powerful form of therapy for attention-deficit disorders and other maladies. As one scientist puts it, we can now assume that just as children need good nutrition and adequate sleep, they may very well need contact with nature.

Reducing that deficit—healing the broken bond between our young and nature—is in our self-interest, not only because aesthetics or justice demands it, but also because our mental, physical, and spiritual health depends upon it. The health of the earth is at stake as well. How the young respond to nature, and how they raise their own children, will shape the configurations and conditions of our cities, homes—our daily lives. The following pages explore an alternative path to the future, including some of the most innovative environment-based school programs; a reimagining and redesign of the urban environment—what one theorist calls the coming “zoopolis”; ways of addressing the challenges besetting environmental groups; and ways that faith-based organizations can help reclaim nature as part of the spiritual development of children. Parents, children, grandparents, teachers, scientists, religious leaders, environmentalists, and researchers from across the nation speak in these pages. They recognize the transformation that is occurring. Some of them paint another future, in which children and nature are reunited—and the natural world is more deeply valued and protected.

During the research for this book, I was encouraged to find that many people now of college age—those who belong to the first generation to grow up in a largely de-natured environment—have tasted just enough nature to intuitively understand what they have missed. This yearning is a source of power. These young people resist the rapid slide from the real to the virtual, from the mountains to the Matrix. They do not intend to be the last children in the woods.

My sons may yet experience what author Bill McKibben has called “the end of nature,” the final sadness of a world where there is no escaping man. But there is another possibility: not the end of nature, but the rebirth of wonder and even joy. Jackson’s obituary for the American frontier was only partly accurate: one frontier did disappear, but a second one followed, in which Americans romanticized, exploited, protected, and destroyed nature. Now that frontier—which existed in the family farm, the woods at the end of the road, the national parks, and in our hearts—is itself disappearing or changing beyond recognition.

But, as before, one relationship with nature can evolve into another. This book is about the end of that earlier time, but it is also about a new frontier—a better way to live with nature.

PART I

THE NEW RELATIONSHIP

BETWEEN CHILDREN AND NATURE

Here is this vast, savage, howling mother of ours,

Nature, lying all around, with such beauty, and such affection for her children,

as the leopard; and yet we are so early weaned

from her breast to society, to that culture which is exclusively

an interaction of man on man.

HENRY DAVID THOREAU

1. Gifts of Nature

When I see birches bend to left and right . . .

I like to think some boy’s been swinging them.

—ROBERT FROST

IF, WHEN WE WERE YOUNG, we tramped through forests of Nebraska cottonwoods, or raised pigeons on a rooftop in Queens, or fished for Ozark bluegills, or felt the swell of a wave that traveled a thousand miles before lifting our boat, then we were bound to the natural world and remain so today. Nature still informs our years—lifts us, carries us.

For children, nature comes in many forms. A newborn calf; a pet that lives and dies; a worn path through the woods; a fort nested in stinging nettles; a damp, mysterious edge of a vacant lot—whatever shape nature takes, it offers each child an older, larger world separate from parents. Unlike television, nature does not steal time; it amplifies it. Nature offers healing for a child living in a destructive family or neighborhood. It serves as a blank slate upon which a child draws and reinterprets the culture’s fantasies. Nature inspires creativity in a child by demanding visualization and the full use of the senses. Given a chance, a child will bring the confusion of the world to the woods, wash it in the creek, turn it over to see what lives on the unseen side of that confusion. Nature can frighten a child, too, and this fright serves a purpose. In nature, a child finds freedom, fantasy, and privacy: a place distant from the adult world, a separate peace.

These are some of the utilitarian values of nature, but at a deeper level, nature gives itself to children—for its own sake, not as a reflection of a culture. At this level, inexplicable nature provokes humility.

As the preeminent nature poet Gary Snyder writes, we attach two meanings to the word “nature,” which comes from the Latin natura—birth, constitution, character, course of things—and beyond natura, nasci—to be born. In its broadest interpretation, nature includes the material world and all of its objects and phenomena; by this definition, a machine is part of nature. So is toxic waste. The other meaning is what we call “the outdoors.” By this connotation, a man-made thing is not a part of nature, but apart from nature. On its face, New York City may not appear natural, but it does contain all manner of hidden, self-organizing wild places, from the organisms secreted within the humus of Central Park to the hawks that circle above the Bronx. In this sense, a city complies with the broadest laws of nature; it is natural (as a machine is part of nature), but wild in its parts.

When considering children in nature, one hungers for a richer description, a definition with more breathing room—one that does not include everything as natural or restrict nature to virgin forest. Snyder is drawn to poet John Milton’s phrase, “a wilderness of sweets.” “Milton’s usage of wilderness catches the very real condition of energy and richness that is so often found in wild systems. A ‘wilderness of sweets’ is like the billions of herring or mackerel babies in the ocean, the

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