that lies so coldly wed with death in the nest I had builded.

If one must have gone, why not I? Why may I not rest me from this restlessness and sleep from this wide waking? Was not the world’s alembic, Time, in his young hands, and is not my time waning? Are there so many workers in the vineyard that the fair promise of this little body could lightly be tossed away? The wretched of my race that line the alleys of the nation sit fatherless and unmothered; but Love sat beside his cradle, and in his ear Wisdom waited to speak. Perhaps now he knows the All-love, and needs not to be wise. Sleep, then, child⁠—sleep till I sleep and waken to a baby voice and the ceaseless patter of little feet⁠—above the Veil.

XII

Of Alexander Crummell

Then from the Dawn it seemed there came, but faint
As from beyond the limit of the world,
Like the last echo born of a great cry,
Sounds, as if some fair city were one voice
Around a king returning from his wars.

Tennyson
Two lines of musical notation representing a truncated fragment of melody.

This is the story of a human heart⁠—the tale of a black boy who many long years ago began to struggle with life that he might know the world and know himself. Three temptations he met on those dark dunes that lay gray and dismal before the wonder-eyes of the child: the temptation of Hate, that stood out against the red dawn; the temptation of Despair, that darkened noonday; and the temptation of Doubt, that ever steals along with twilight. Above all, you must hear of the vales he crossed⁠—the Valley of Humiliation and the Valley of the Shadow of Death.

I saw Alexander Crummell first at a Wilberforce commencement season, amid its bustle and crush. Tall, frail, and black he stood, with simple dignity and an unmistakable air of good breeding. I talked with him apart, where the storming of the lusty young orators could not harm us. I spoke to him politely, then curiously, then eagerly, as I began to feel the fineness of his character⁠—his calm courtesy, the sweetness of his strength, and his fair blending of the hope and truth of life. Instinctively I bowed before this man, as one bows before the prophets of the world. Some seer he seemed, that came not from the crimson Past or the gray To-come, but from the pulsing Now⁠—that mocking world which seemed to me at once so light and dark, so splendid and sordid. Fourscore years had he wandered in this same world of mine, within the Veil.

He was born with the Missouri Compromise and lay a-dying amid the echoes of Manila and El Caney: stirring times for living, times dark to look back upon, darker to look forward to. The black-faced lad that paused over his mud and marbles seventy years ago saw puzzling vistas as he looked down the world. The slave-ship still groaned across the Atlantic, faint cries burdened the Southern breeze, and the great black father whispered mad tales of cruelty into those young ears. From the low doorway the mother silently watched her boy at play, and at nightfall sought him eagerly lest the shadows bear him away to the land of slaves.

So his young mind worked and winced and shaped curiously a vision of Life; and in the midst of that vision ever stood one dark figure alone⁠—ever with the hard, thick countenance of that bitter father, and a form that fell in vast and shapeless folds. Thus the temptation of Hate grew and shadowed the growing child⁠—gliding stealthily into his laughter, fading into his play, and seizing his dreams by day and night with rough, rude turbulence. So the black boy asked of sky and sun and flower the never-answered Why? and loved, as he grew, neither the world nor the world’s rough ways.

Strange temptation for a child, you may think; and yet in this wide land today a thousand thousand dark children brood before this same temptation, and feel its cold and shuddering arms. For them, perhaps, someone will some day lift the Veil⁠—will come tenderly and cheerily into those sad little lives and brush the brooding hate away, just as Beriah Green strode in upon the life of Alexander Crummell. And before the bluff, kindhearted man the shadow seemed less dark. Beriah Green had a school in Oneida County, New York, with a score of mischievous boys. “I’m going to bring a black boy here to educate,” said Beriah Green, as only a crank and an abolitionist would have dared to say. “Oho!” laughed the boys. “Ye-es,” said his wife; and Alexander came. Once before, the black boy had sought a school, had travelled, cold and hungry, four hundred miles up into free New Hampshire, to Canaan. But the godly farmers hitched ninety yoke of oxen to the abolition schoolhouse and dragged it into the middle of the swamp. The black boy trudged away.

The nineteenth was the first century of human sympathy⁠—the age when half wonderingly we began to descry in others that transfigured spark of divinity which we call Myself; when clodhoppers and peasants, and tramps and thieves, and millionaires and⁠—sometimes⁠—Negroes, became throbbing souls whose warm pulsing life touched us so nearly that we half gasped with surprise, crying, “Thou too! Hast Thou seen Sorrow and the dull waters of Hopelessness? Hast Thou known Life?” And then all helplessly we peered into those Other-worlds, and wailed, “O World of Worlds, how shall man make you one?”

So in that little Oneida school there came to those schoolboys a revelation of thought and longing beneath one black skin, of which they had not dreamed before. And to the lonely boy came a new dawn of sympathy and inspiration. The shadowy, formless thing⁠—the temptation of Hate, that hovered between him and the world⁠—grew fainter and less sinister. It did not wholly fade away,

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