As my eyes began to open I could see dimly. Rain poured down like shining knives. The world crashed and shivered. I had never known anything different, so I thought there was always a storm.
I learned to stand and then walk, a little. I began to understand that something was wrong with Mamacat, in her body. Her movements were growing slower. Less milk came.
One night we took shelter in a gulley. Overhead, brambles shivered and lashed in the gale. She warmed me and fed me. She purred. The sound grew weak, her warmth faded. Then she was still. The cold began to creep into me.
There was a roaring noise and a blinding beam of light, not the shivering light of the sky, but a yellow circle. A thing like a spider of flesh, gleaming with rain. I had no word for hand, then. It enclosed me, lifted me from my mama.
‘What’s this?’ The scent of wet earth was strong on him. His cuffs were slick with mud. A beast hummed nearby. He put me inside the beast. Rain hit the metal roof like little stones. He folded me up, warm. The blanket was yellow, with a pattern of blue butterflies. It held the scent of someone I knew, or longed to know. How could that be? I didn’t know anyone, yet.
‘Poor little kitten,’ he said. ‘I’m all alone, too.’ I licked his thumb.
That is when it happened. A soft white glow gathered on his chest, over the place where his heart must be. The glow became a cord, reaching out through the air. The cord approached me. I rowed and struggled. But I was held fast. I felt the light encircle my neck, link me to his heart. It didn’t hurt. It bound us together. I don’t know if he felt it too – I like to think he did.
Then he brought me home to this nice warm house where I can sleep all the time and get stroked. I don’t even have to look at the outside world if I don’t want to! The windows are all boarded up. Ted made me an indoor cat and I’ve never had to worry about anything since. This is our house which is just for us, and no one else is allowed in. Apart from Night-time, of course, and the green boys and Lauren. I could do without some of them, to be honest.
I suppose I should describe us. That is what they do in stories. This is difficult. I can never tell the teds on TV apart. I don’t know what details are relevant. I mean, my Ted is kind of a sandy colour? And he has patches of red fur on his face and thicker fur on his head, which is a somewhat darker shade, like varnished wood.
As for me, Ted always calls me ‘you’, or ‘kitten’. But my name is Olivia. I have a thin slice of white down my chest, which sets off my coal-black coat. My tail is long and slim like a wand. My ears are large with a wide swivel and a delicate point. They are very sensitive. My eyes are the shape of almonds and green like cocktail olives. I think it’s OK for me to say that I am beautiful.
Sometimes we’re a great team and sometimes we fight. It’s just the way it goes. The TV says you have to accept everyone, teds and cats alike, for who they are. But you also have to have boundaries. Boundaries are important.
That’s enough for now. Feelings are very tiring.
I come out of my doze with a start, to the sound of faraway chimes, or a high voice calling.
I shake my head to clear it of the dream. But the noise goes on. Is there someone tiny singing somewhere? I don’t like it. EeeeeeEEEEeeeee.
The orange rug is lovely on the pads of my paws, like walking on soft little pills. It’s the colour of sun setting over the sea. Light dapples the walls through the peepholes. The walls in here are a restful deep red. Ted and I think it’s a beautiful colour. We agree on some things! There’s Ted’s recliner, the leather worn shiny at the head and on the armrests. Silver duct tape covers the hole where he stabbed it with a steak knife during a dirt bike race. I like everything about this room except for two things that sit on the mantelpiece, next to the music box.
The first thing I hate is called a Russian doll. It holds a smaller version of itself inside it, and another inside that and so on. How awful. They are prisoners. I imagine them all screaming in the dark, unable to move or speak. The doll’s face is broad and blankly smiling. It looks so happy to be holding its children captive.
The second thing I hate is the picture over the fireplace. The Parents, staring from behind glass. I hate everything about it. The frame is big, and silver, and has a pattern of grapes and flowers and squirrels. It’s gross. The squirrels’ faces look melted and burned black. It’s like someone poured molten silver over living things and then let it cool. But the picture in the frame is the worst part. A lake, black and glassy in the background. Two people stand on a sandy beach. Their faces are just holes into nothing. The Parents were not nice to Ted. Whenever I come close to the picture I feel the empty tug of their souls.
I do like the music box, though. The little woman is stretched up so straight, like she’s straining towards heaven.
EeeeEEeee. The high chiming sound is not coming from the Parents. I
