oblivion,
Sans teeth, sans eyes, sans taste, sans everything. Re-enter Orlando, with Adam. Duke Senior

Welcome. Set down your venerable burthen,
And let him feed.

Orlando I thank you most for him. Adam

So had you need:
I scarce can speak to thank you for myself.

Duke Senior

Welcome; fall to: I will not trouble you
As yet, to question you about your fortunes.
Give us some music; and, good cousin, sing.

Song. Amiens

Blow, blow, thou winter wind.
Thou art not so unkind
As man’s ingratitude;
Thy tooth is not so keen,
Because thou art not seen,
Although thy breath be rude.
Heigh-ho! sing, heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly:
Then, heigh-ho, the holly!
This life is most jolly.
Freeze, freeze, thou bitter sky,
That dost not bite so nigh
As benefits forgot:
Though thou the waters warp,
Thy sting is not so sharp
As friend remember’d not.
Heigh-ho! sing, etc.

Duke Senior

If that you were the good Sir Rowland’s son,
As you have whisper’d faithfully you were,
And as mine eye doth his effigies witness
Most truly limn’d and living in your face,
Be truly welcome hither: I am the duke
That loved your father: the residue of your fortune,
Go to my cave and tell me. Good old man,
Thou art right welcome as thy master is.
Support him by the arm. Give me your hand,
And let me all your fortunes understand. Exeunt.

Act III

Scene I

A room in the palace.

Enter Duke Frederick, Lords, and Oliver.
Duke Frederick

Not see him since? Sir, sir, that cannot be:
But were I not the better part made mercy,
I should not seek an absent argument
Of my revenge, thou present. But look to it:
Find out thy brother, wheresoe’er he is;
Seek him with candle; bring him dead or living
Within this twelvemonth, or turn thou no more
To seek a living in our territory.
Thy lands and all things that thou dost call thine
Worth seizure do we seize into our hands,
Till thou canst quit thee by thy brothers mouth
Of what we think against thee.

Oliver

O that your highness knew my heart in this!
I never loved my brother in my life.

Duke Frederick

More villain thou. Well, push him out of doors;
And let my officers of such a nature
Make an extent upon his house and lands:
Do this expediently and turn him going. Exeunt.

Scene II

The forest.

Enter Orlando, with a paper.
Orlando

Hang there, my verse, in witness of my love:
And thou, thrice-crowned queen of night, survey
With thy chaste eye, from thy pale sphere above,
Thy huntress’ name that my full life doth sway.
O Rosalind! these trees shall be my books
And in their barks my thoughts I’ll character;
That every eye which in this forest looks
Shall see thy virtue witness’d every where.
Run, run, Orlando; carve on every tree
The fair, the chaste and unexpressive she. Exit.

Enter Corin and Touchstone.

Corin And how like you this shepherd’s life, Master Touchstone?
Touchstone Truly, shepherd, in respect of itself, it is a good life, but in respect that it is a shepherd’s life, it is naught. In respect that it is solitary, I like it very well; but in respect that it is private, it is a very vile life. Now, in respect it is in the fields, it pleaseth me well; but in respect it is not in the court, it is tedious. As is it a spare life, look you, it fits my humour well; but as there is no more plenty in it, it goes much against my stomach. Hast any philosophy in thee, shepherd?
Corin No more but that I know the more one sickens the worse at ease he is; and that he that wants money, means and content is without three good friends; that the property of rain is to wet and fire to burn; that good pasture makes fat sheep, and that a great cause of the night is lack of the sun; that he that hath learned no wit by nature nor art may complain of good breeding or comes of a very dull kindred.
Touchstone Such a one is a natural philosopher. Wast ever in court, shepherd?
Corin No, truly.
Touchstone Then thou art damned.
Corin Nay, I hope.
Touchstone Truly, thou art damned like an ill-roasted egg, all on one side.
Corin For not being at court? Your reason.
Touchstone Why, if thou never wast at court, thou never sawest good manners; if thou never sawest good manners, then thy manners must be wicked; and wickedness is sin, and sin is damnation. Thou art in a parlous state, shepherd.
Corin Not a whit, Touchstone: those that are good manners at the court are as ridiculous in the country as the behavior of the country is most mockable at the court. You told me you salute not at the court, but you kiss your hands: that courtesy would be uncleanly, if courtiers were shepherds.
Touchstone Instance, briefly; come, instance.
Corin Why, we are still handling our ewes, and their fells, you know, are greasy.
Touchstone Why, do not your courtier’s hands sweat? and is not the grease of a mutton as wholesome as the sweat of a man? Shallow, shallow. A better instance, I say; come.
Corin Besides, our hands are hard.
Touchstone Your lips will feel them the sooner. Shallow again. A more sounder instance, come.
Corin And they are often tarred over with the surgery of our sheep: and would you have us kiss tar? The courtier’s hands are perfumed with civet.
Touchstone Most shallow man! thou worms-meat, in respect of a good piece of flesh indeed! Learn of the wise, and perpend: civet is of a baser birth than tar, the very uncleanly flux of a cat. Mend the instance, shepherd.
Corin You have too courtly a wit for me: I’ll rest.
Touchstone Wilt thou rest damned? God help thee, shallow man! God make incision in thee! thou art raw.
Corin Sir, I am a true labourer: I earn that I eat, get that I wear, owe no man hate, envy no man’s happiness, glad of other men’s good, content with my harm, and the greatest of my pride
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