it’s something in between, I guess
it’s CLOSING TIME
Yeah we’re drinking and we’re dancing
but there’s nothing really happening
and the place is dead as Heaven on a Saturday night
And my very close companion
gets me fumbling gets me laughing
she’s a hundred but she’s wearing
something tight
and I lift my glass to the Awful Truth
which you can’t reveal to the Ears of Youth
except to say it isn’t worth a dime
And the whole damn place goes crazy twice
and it’s once for the devil and once for Christ
but the Boss don’t like these dizzy heights
we’re busted in the blinding lights,
busted in the blinding lights
of CLOSING TIME
Oh the women tear their blouses off
and the men they dance on the polka-dots
It’s CLOSING TIME
And it’s partner found, it’s partner lost
and it’s hell to pay when the fiddler stops
It’s CLOSING TIME
I swear it happened just like this:
a sigh, a cry, a hungry kiss
It’s CLOSING TIME
The Gates of Love they budged an inch
I can’t say much has happened since
But CLOSING TIME
I loved you when our love was blessed
I love you now there’s nothing left
But CLOSING TIME
I miss you since the place got wrecked
By the winds of change and the weeds of sex.
Cohen had already recorded a version of this song, which had taken him two years to write, when he came to “the painful decision that I hadn’t written it yet”. He started again and the result, now judged a success, was included on Recent Songs (1979). It is not a song that could have been written by a teetotaller!
Coming Back To You
Maybe I’m still hurting
I can’t turn the other cheek
But you know that I still love you
It’s just that I can’t speak
I looked for you in everyone
And they called me on that too
I lived alone but I was only
Coming back to you
Ah they’re shutting down the factory now
Just when all the bills are due
And the fields they’re under lock and key
Tho’ the rain and the sun come through
And springtime starts but then it stops
In the name of something new
And all the senses rise against this
Coming back to you
And they’re handing down my sentence now
And I know what I must do
Another mile of silence while I’m
Coming back to you
There are many in your life
And many still to be
Since you are a shining light
There’s many that you’ll see
But I have to deal with envy
When you choose the precious few
Who’ve left their pride on the other side of
Coming back to you
Even in your arms I know
I’ll never get it right
Even when you bend to give me
Comfort in the night
I’ve got to have your word on this
Or none of it is true
And all I’ve said was just instead of
Coming back to you
Included on Various Positions (1984), this song raises the question “coming back to whom?’. It could be an ex-lover, but there is little sense of an individual personality in the lyrics; it could be Love itself. Another plausible reading is that the song’s subject is the art of songwriting – a subject Cohen was thinking a great deal about at the time he wrote this and has dealt with elsewhere, notably on ‘Tower Of Song’ – and that it is his Muse to whom he is “coming back”.
Dance Me To The End Of Love
Dance me to your beauty with a burning violin
Dance me through the panic ‘til I’m gathered safely in
Lift me like an olive branch and be my homeward dove
Dance me to the end of love
Dance me to the end of love
Oh let me see your beauty when the witnesses are gone
Let me feel you moving like they do in Babylon
Show me slowly what I only know the limits of
Dance me to the end of love
Dance me to the end of love
Dance me to the wedding now, dance me on and on
Dance me very tenderly and dance me very long
We’re both of us beneath our love, we’re both of us above
Dance me to the end of love
Dance me to the end of love
Dance me to the children who are asking to be born
Dance me through the curtains that our kisses have outworn
Raise a tent of shelter now, though every thread is torn
Dance me to the end of love
Dance me to your beauty with a burning violin
Dance me through the panic till I’m gathered safely in
Touch me with your naked hand or touch me with your glove
Dance me to the end of love
Dance me to the end of love
Dance me to the end of love
A tender, sensual song of great poetic felicity, it was included on Various Positions (1984) and also, in a live version, on Live In Concert (1994). The importance of this song in Cohen’s catalogue can be judged from it having been his usual concert opener ever since he recorded it.
Dear Heather
Dear Heather
Please walk by me again
With a drink in your hand
And your legs all white
From the winter
The shortest lyric in Cohen’s songbook, it sketches its subject with all the deftness of a Zen painter’s single stroke. It is the title track on Dear Heather (2004).
Death Of A Ladies’ Man
Ah the man she wanted all her life was hanging by a thread
“I never even knew how much I wanted you,” she said.
His muscles they were numbered and his style was obsolete.
“O baby, I have come too late.” She knelt beside his feet.
“I’ll never see a face like yours in years of men to come
I’ll never see such arms again in wrestling or in love.”
And all his virtues burning in the smoky Holocaust
She took unto herself most everything her lover lost
Now the master of this landscape he was standing at the view
with a sparrow of St. Francis that he was preaching to
She beckoned to the sentry of his high religious mood
She said, “I’ll make a place between my legs,
I’ll show you solitude.”
He offered her an orgy in a many mirrored room
He promised her protection for the issue of her womb
She moved her body hard against a sharpened metal spoon
She stopped the bloody rituals
