, but it was all in shadow.
“I don’t think we’re going to get a plate out of that,” Meckler said.
“Let it play a bit, I think something happened after the van.”
Soon after, the distinct silhouette of a police car rolled up to the pumps in the opposite direction as the van was leaving.
“That’s you, Cal.”
“I’ll be darned.”
“And you got a dash-mounted camera, right?”
Meckler nodded.
“If you had it on,” Ferg said. “You would’ve got a better shot of the guy.”
CHAPTER 48
Edina, Minnesota
OMG, this is totally stupid!
Ashley Ostermelle slammed her bedroom door and fell onto her bed. She hated book reports—loathed and despised them! They should be banned from the universe!
Ashley swiped the stupid textbooks from her bed and they thudded to the floor.
“We can do without the drama up there, young lady!”
There should be some sort of United Nations law about what cruel punishment it is to make fourteen-year-old girls do reports on stupid books written by dead old English guys!
Why was her mother being so unreasonable?
Would someone please tell her why?
To order her to redo her essay or she wouldn’t be allowed to go to Courtney’s party was just plain mean. She’d worked hard on this thing. Still, her mother said that she’d missed the point, that she hadn’t addressed the questions about the book’s characters, about themes, about applying them to life today.
You can’t be serious, Mother! I did my best! It’s Charles Dickens! He’s been dead, like for a million years, so why should I care about Great Expectations?
Great expectations.
That must be code for what parents have for their children.
Her mother was a nurse. Her father was a carpenter who built houses. They were both perfectionists and Ashley felt they wanted her to be perfect, too.
The perfect child with the perfect grades to get into the perfect school and have the perfect life.
Well, guess what, Mother? I’m not perfect. Maybe I’ll end up being a crazy old lady like that Miss Havisham, living like a ghost in my gross bug-filled old house with my rotting wedding dress. Miss Havisham was dumb. You don’t let your life stop after a big disappointment. You have to keep going or you end up like a dead thing stuck in the past.
Wait a minute.
That’s it, that’s a theme about a character you can apply to your life.
No. No. It won’t work. How do I write that so it sounds all scholarly? I don’t know. This is so hard!
“You stay off your phone and get to work, Ashley!”
“I am working on it! Stop torturing me!”
Ashley’s phone chirped with a message, then another, then another.
Something was going on. It started with Breen. She had news about “an incident” she’d witnessed at school today. Nick Patterson, the boy Ashley was secretly in love with had just asked Shawna Cano for a date.
No! No! No! My life’s
