“What?”
“You have to take care of the plans.”
“I will.”
“You have to promise.”
“I promise. Where are they?” Bell asked.
“Right here.”
“Where?”
Clyde raised his hand as if to point at his head as Bell remembered he had on the Mauretania, claiming he held it in his mind and only needed time and money to finish Talking Pictures. A lot of good that would do. They would die with him this time. But instead Clyde was reaching to pat his chest, then hastily to cover his mouth. He coughed, a harsh sound that wracked his body head to toe. The cough ended abruptly with a sudden intake of breath and a long sigh, and before Clyde Lynds could tell Isaac Bell where he had put his plans, the young scientist was dead.
Bell closed Clyde’s eyelids and spread a handkerchief over his face. Mindful of his promise, he searched Clyde’s clothing.
“Looking for something, Detective?”
THE ACROBAT WAS SPEAKING DIRECTLY BEhind him. His English was fluent, his accent light.
“Place your pistol on his chest.”
Isaac Bell laid the Browning on Clyde’s chest and raised both hands. As his right hand passed his head, he whipped his derringer from his hat, spun around, and fired both barrels in the direction of Semmler’s voice. The slugs clanged through a tin acoustical horn.
The Acrobat laughed.
Now Bell saw him on the far side of the room, a man with hair as gold as his and green eyes bright as emeralds. He was standing behind a disc microphone mounted on a wooden box, smiling the “Fritz Wunderlich” smile that the drummers had raved about. The sketch had failed to capture the magnetic power of his presence. Nor were his thick brow and massive jaw monkey-like. Isaac Bell thought that Semmler, the Acrobat, looked like the work of a brilliant sculptor more enchanted by the structure within his stone than by the surface. The word “mighty” sprang to Bell’s mind. There was a quality to the man of power that made him seem larger than life.
Semmler returned Bell’s inquiring gaze, and his smile broadened and his eyes brightened. Bell was reminded of Art Curtis—though six inches shorter than Semmler and round instead of rangy, Art had possessed a similarly compelling smile. Art had been a fighting man, too, and his eyes could turn cold. But Semmler’s eyes were of a different order, as cold and empty as the stars.
His hands were hidden behind the box.
Bell could not see if he was holding a weapon.
“Clyde’s microphone is quite effective, don’t you think? You thought I sounded real.”
“You sounded like a murderer.”
“I am not a murderer,” Semmler replied, with such conviction that Bell knew he was confronting a madman. “I am a soldier for my country and my kaiser.”
Bell gathered his legs to spring. “That insults every soldier who ever served. You murdered eight men starting with your own accomplice on the Mauretania.”
“None would have died if you had not interfered,” Semmler shot back. “Every death is on your head.”
Bell surged to his feet and rushed the Acrobat in a burst of fluid motion.
Semmler raised a Webley automatic pistol and leveled it at Bell’s chest. “I load hollow-point .455s. I’m told that your friend Abbott will never fully recover from his encounter with a ‘manstopper.’”
Bell stopped, reluctantly.
“We will leave the building,” Semmler said. “Walk ahead of me. Lead the way downstairs.”
Bell had no choice but to do as the Acrobat demanded. But at least with every step down the stairs, he was drawing Semmler farther away from Marion. They descended four flights to the lobby and another to the cellar. Semmler indicated the narrow hall and switched positions when they reached the ladder to the trapdoor.
“I’ll go first,” he said, backing agilely up the ladder, covering Bell until, crouched under the life net, he beckoned with the Webley for Bell to come up next.
When the detective climbed out, Semmler said, “Feel around at the foot of the wall. There’s some loose bricks. Pick one up.”
Bell stepped from under the canvas life net and two paces to the wall of the building, crouched down and felt in the dark until he found a brick. Glad of another weapon, he stood with it in his left hand. His right was reserved for his throwing knife, which he would draw from his boot the instant he saw a chance.
Semmler said, “Your interference ruined years of meticulous planning. It cost me time and treasure and dimmed my star. Promises made to my kaiser, my army, and my family have all been broken. I will redeem them now that I have Talking Pictures in hand. But it did not have to take so long.”
He gestured with his pistol. “Before you get any silly ideas about braining me with that brick, throw it through that window.”
Bell raised the brick, watching Semmler’s posture for signs of the split second of distraction he needed to go for his knife. But Semmler was watching closely and with sublime confidence in his mastery of the situation. Bell tried another tack. “Meticulous planning for what? I am mystified. What is it you want?”
“I want to save Germany from well-meaning fools. Throw the brick.”
Bell tried again. “What—”
Semmler trained his gun at Bell’s chest. “Throw the brick or convalesce with Abbott.”
Bell threw the brick at the lighted window. The glass shattered, and shards fell from the frame, widening a jagged hole.
“Here’s your next choice: either keep dogging my steps or try to save what is dear to you.”
Christian Semmler raised his free hand for Bell to see. Between his thumb and forefinger he held a book of safety matches. Beneath the matches, cupped in his big palm, was a dark cylinder, which looked to Bell in the uncertain light from the broken window to be a small chunk sawed off a stick of dynamite and fitted with a
