The spiritualist listened attentively, looked upon the picture, heard other explanations, examined other pictures, and sagely gave it as his opinion that the inhabitants of the unknown sphere had taken this mode of reappearing to the view of mortal eyes, that this operator must be a “medium” of especial power. The New York Herald of Progress, a spiritualist paper, printed the first article upon this man’s spiritual photograph.
The acquaintance thus begun was continued, and the photographer found it very profitable to oblige his spiritual friend, by the reproduction of ghostlike pictures, ad infinitum, at the rate of five dollars each. Mothers came to the room of the artist, and gratefully retired with ghostly representations of departed little ones. Widows came to purchase the shades of their departed husbands. Husbands visited the photographer and procured the spectral pictures of their dead wives. Parents wanted the phantom-portraits of their deceased children. Friends wished to look upon what they believed to be the lineaments of those who had long since gone to the spirit-land. All who sought to look on those pictures were satisfied with what had been shown them, and, by conversation on the subject, increased the number of visitors. In short, every person who heard about this mystery determined to verify the wonderful tales related, by looking upon the ghostly lineaments of some person, who, they believed, inhabited another sphere. And here I may as well mention that one of the faithful obtained a “spirit” picture of a deceased brother who had been dead more than five years, and said that he recognized also the very pattern of his cravat as the same that he wore in life. Can human credulity go further than to suppose that the departed still appear in the old clo’ of their earthly wardrobe? and the fact that the appearance of “the shade” of a young lady in one of the fashionable cut Zouave jackets of the hour did not disturb the faith of the believers, fills us indeed with wonder.
The fame of the photographer spread throughout the “spiritual circles,” and pilgrims to this spiritual Mecca came from remote parts of the land, and before many months, caused no little excitement among some persons, inclined to believe that the demonstrations were entirely produced by human agency.
The demand for “spirit” pictures consequently increased, until the operator was forced to raise his price to ten dollars, whenever successful in obtaining a true “spirit-picture,” or to be overwhelmed with business that now interfered with his regular labors.
About this time the famous “Peace Conference” had been concluded by the issue of Mr. Lincoln’s celebrated letter, “To whom it may concern,” and William Cornell Jewett (with his head full of projects for restoring peace to a suffering country) heard about the mysterious photographer, and visited the operator.
“Sir,” said he, “I must consult with the spirits of distinguished statesmen. We need their counsel. This cruel war must stop. Brethren slaying brethren, it is horrible, Sir. Can you show me John Adams? Can you show me Daniel Webster? Let me look upon the features of Andrew Jackson. I must see that noble, glorious, wise old statesman, Henry Clay, whom I knew. Could you reproduce Stephen A. Douglas, with whom to counsel at this crisis in our national affairs! I should like to meet the great Napoleon. Such, here obtained, would increase my influence in the political work that I have in hand.”
In his own nervous, impetuous, excited way, Colorado Jewett continued to urge upon the photographer the great importance of receiving such communications, or some evidence that the spirits of our deceased statesmen were watching over and counseling those who desire to reunite the two opposing forces, fighting against each other on the soil of a common country.
With much caution, the photographer answered the questions presented. Arranging the camera, he produced some indistinct figures, and then concluded that the “conditions” were not sufficiently favorable to attempt anything more before the next day. On the following morning, Jewett appeared—nervous, garrulous, and excited at the prospect of being in the presence of those great men, whose spirits he desired to invoke. The apparatus was prepared; utter silence imposed, and for some time the heart of the peace-seeker could almost be heard thumping within the breast of him who sought supernatural aid, in his efforts to end our cruel civil war. Then, overcome by his own thoughts, Jewett disturbed the “conditions” by changing his position, and muttering short invocations, addressed to the shades of those he wished to behold. The operator finally declared he could not proceed, and postponed his performance for that day. So, excuses were made, until the mental condition of Mr. Jewett had reached that state which permitted the photographer to expect the most complete success. Everything being prepared, Jewett breathlessly awaited the expected presence. Quietly the operator produced the spectral representation of the elder Adams. Jewett scrutinized the plate, and expressed a silent wonder, accompanied, no doubt, with some mental appeals addressed to the ancient statesman. Then, writing the name of Webster upon a slip of paper, he passed it over to the photographer, who gravely placed the scrap of writing upon the camera, and presently drew therefrom the “ghostlike” but well remembered features of the “Sage of Marshfield.” Colorado Jewett was now thoroughly impressed with the spiritual power producing these images; and in ecstasy breathed a prayer that Andrew Jackson might appear to lend his countenance to the conference he wished to hold with the mighty dead. Jackson’s well known features came out upon call, after due manipulation of the proper instrument. “Glorious trio of departed statesmen!” thought Jewett, “help us by your counsels in this the day of our nation’s great distress.” Next Henry Clay’s outline was faintly shown
