That was a reference to my mother’s side of the house. My mother was a Lambton—Lambton with a p, for some of the American Lamptons could not spell very well in early times, and so the name suffered at their hands. She was a native of Kentucky, and married my father in Lexington in 1823, when she was twenty years old and he twenty-four. Neither of them had an overplus of property. She brought him two or three negroes, but nothing else, I think. They removed to the remote and secluded village of Jamestown, in the mountain solitudes of east Tennessee. There their first crop of children was born, but as I was of a later vintage, I do not remember anything about it. I was postponed—postponed to Missouri. Missouri was an unknown new state and needed attractions.
I think that my eldest brother, Orion, my sisters Pamela and Margaret, and my brother Benjamin were born in Jamestown. There may have been others, but as to that I am not sure. It was a great lift for that little village to have my parents come there. It was hoped that they would stay, so that it would become a city. It was supposed that they would stay. And so there was a boom; but by and by they went away, and prices went down, and it was many years before Jamestown got another start. I have written about Jamestown in the Gilded Age, a book of mine, but it was from hearsay, not from personal knowledge. My father left a fine estate behind him in the region roundabout Jamestown—75,000 acres.13 When he died in 1847 he had owned it about twenty years. The taxes were almost nothing (five dollars a year for the whole), and he had always paid them regularly and kept his title perfect. He had always said that the land would not become valuable in his time, but that it would be a commodious provision for his children some day. It contained coal, copper, iron, and timber, and he said that in the course of time railways would pierce to that region and then the property would be property in fact as well as in name. It also produced a wild grape of a promising sort. He had sent some samples to Nicholas Longworth of Cincinnati to get his judgment upon them, and Mr. Longworth had said that they would make as good wine as his Catawbas. The land contained all these riches; and also oil, but my father did not know that, and of course in those early days he would have cared nothing about it if he had known it. The oil was not discovered until about 1895. I wish I owned a couple of acres of the land now, in which case I would not be writing autobiographies for a living. My father’s dying charge was, “Cling to the land and wait; let nothing beguile it away from you.” My mother’s favorite cousin, James Lampton, who figures in the Gilded Age as Colonel Sellers, always said of that land—and said it with blazing enthusiasm, too—“There’s millions in it—millions!” It is true that he always said that about everything—and was always mistaken, too, but this time he was right; which shows that a man who goes around with a prophecy-gun ought never to get discouraged. If he will keep up his heart and fire at everything he sees, he is bound to hit something by and by.
Many persons regarded Colonel Sellers as a fiction, an invention, an extravagant impossibility, and did me the honor to call him a “creation”; but they were mistaken. I merely put him on paper as he was; he was not a person who could be exaggerated. The incidents which looked most extravagant, both in the book and on the stage, were not inventions of mine, but were facts of his life; and I was present when they were developed. John T. Raymond’s audiences used to come near to dying with laughter over the turnip-eating scene; but, extravagant as the scene was, it was faithful to the facts, in all its absurd details. The thing happened in Lampton’s own house, and I was present. In fact, I was myself the guest who ate the turnips. In the hands of a great actor that piteous scene would have dimmed any manly spectator’s eyes with tears, and racked his ribs apart with laughter at the same time. But Raymond was great in humorous portrayal only. In that he was superb, he was wonderful—in a word, great; in all things else he was a pygmy of pygmies. The real Colonel Sellers, as I knew him in James Lampton, was a pathetic and beautiful spirit, a manly man, a straight and honorable man, a man with a big, foolish, unselfish heart in his bosom, a man born to be loved; and he was loved by all his friends, and by his family worshiped. It is the right word. To them he was but little less than a god. The real Colonel Sellers was never on the stage. Only half of him was there. Raymond could not play the other half of him; it was above his level. There was only one man who could have played the whole of Colonel Sellers, and that was Frank Mayo.14
It is a world of surprises. They fall, too, where one is least expecting them. When I introduced Sellers into the book, Charles Dudley Warner, who was writing the story with me, proposed a change of Sellers’s Christian name. Ten years before, in a remote corner of the West, he had come across a man named Eschol Sellers, and he thought that Eschol was just the right and fitting name for our Sellers, since it was odd and quaint and all that. I liked the
