was staring at the ground, he was staring into the backseat. Look, I said, grabbing his arm, pointing at the boat gliding by. Get in, he said. But Mallory, look, I said again. He would not look. He would not turn his head up; his eyes were glued to the ground, or the backseat, straight in front of him. I shook him by the arm. Just get in, he said furiously, now turning to stare straight into my face. It’s her, I explained, out there on the boat. Just get in the car, he said, shaking with terror. He knew she was out there. But he wasn’t seeing anything tonight, he didn’t want to see it. He had the same look Wade had when he told me about the lab report. The town was terrorized by her. America was terrorized by her, by the mere fact of her being. The only one not terrorized by her was I, the man she’d murdered three times.

The city was going crazy with sound. There was an explosion even as we stood there on the wharf; we could hear it and feel the timber rattle beneath us. There were two more explosions in the five-minute ride to the library, the car swerving both times. The sound was changing every time. Just when you thought it couldn’t get louder or more harrowing, it did. What the hell, Mallory muttered, is going on?

That was nine days ago. I’ve been waiting in the tower, watching you.

I’ve been waiting for the time to move. I have been, indeed, under house arrest as Wade promised. Indeed, as he promised, someone has brought my meals twice a day and asked if I needed anything. I haven’t seen Wade himself. I somehow don’t think I will. Not after the last time. Every once in a while I ask one of the cops what’s going on out there. They always pretend they don’t know what I mean. But they do know what I mean. I heard from one of them about Janet Dart or Dash. I heard she was in the grotto over on the east side where I always saw her and one night she stepped off one of the overlooking platforms and dropped like a stone into the river that ran past the bar. Not a sound from her. As though it would carry her out beneath the city to whomever it was she’d been looking for. As though to pursue her passion to the edge of her world and then beyond. She was gone in an instant.

I don’t read the legends of murdered men any more. Instead I finish your poem. I’ve seen you go by eight times in nine days—not actually you, of course, though I wondered why you didn’t simply appear at the foot of my bed or in the back rooms below. But I’ve seen your boat, or the top of it, pass every day at a different time, only once a day; though I haven’t seen you on the boat, I know you’ve been there. During this period the entire city has become a radio. It transmits songs from the deadest part of the center of the earth, and they’re living dead songs, zombie songs. Some of these songs last a day, some last only hours. Some last a few minutes before someone changes the channel in a flurry of geological static that shakes and recharts the underground rivers. Until yesterday I’ve been biding my time. The cops become lazier and more complacent. At the exact pitch of night, when the radio is turned to the right channel, I know it is no problem for a dead man to elude them. I could exit through doors they don’t even know exist. I’ve been biding my time: but yesterday something changed. Your boat stopped still in the harbor and rested all night; it was there this morning when the sun came up. But then I watched it turn in the harbor and I saw the smoke, and I knew a new voyage was in the making. And then I watched in horror as you sailed away, out toward the sea; and for several hours I believed I’d lost you. I should have known you’d jump ship. It should not have taken the flash of something signaling me from out across the bay in the moors to the north. But I see your knife now, and it calls me, and I don’t have any more time.

It was you, wasn’t it. It was you on the other end of that line when I picked up that telephone out in the middle of nowhere twenty years ago, out in America, probably at the very moment you were somewhere being born. At the very moment you were somewhere being born I answered the phone and heard the silence of your dying in a bed. Sometimes one must live half a lifetime before he understands the silences of half a lifetime before—sometimes, if it’s someone like me. Sometimes, if it’s someone like you, one understands from the first the silences of a lifetime to come, the silences that come at the end; and one emulates them early, so as to recognize them later. I hear the call of your knife over the songs of a zombie city. I cast myself in flight for the decapitation of my own guilt, to live where I once died, to resurrect my passion, my integrity, my courage from out of my own grave. Those things that I once thought dead. By the plain form of my delirium I will blast the obstruction of every form around me into something barely called shadow. I sail. I swim to you. I know the water.

TWO

Later, in a Malibu hospital listening to a Malibu sea, she dreamed of the night of the shipwreck. She wasn’t certain this was her earliest memory but it was the earliest memory of which she was certain. She had awakened as a

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