Painted BeautyThe Sinclair O’Malley Series Book Two

J.M. LeDuc

Contents

Also by J.M. LeDuc

Painted Beauty

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Chapter 59

Chapter 60

Chapter 61

Chapter 62

Chapter 63

Chapter 64

Chapter 65

Chapter 66

Chapter 67

Chapter 68

Chapter 69

Chapter 70

Chapter 71

Chapter 72

Chapter 73

Chapter 74

Chapter 75

About the Author

Acknowledgments

Also by J.M. LeDuc

The Sinclair O’Malley Series

Sin

Trilogy of the Chosen

Cursed Blessing

Cursed Presence

Cursed Days

Short Stories

Phantom Squad: The Beginning Trilogy of the Chosen

Phantom Squad Series

Cornerstone

PAINTED BEAUTY

By

J.M. LeDuc

GALLEY EDITION

PUBLISHED BY:

Suspense Publishing

J.M. LeDuc

Copyright 2016 J.M. LeDuc

PUBLISHING HISTORY:

Suspense Publishing, Paperback and Digital Copy,

Cover Design: Story Wrappers & KD Ritchie

All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise) without the prior written permission of both the copyright owner and the above publisher of this book.

This is a work of fiction. Names, characters, places, brands, media, and incidents are either the product of the author's imagination or are used fictitiously. The author acknowledges the trademarked status and trademark owners of various products referenced in this work of fiction, which have been used without permission. The publication/use of these trademarks is not authorized, associated with, or sponsored by the trademark owners.

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Painted Beauty

Sinclair O’Malley Series: Book Two

J.M. LeDuc

1

Ash’s complexion deepened and sweat began to bead on his skin as he grimaced from the noise. His shoulder instinctively jerked upward to approximate the downward tilt of his ear in a nonexistent hope of drowning out the shrill din.

“Preparation is everything,” she screeched. “Art doesn’t just happen. The end result has nothing to do with instinct; it’s taught.”

Ash carefully arranged the backdrop of the room in order to capture the mood for his creation. The easel had to be placed just ‘so’ if he was to capture the proper angle of sunlight as it streamed under and through the partially boarded windows.

“The light is as important as the subject being painted,” the voice wailed.

He ground his teeth at the harsh audible invasion. Nails on a chalkboard, he thought as he tried to concentrate on his task and not on the voice. If I can just execute the proper preparation, I know she will go away. Don’t let anything come between you and your art.

Don’t let anything come between you and your art, he repeated. In the past years, it had become his mantra—even more so in the past few weeks. That’s when he found his proper medium.

“All artists have an optimal medium,” she’d say. “Some prefer sculpture while others use paint. It’s not just what you use to create with, but what you choose to create on that makes the biggest difference. It’s the difference between being remembered as an artist and being remembered as an artiste. There are millions of artists—but only a handful of artistes.”

He allowed himself a slight degree of self-satisfaction knowing that with his new medium, he would now be in that category. With the easel set in position, Ash breathed a sigh of relief. Now for the heavy part, he internalized. He needed to stay silent. Any small sound could cause her to instruct, or worse—reprimand. Either would be emotionally draining.

With a surgical mask covering his face to keep out the noxious fumes, Ash went to the cabinet, slid out the drawer, and with delicate precision picked up his canvas. Sweat began to drip down his forehead as he transferred it to the easel. He wasn’t a big man, and he had to be careful not to drop his work in progress.

He had prepared everything the day before, and now he was ready to bring art to life. The twenty-four hour delay came with both positive and negative effects. Although the positive outweighed the adverse, the bad was hard to ignore. He tried to breathe as shallow as possible and only when absolutely necessary. The canvas had a foul odor, but he was willing to overlook it, his creation would soon be finished and hanging in an open environment.

Brush and pallet in hand, he drew in a deep breath, dabbed the brush in a medley of colors, and concentrated on his work.

“The face is the most important feature,” she cackled. “It doesn’t matter how good the rest of the creation is, it’s the face—the damn face—they always look at first. If you don’t grab their attention immediately, you’ve lost them.”

Ash shook his head with fierce determination, attempting to clear his head of distractions. But she wouldn’t stop.

“Cruelty has a human heart,” she squealed.

Ash clamped his eyes closed as tight as he could, mentally begging her to go away. I know what I’m doing, he thought, I don’t need you berating me.

He opened his eyes and visualized his finished work—the shocking beauty of his creation. He knew everyone who laid eyes on it would be speaking his name with admiration and respect.

With sure strokes and Zen-like concentration, he painted.

First the base and then the accents.

Day turned to dusk which soon gave way to night, but it didn’t matter. Ash could still see the rays of sunlight in his imagination, and he used them to construct the perfect representation of his thoughts.

Exhaustion came with the final details. The last touch of the brush to the canvas was almost orgasmic. He dropped his tools and nearly collapsed. He slouched on the nearby mattress, allowing his body to unfold, dropped his head back, and fell into a satisfying slumber.

Even as he slept, her voice persisted, “It doesn’t matter what you think of your work,

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