rather shingle, with the river on your right and the sea on your left.
But just before that, just by the martello tower, you remember there is the old battery, close to the sea. I believe there are only a few blocks of concrete left now: the rest has all been washed away, but at this time there was a lot more, though the place was a ruin. Well, when we got there, we clambered to the top as quick as we could to take breath and look over the shingle in front if by chance the mist would let us see anything. But a moment’s rest we must have. We had run a mile at least. Nothing whatever was visible ahead of us, and we were just turning by common consent to get down and run hopelessly on, when we heard what I can only call a laugh: and if you can understand what I mean by a breathless, a lungless laugh, you have it; but I don’t suppose you can. It came from below, and swerved away into the mist. That was enough. We bent over the wall. Paxton was there at the bottom.
You don’t need to be told that he was dead. His tracks showed that he had run along the side of the battery, had turned sharp round the corner of it, and, small doubt of it, must have dashed straight into the open arms of someone who was waiting there. His mouth was full of sand and stones, and his teeth and jaws were broken to bits. I only glanced once at his face.
At the same moment, just as we were scrambling down from the battery to get to the body, we heard a shout, and saw a man running down the bank of the martello tower. He was the caretaker stationed there, and his keen old eyes had managed to descry through the mist that something was wrong. He had seen Paxton fall, and had seen us a moment after, running up—fortunate this, for otherwise we could hardly have escaped suspicion of being concerned in the dreadful business. Had he, we asked, caught sight of anybody attacking our friend? He could not be sure.
We sent him off for help, and stayed by the dead man till they came with the stretcher. It was then that we traced out how he had come, on the narrow fringe of sand under the battery wall. The rest was shingle, and it was hopelessly impossible to tell whither the other had gone.
What were we to say at the inquest? It was a duty, we felt, not to give up, there and then, the secret of the crown, to be published in every paper. I don’t know how much you would have told; but what we did agree upon was this: to say that we had only made acquaintance with Paxton the day before, and that he had told us he was under some apprehension of danger at the hands of a man called William Ager. Also that we had seen some other tracks besides Paxton’s when we followed him along the beach. But of course by that time everything was gone from the sands.
No one had any knowledge, fortunately, of any William Ager living in the district. The evidence of the man at the martello tower freed us from all suspicion. All that could be done was to return a verdict of wilful murder by some person or persons unknown.
Paxton was so totally without connections that all the inquiries that were subsequently made ended in a No Thoroughfare. And I have never been at Seaburgh, or even near it, since.
An Evening’s Entertainment
Nothing is more common form in old-fashioned books than the description of the winter fireside, where the aged grandam narrates to the circle of children that hangs on her lips story after story of ghosts and fairies, and inspires her audience with a pleasing terror. But we are never allowed to know what the stories were. We hear, indeed, of sheeted spectres with saucer eyes, and—still more intriguing—of “Rawhead and Bloody Bones” (an expression which the Oxford Dictionary traces back to 1550), but the context of these striking images eludes us.
Here, then, is a problem which has long obsessed me; but I see no means of solving it finally. The aged grandams are gone, and the collectors of folklore began their work in England too late to save most of the actual stories which the grandams told. Yet such things do not easily die quite out, and imagination, working on scattered hints, may be able to devise a picture of an evening’s entertainment, such an one as Mrs. Marcet’s Evening Conversations, Mr. Joyce’s Dialogues on Chemistry, and somebody else’s Philosophy in Sport Made Science in Earnest, aimed at extinguishing by substituting for Error and Superstition the light of Utility and Truth; in some such terms as these:
Charles: I think, papa, that I now understand the properties of the lever, which you so kindly explained to me on Saturday; but I have been very much puzzled since then in thinking about the pendulum, and have wondered why it is that, when you stop it, the clock does not go on any more.
Papa: (You young sinner, have you been meddling with the clock in the hall? Come here to me! No, this must be a gloss that has somehow crept into the text.) Well, my boy, though I do not wholly approve of your conducting without my supervision experiments which may possibly impair the usefulness of a valuable scientific instrument, I will do my best to explain the principles of the pendulum to you. Fetch me a piece of stout whipcord from the drawer in my study, and ask cook to be so good as to lend you one of the weights which she uses in her kitchen.
And so we are off.
How different the scene in a household to which the beams
