370
Is this the book you asked
Ibid.
370
If this is literature
Quoted in Brinnin
371
two penetrating eyes
The Heart to Artemis
371
big as, perhaps bigger
Ibid.
371
There is something
Van Vechten to Gertrude, 16 April 1923, Burns, ed., Letters of Stein and Van Vechten
372
Had you wished to give
Robert McAlmon to Gertrude, 8 October 1925
372
with sentences so regularly
Fernhurst
373
One should not talk about
Edmund Wilson, Axel’s Castle, 1931
374
Before I came to Paris
The Autobiography of Alice B. Toklas
376
a complete memoir of that
Paris was Yesterday
377
Gertrude? What would you
Hemingway to Maxwell Perkins, 7 September, 1935
377
never, anywhere, ever
Hemingway, A Moveable Feast
378
in its hollow tinsel
‘Testimony Against Gertrude Stein’, foreword, transition, February 1935
378
God what a liar she is
Journey into the Self
379
So many people knowing me
Haas, ‘Gertrude Stein Talking’
380
And the Stein texts,
Virgil Thomson, Virgil Thomson
381
If in regard to climates
Capital Capitals
382
I think it should be late
James Mellow, Charmed Circle: Gertrude Stein and Company, 1974
382
Pigeons on the grass alas
Four Saints in Three Acts
383
Speech alone lacks
Virgil Thomson
384
He makes the words by
Parker Tyler, Florine Stettheimer, A Life in Art, 1963
386
quite a departure
cited in Steven Watson, Prepare for Saints
389
It was the perfect moment
The Heart to Artemis
390
walked up to our
David Harris, ‘The Original Four Saints in Three Acts’, Drama Review, vol. 26, no. 1, 1982
391
I cannot say that we don’t
Rogers, When This You See, Remember Me
392
If you knew the resistance
Thomson to Gertrude, 9 June 1933, The Letters of Gertrude Stein and Virgil Thomson
393
They act as if they had never
Wars I Have Seen
395
I sat next to her
What is Remembered
395
You! Why didn’t you
Paris was Yesterday, Introduction
Works by Gertrude Stein
As Fine As Melanctha, Foreword by Natalie Clifford Barney, 1954
The Autobiography of Alice B. Toklas, 1933
Bee Time Vine and Other Pieces, Preface by Virgil Thomson, 1953
Everybody’s Autobiography, 1938
Fernhurst, Q.E.D. and Other Early Writings, edited and with introduction by Leon Katz, 1972
Geography and Plays, 1922
Gertrude Stein on Picasso, edited by Edward Burns, 1970
How To Write, 1931
Lectures in America, 1935
The Making of Americans, 1966
Narration: Four Lectures, Introduction by Thornton Wilder, 1935
Painted Lace and Other Pieces, Introduction by Daniel-Henry Kahnweiler, 1955
Paris France, 1940
Portraits and Prayers, 1934
Selected Writings of Gertrude Stein, edited by Carl Van Vechten, 1946. Includes:
The Autobiography of Alice B. Toklas
Tender Buttons
Composition As Explanation
Portrait of Mabel Dodge at the Villa Curonia
As A Wife Has A Cow: A Love Story
Four Saints in Three Acts
Tender Buttons, 1914
Three Lives, 1915
Two: Gertrude Stein and Her Brother and other Early Portraits, Foreword by Janet Flanner, 1951
Wars I Have Seen, 1945
Writings 1903–1932, 1998
Works referencing Gertrude Stein
Allmer P. and Sears J., 4 Saints in 3 Acts, a snapshot of the American Avant-Garde in the 1930s, 2017
Anderson, Sherwood, Gertrude Stein: Correspondence and Personal Essays, 1972
——Memoirs, 1942
——Notebooks, 1926
Brinnin, John Malcolm, The Third Rose, Gertrude Stein and Her World, 1959
Bryher, The Heart to Artemis, 1962
Burns, E. ed., The letters of Gertrude Stein and Carl van Vechten, 1913–46, 1986
Duncan, Roland E., Interview for the Oral History Dept, Bancroft Library, Berkeley, 1952
Field, Andrew, The Formidable Miss Barnes, 1983
Fitzgerald, F. Scott, The Letters of Scott Fitzgerald, ed. Andrew Turnbull, 1964
Flanner, Janet (Genêt), An American in Paris, 1940
——Men and Monuments, 1957
——Paris was Yesterday: 1925–1939, ed. Irving Drutman, 1972
Gallup, Donald, Pigeons on the Granite: Memories of a Yale Librarian, 1988
——ed., The Flowers of Friendship: Letters Written to Gertrude Stein, 1953
Haas, Robert Bartlett and Gallup, Donald, A Catalogue of the Published and Unpublished Writings of Gertrude Stein, 1941
Haas, Robert Bartlett, ‘Gertrude Stein Talking’ – A Transatlantic Interview, 1945
Hanscombe, Gillian and Smyers, V.L., Writing for their Lives, 1987
Harris, David, ‘The original Four Saints in Three Acts’, Drama Review, vol. 26, 1982
Hemingway, Ernest, A Moveable Feast, 1969
——Selected Letters, 1917–61, 1981
——Letters, vol. 1 (1907–1922) ed., Sandra Spanier, 2011
Hobhouse, Janet, Everybody Who Was Anybody, 1975
Holbrook, Susan and Dilworth, Thomas, The Letters of Gertrude Stein and Virgil Thomson, 2010
Imbs, Bravig, Confessions of Another Young Man, 1936
James, William, Writings 1878–1899, 1992
Levy, Harriet Lane, 920 O’Farrell Street, 1947
——‘Recollections’, typescript, Bancroft Library, Berkeley
Luhan, Mabel Dodge, Intimate Memories, 4 vols., 1933–7
McAlmon, Robert, Being Geniuses Together, 1968
Miller, Rosalind, Gertrude Stein: Form and Intelligibility, 1949
Mellow, James R., Charmed Circle: Gertrude Stein and Company, 1974
Page, T. and V.W., eds., Selected Letters of Virgil Thomson, 1988
Rogers, W.C., When This You See Remember Me: Gertrude Stein in Person, 1948
Rosenshine, Annette, ‘Life’s Not A Paragraph’, typescript, Bancroft Library, University of Berkeley
Simon, Linda, The Biography of Alice B. Toklas, 1978
Sprigge, Elizabeth, Gertrude Stein: Her Life and Work, 1957
Stein, Leo, Appreciation: Painting, Poetry and Prose, 1947
——Journey into the Self: Letters, Papers and Journals of Leo Stein, edited by Edmund Fuller, 1950
Steward, Samuel, Dear Sammy: Letters from Gertrude Stein and Alice B. Toklas, 1977
Testimony Against Gertrude Stein.
Thomson, Virgil, Virgil Thomson, 1966
Toklas, Alice B., The Alice B. Toklas Cookbook, 1960
——What Is Remembered, 1963
Watson, Steven, Prepare for Saints: Gertrude Stein, Virgil Thomson, and the Mainstreaming of American Modernism, 1995
Weininger, Otto, Sex and Character: An Investigation of Fundamental Principles, 2005
Wickes, George, The Amazon of Letters, 1977
Wilson, Edmund, Axel’s Castle, 1952
TEXT CREDITS
Every effort has been made to trace copyright holders and to obtain their permission for the use of copyright material. The publisher apologizes for any errors or omissions in the list below and would be grateful if notified of any corrections that should be incorporated in future reprints or editions of this book.
Material by Hilda Doolittle (H.D.) from Analyzing Freud, edited by Susan Stanford Friedman © 2002 by the Estate of Perdita Schaffner © 2002 by Susan Stanford Friedman, reprinted by permission of New Directions Publishing Corp.
Material from ‘Borderline: A Pool Film with Paul Robeson’ by H.D. (Hilda Doolittle) © 1930 by Hilda Doolittle, reprinted by permission of New Directions Publishing Corp.
Material from Bryher’s letters reprinted by permission of the Schaffner family.
Material from Capitals, Capitals
