“Gently, man, gently; he is not here.”
He went up and touched him on the shoulder.
He twitched away, and began to pass his hands over things more rapidly—over the table, the chairs, the entire floor, the walls as high as he could reach them. Philip had not presumed to comfort him. But now the tension was too great—he tried.
“Break down, Gino; you must break down. Scream and curse and give in for a little; you must break down.”
There was no reply, and no cessation of the sweeping hands.
“It is time to be unhappy. Break down or you will be ill like my sister. You will go—”
The tour of the room was over. He had touched everything in it except Philip. Now he approached him. He face was that of a man who has lost his old reason for life and seeks a new one.
“Gino!”
He stopped for a moment; then he came nearer. Philip stood his ground.
“You are to do what you like with me, Gino. Your son is dead, Gino. He died in my arms, remember. It does not excuse me; but he did die in my arms.”
The left hand came forward, slowly this time. It hovered before Philip like an insect. Then it descended and gripped him by his broken elbow.
Philip struck out with all the strength of his other arm. Gino fell to the blow without a cry or a word.
“You brute!” exclaimed the Englishman. “Kill me if you like! But just you leave my broken arm alone.”
Then he was seized with remorse, and knelt beside his adversary and tried to revive him. He managed to raise him up, and propped his body against his own. He passed his arm round him. Again he was filled with pity and tenderness. He awaited the revival without fear, sure that both of them were safe at last.
Gino recovered suddenly. His lips moved. For one blessed moment it seemed that he was going to speak. But he scrambled up in silence, remembering everything, and he made not towards Philip, but towards the lamp.
“Do what you like; but think first—”
The lamp was tossed across the room, out through the loggia. It broke against one of the trees below. Philip began to cry out in the dark.
Gino approached from behind and gave him a sharp pinch. Philip spun round with a yell. He had only been pinched on the back, but he knew what was in store for him. He struck out, exhorting the devil to fight him, to kill him, to do anything but this. Then he stumbled to the door. It was open. He lost his head, and, instead of turning down the stairs, he ran across the landing into the room opposite. There he lay down on the floor between the stove and the skirting board.
His senses grew sharper. He could hear Gino coming in on tiptoe. He even knew what was passing in his mind, how now he was at fault, now he was hopeful, now he was wondering whether after all the victim had not escaped down the stairs. There was a quick swoop above him, and then a low growl like a dog’s. Gino had broken his fingernails against the stove.
Physical pain is almost too terrible to bear. We can just bear it when it comes by accident or for our good—as it generally does in modern life—except at school. But when it is caused by the malignity of a man, full grown, fashioned like ourselves, all our control disappears. Philip’s one thought was to get away from that room at whatever sacrifice of nobility or pride.
Gino was now at the further end of the room, groping by the little tables. Suddenly the instinct came to him. He crawled quickly to where Philip lay and had him clean by the elbow.
The whole arm seemed red-hot, and the broken bone grated in the joint, sending out shoots of the essence of pain. His other arm was pinioned against the wall, and Gino had trampled in behind the stove and was kneeling on his legs. For the space of a minute he yelled and yelled with all the force of his lungs. Then this solace was denied him. The other hand, moist and strong, began to close round his throat.
At first he was glad, for here, he thought, was death at last. But it was only a new torture; perhaps Gino inherited the skill of his ancestors—and childlike ruffians who flung each other from the towers. Just as the windpipe closed, the hand fell off, and Philip was revived by the motion of his arm. And just as he was about to faint and gain at last one moment of oblivion, the motion stopped, and he would struggle instead against the pressure on his throat.
Vivid pictures were dancing through the pain—Lilia dying some months back in this very house, Miss Abbott bending over the baby, his mother at home, now reading evening prayers to the servants. He felt that he was growing weaker; his brain wandered; the agony did not seem so great. Not all Gino’s care could indefinitely postpone the end. His yells and gurgles became mechanical—functions of the tortured flesh rather than true notes of indignation and despair. He was conscious of a horrid tumbling. Then his arm was pulled a little too roughly, and everything was quiet at last.
“But your son is dead, Gino. Your son is dead, dear Gino. Your son is dead.”
The room was full of light, and Miss Abbott had Gino by the shoulders, holding him down in a chair. She was exhausted with the struggle, and her arms were trembling.
“What is the good of another death? What is the good of more pain?”
He too began to tremble. Then he turned and looked curiously at Philip, whose face, covered with dust and foam, was visible by the stove. Miss Abbott allowed him to get up, though she still held him
