I live on the top floor of a large, ugly Victorian building, and there are lots of us squashed in here side by side, in our small, drafty little flats. Housing Association, most of us. And when I wedge my door open with a shoe and go down to answer the bell, past four floors of white doors marked with brass letters, the early-evening sounds seep from beneath each one: a baby crying, a telly’s laughter, a couple arguing: the lives of strangers.
I’m entirely unprepared for what’s waiting for me beyond the heavy, wide front door and when I open it the world seems to tilt and I have to grip the doorframe to stop myself from falling. Because there she is, standing on my doorstep, staring back at me. There, after all this time, is Heather.
And I have imagined this, dreamed of this, dreaded this, so many hundreds of times for so many years that the reality is both entirely surreal and anticlimactic. I see and hear life continuing on this ordinary London street on this ordinary afternoon—cars and people passing, children playing down the street, a dog barking—as if from far away, and as I stare into her face the sour taste of fear creeps around the back of my tongue. I open my mouth, but no words come and we stand in silence for a while, two thirty-three-year-old versions of the girls we’d once been.
It’s she who speaks first. “Hello, Edie,” she says.
And then she does the unthinkable. She steps across the threshold (my heart jumping as she looms so suddenly close), wraps me in her arms, and hugs me. I stand there rigid, enclosed, as memories slam into me: the wiry feel of her hair as it brushes against my cheek, that weird fried-onions smell her clothes always had, her tall, heavy presence. My mind is empty. I am only my heart knocking in my throat, and now she’s following me into the hallway—no, no, no, this is just one of your dreams—and up the stairs, past all the other doors with their brass letters and their chipped paint, and we’re at the top and I’m watching my hand as it pushes open my door and we’re here inside my kitchen—no, no, no, no, no—and we’re sitting down at my table, and I’m staring into the face I’d once hoped never to see again for the rest of my life.
Neither of us speaks at first and I’m suddenly filled with longing for my quiet, solitary life within these three cramped rooms of just moments before. The tap drips, the seconds pass, the browning tendrils of my spider plant shiver on the windowsill. I get up so I don’t have to look at her, and I turn away and grip the work surface. With my back to her like this, I finally manage to speak. “How’d you find me, then?” I ask, and when she doesn’t answer I look back and see that she’s gazing around the room, peering across the hallway to the narrow lounge with its fold-down bed.
“Hmm?” she says vaguely. “Oh.” She looks at me. “Your mum. Still lives in your old place, doesn’t she?”
And I nod, although I hadn’t known, because Mum and I haven’t spoken in years and in that instant I’m back there, in the old Fremton house. We’re in the kitchen, the strip light flickering, the blackness outside making mirrors of the windows. I’m crying and telling Mum everything, every single thing about what happened that night, as if telling her might stop the screaming in my head, clear the pictures from my mind. I tell her about Heather and Connor and what they did, but it’s as if I’m telling her about some horror film or a nightmare I’ve had. I listen to myself say the words and I can’t believe that what I’m saying is true. I don’t stop talking until I’ve told her every last detail, and when I’ve finished, I reach for her, but Mum’s body is rigid and her face gray with shock. She backs away from me, and never, never again in my life do I want someone to look at me the way she does then.
When she finally speaks she spits out her words like stones. “Go to bed, Edith,” she says. “And don’t ever talk to me about this again. Do you hear me? I never want to hear about this again.” She turns her back, staring at the window, and I see her pinched, awful face reflected in the glass. The next morning I get up before dawn, take some money from her purse, and catch the train to my uncle Geoff’s in Erith, and I never go back there again.
I’m stunned by what Heather has told me: that my mother had my address to give her amazes me. My uncle never knew what caused the rift between us and always hoped that we would one day reconcile, so the fact that he passed it on to her is no surprise. But that Mum had actually written it down and kept it safe somewhere is a revelation.
I feel exhaustion roll over me in waves, but still I force myself to ask, “What do you want, Heather? Why have you come here now?” Because I always knew, really, that this moment would come. Hadn’t I dreamed about it night after night, woken in the small hours sick with the fear of it, looked over my shoulder certain it was approaching, out there somewhere, getting steadily closer?
She doesn’t answer at first. On the table in front of her, she’s put her bag: a black woolen knitted thing with a chipped plastic button. Clinging to the wool are bits of fluff, crumbs, and lots of little ginger hairs; cats’
