Also by Luke Jennings
Fiction
Breach Candy
Atlantic
Beauty Story
Codename Villanelle
Non-Fiction
Blood Knots: A Memoir of Fishing and Friendship
The Faber Pocket Guide to Ballet (with Deborah Bull)
Children’s Fiction
Stars (with Laura Jennings)
Stars: Stealing the Show (with Laura Jennings)
No Tomorrow
Luke Jennings
JOHN MURRAY
www.johnmurray.co.uk
First published in Great Britain in 2018 by John Murray (Publishers)
An Hachette UK company
Copyright © Luke Jennings 2018
The right of Luke Jennings to be identified as the Author of the
Work has been asserted by him in accordance with
the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this publication may be reproduced,
stored in a retrieval system, or transmitted, in any form or by any
means without the prior written permission of the publisher.
All characters in this publication are fictitious and any resemblance
to real persons, living or dead is purely coincidental.
A CIP catalogue record for this title is available from the British Library
ISBN 978 1 473 67659 6
John Murray (Publishers)
Carmelite House
50 Victoria Embankment
London EC4Y 0DZ
www.johnmurray.co.uk
For N, B, R & L as ever.
Contents
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Acknowledgements
Chapter 1
Cruising through Muswell Hill on his carbon-framed bike, his hands resting lightly on the alloy handlebars, Dennis Cradle feels a pleasing exhaustion. It’s a longish ride from the office to his north London home, but he’s made good time. It’s something that he would hesitate to confide to his colleagues or his family, but Dennis sees himself as the upholder of certain values. The hard cross-town ride satisfies the Spartan in him. Cycling keeps him lean and mean, and, incidentally, looking pretty damn sportif in his form-fitting Lycra shorts and tactical-fabric jersey, given that he’s going to be forty-eight next birthday.
As the director of D4 Branch at MI5, responsible for counter-espionage against Russia and China, Dennis has reached a level of seniority where he can, if he wishes, get chauffeured home in one of the Service’s fleet of anonymous, mid-range vehicles. Tempting of course, status-wise, but a slippery slope. Let the fitness go, and it’s all over. Before he knows it, he’ll be one of those paunchy old shags propping up the Thames House bar, nursing his Laphroaig and complaining about how much better things were before the fembots in HR took over.
Cycling helps keep Dennis in touch. Keeps his ear to the street and the blood racing through his veins. Which is where he needs it, given Gabi’s raging libido. God, he wishes he was going home to her right now, rather than to Penny, with her diet-drained body and her incessant fault-finding.
As if on cue, as he glides the final hundred metres, the ‘Eye of the Tiger’ theme from Rocky III kicks in on the Bluetooth player in his cycling helmet. As the big chords punch home, Dennis’s heart begins to pound. In his mind, Gabi is waiting for him on a king-size bed in the master cabin of a superyacht. She’s naked, except for a pair of fluffy white tennis socks, and her gym-toned legs are invitingly parted.
Then, incomprehensibly, a steel-strong hand grabs his arm and wrenches him to a halt, the bike skidding to the ground beneath him. Dennis opens his mouth to speak, but is silenced by a vicious short-arm punch to the gut.
‘Sorry, squire. Need your attention.’ Dennis’s captor is fortyish, with the features of a well-groomed rat, and smells of stale cigarette smoke. With his spare hand, he removes Dennis’s cycle helmet and drops it on the fallen bike. Dennis writhes, but the grip on his arm is unyielding.
‘Stand still, yeah? Don’t want to hurt you.’
Dennis groans. ‘What the fuck . . .?’
‘I’m here for a friend, squire, who needs to talk to you. About Babydoll.’
The remaining colour drains from Dennis’s face. His eyes widen with shock.
‘Pick the bike up. Put it in the back of the vehicle. Then get into the front seat. Do it now.’ He releases Dennis, who looks around him with dazed eyes, noting the elderly white Ford Transit van and the pasty-faced youth with the lip-piercing at the wheel.
Opening the van’s rear door, his hands trembling, Dennis turns off the helmet’s Bluetooth sound-system, which is now playing ‘Slide It In’ by Whitesnake. He hooks the helmet over the handlebars and loads the bike into the van.
‘Phone,’ Ratface says, following the demand with a stinging slap that leaves Dennis’s ears ringing. Shakily, Dennis hands it over. ‘OK, into the passenger seat.’
As the van pulls out into the traffic, Dennis tries to remember the Service capture and interrogation protocols. But suppose this lot are the sodding Service, and part of some internal investigation team? They’d have to have gone to the DG to authorise turning over someone of his rank. So who the fuck?Could they be hostiles? SVR, perhaps, or CIA? Just say nothing. Take each moment as it comes. Say nothing.
The drive takes less than ten minutes, with the Transit van weaving in and out of the rush-hour traffic. They cross the North Circular Road, and then pull in to the car park of a Tesco superstore. The driver selects a bay at the furthest point from the store’s entrance, brings the van quietly to a halt, and switches off the ignition.
Dennis sits there, his face the colour of raw pastry, staring through the windscreen at the boundary fence. A faint fuel haze rises from the traffic on the North Circular. ‘Now what?’ he asks.
‘Now we wait,’ says the voice of Ratface behind him.
Further minutes pass, and then a ringtone sounds. Grotesquely, it’s a laughing duck.
‘For you, squire.’ From the back seat, Ratface passes him a cheap plastic phone.
‘Dennis Cradle?’ The voice is low, with a tinny electronic twang. Voice-changer, he notes subconsciously.
‘Who is this?’
‘You don’t need to know. What you need to know is what we know. Let’s start with the big one, shall we? That in return for betraying the Service, you’ve accepted the best part of fifteen million pounds, and parked it in an offshore account in the British Virgin Isles. Do you have any comment to make about that?’
Cradle’s world contracts to the windscreen in front of him.
