Saturn, and chipped pieces off them that fell into the sun. Now Mr Grace located the wicked in the outer planets of our system, and since he disbelieved in eternal damnation had been troubled how to extricate them. The new theory explained this. They were chipped off and reabsorbed into the good! Courteous and grave, the young man listened until a fear seized him that this tosh might be true. The fear was momentary, yet started one of those rearrangements that affect the whole character. It left him with the conviction that his grandfather was convinced. One

more human being had come alive. He had accomplished an act of creation, and as he did so Death turned her head away. "It's a great thing to believe as you do," he said very sadly. "Since Cambridge I believe in nothing—except in a sort of darkness."

"Ah, when I was your age—and now I see a bright light—no electric light can compare to it."

"When you were my age, grandfather, what?"

But Mr Grace did not answer questions. He said, "Brighter than magnesium wire—the light within," then drew a stupid parallel between God, dark inside the glowing sun, and the soul, invisible inside the visible body. "The power within—the soul: let it out, but not yet, not till the evening." He paused. "Maurice, be good to your mother; to your sisters; to your wife and children; to your clerks, as I have." He paused again and Maurice grunted, but not disrespectfully. He was caught by the phrase "not till the evening, do not let it out till the evening." The old man rambled ahead. One ought to be good—kind—brave: all the old advice. Yet it was sincere. It came from a living heart.

"Why?" he interrupted. "Grandpapa, why?"

"The light witiiin—"

"I haven't one." He laughed lest emotion should master him. "Such light as I had went out six weeks ago. I don't want to be good or kind or brave. If I go on living I shall be—not those things: the reverse of them. I don't want that either; I don't want anything."

"The light within—"

Maurice had neared confidences, but they would not have been listened to. His grandfather didn't, couldn't understand. He was only to get "the light within—be kind", yet the phrase continued the rearrangement that had begun inside him. Why should one be kind and good? For someone's sake—for the sake of Clive or God or the sun? But he had no one. No one except his

mother mattered and she only a little. He was practically alone, and why should he go on living? There was really no reason, yet he had a dreary feeling he should, because he had not got Death either; she, like Love, had glanced at him for a minute, then turned away, and left him to "play the game". And he might have to play as long as his grandfather, and retire as absurdly.

28 His change, then, cannot be described as a conver-sion. There was nothing edifying about it. When he came home and examined the pistol he would never use, he was seized with disgust; when he greeted his mother no unfathomable love for her welled up. He lived on, miserable and misunderstood, as before, and increasingly lonely. One cannot write those words too often: Maurice's loneliness: it increased.

But a change there had been. He set himself to acquire new habits, and in particular those minor arts of life that he had neglected when with Clive. Punctuality, courtesy, patriotism, chivalry even—here were a few. He practised a severe self-discipline. It was necessary not only to acquire the art, but to know when to apply it, and gently to modify his behaviour. At first he could do little. He had taken up a line to which his family and the world were accustomed, and any deviation worried them. This came out very strongly in a conversation with Ada.

Ada had become engaged to his old chum Chapman, and his hideous rivalry with her could end. Even after his grandfather's death he had feared she might marry Clive, and gone hot with jealousy. Clive would marry someone. But the thought of him with Ada remained maddening, and he could scarcely have behaved properly unless it had been removed.

The match was excellent, and having approved of it publicly he took her aside, and said, "Ada, I behaved so badly to you,

i

dear, after Clive's visit. I want to say so now and ask you to forgive me. It's given a lot of pain since. I'm very sorry."

She looked surprised and not quite pleased; he saw that she still disliked him. She muttered, "That's all over—I love Arthur now."

"I wish I had not gone mad that evening, but I happened to be very much worried about something. Clive never said what I let you think he said either. He never blamed you."

"I don't care whether he did. It doesn't signify."

Her brother's apologies were so rare that she seized the opportunity to trample on him. "When did you last see him?"— Kitty had suggested they had quarrelled.

"Not for some time."

"Those weekends and Wednesdays seem to have quite stopped."

"I wish you happiness. Old Chappie's a good fellow. For two people who are in love to marry strikes me as very jolly."

"It's very kind of you to wish me happiness, Maurice, I'm sure. I hope I shall have it whether I am wished it or not." (This was described to Chapman afterwards as a "repartee.") "I'm sure I wish you the same sort of thing you've been wishing me all along equally." Her face reddened. She had suffered a good deal, and was by no means indifferent to Clive, whose withdrawal had hurt her.

Maurice guessed as much and looked gloomily at her. Then he changed the subject, and, being without memory, she recovered her temper. But she could not forgive her brother: indeed it was not right that one of her temperament should, since he had insulted her centrally, and marred the dawning of a love.

Similar difficulties arose with

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