A single dirt road in this town led past the factory’s gate and continued on to the sugar plantation a mile down, both owned by a creole family, the Porteños. María Isabel walked this path home, one that snaked through the shadows and gave her brief reprieves from the punishing sun. She thought of Antonio’s words: Study has become a habit among them; today they leave behind the cockfight in order to read a newspaper or book; now they scorn the bullring; today it is the theater, the library, and the centers of good association where they are seen in constant attendance.
True that since La Aurora had expounded the uncivilized nature of cock- and bullfighting, the number of participants had diminished. But it wasn’t just the newspaper’s recommendation that convinced them to give up blood sport. There were also preoccupations. Other workers talked about rebel groups rising up against Spanish loyalists. About men training in groups to join others headed west toward La Habana. María Isabel had been too hardened by her father’s recent death, from a demonic yellow fever that consumed him within weeks, to notice at first, to care much. But then it was all anyone would talk about.
Though by the time rumors of guerrilla fighting had spread to their side of the island, so, too, had stories of infighting. Generals of the militias came and went, supplanted when their ideals became a liability. La Habana, with its manor after manor of Spanish families, looked toward the revolt with indifference, and it appeared more and more likely that the Queen would come down hard on any rebellion. For María Isabel, a scorching anxiety had long replaced those lofty early notions: freedom, liberty. She hated the unknowing. She hated that her own survival depended on a shadowy political future she could hardly envision.
Home. María Isabel’s mother sat on the ground, back against the cool mud of the bohío. Aurelia had returned from work herself, from the fields.
“Mamá?” María Isabel alarmed to find her in such a way, an unusual blush spreading up Aurelia’s face to the tips of her ears.
“Estoy bien,” she said. “Just faint from the walk. You know I am less and less capable.”
“That isn’t true.”
María Isabel helped Aurelia steady herself with one hand to the wall.
“Mamá.” María Isabel touched Aurelia’s forehead with the back of her hand, which gave off such a stench of tobacco juice that her mother winced. “Stay out in the breeze and rest in the hamaca, won’t you? I’ll prepare lunch.”
Aurelia patted María Isabel’s arm. “You are a good daughter,” she said.
They walked to a hammock knotted between palms.
María Isabel’s mother, worn down by decades of loss, hard work, nonetheless retained a certain elegance. Her skin was smooth, with hardly a line, her teeth neat rows unstained. After her husband’s death, Aurelia had many callers, men with missing teeth and sun-weathered, papery skin who presented little in the way of wealth—a donkey, a small plot of mango and plantain trees—but offered care that she brushed off. “A woman does not abandon love of God, nor of country, nor of family,” she’d said in those days, before the men stopped seeking her out. “I will die a widow, such is my fate in life.”
But her mother grew weaker, María Isabel could see. Finding her daughter a husband had become an aggressive devotion. María Isabel protested: she was happiest in the workshop, in the fields, sweating over fire, peeling yucas and plantains and tossing them into a cast-iron cazuela of boiling water with her sleeves bunched to her elbows, catching pig’s blood in a steel bucket to make shiny-black sausage, hacking open a water-pregnant coconut with a machete. True that cigar rolling was a coveted, respectable job—she’d apprenticed for nearly a year prior to working for a wage. Yet the factory paid her by the piece, half of what the men earned, and she was the only woman in the shop, knew the men resented her. They’d heard about this new invention, in La Habana—a mold that made it easy for almost anyone to roll a tight cigar—and feared María Isabel a harbinger of what would come: unskilled, loose women and grubby children taking their jobs for almost nothing. Suggested she might earn better keep “entertaining” the men herself. Took a greater share of her wages to pay the lector.
There were moments, like now, watching her mother lie red faced in the hammock through the window, when she pictured a world in which Aurelia wouldn’t have to work, in which she spent her time caring for her mother instead of rolling tobacco with the men. And she knew with resignation that she’d say yes to any man who offered easier days. Such was her fate.
After lunch came the novels: Victor Hugo, Alexandre Dumas, even William Shakespeare; The Count of Monte Cristo, Les Misérables, King Lear. Some were so popular with the rollers their characters became the names of cigars: the thin, dark Montecristo and the fat, sweet Romeo y Julieta, bands adorned with images of jousts and ill-fated lovers.
They were at the start of the second volume of Les Misérables, chosen by a vote of rare consensus after the lector had finished The Hunchback of Notre Dame. The entire workshop had broken into applause at Notre Dame’s conclusion, for which Don Gerónimo, who ruled the workshop as though he were Notre Dame’s wicked archdeacon himself, reprimanded them. But the workers cheered when Antonio disclosed that he had in his possession a Spanish translation of yet
