but bones and tendons of appalling strength; coarse black hairs, longer than ever grew on a human hand; nails rising from the ends of the fingers and curving sharply down and forward, grey, horny and wrinkled.
He flew out of his chair with deadly, inconceivable terror clutching at his heart. The shape, whose left hand rested on the table, was rising to a standing posture behind his seat, its right hand crooked above his scalp. There was black and tattered drapery about it; the coarse hair covered it as in the drawing. The lower jaw was thin—what can I call it?—shallow, like a beast’s; teeth showed behind the black lips; there was no nose; the eyes, of a fiery yellow, against which the pupils showed black and intense, and the exulting hate and thirst to destroy life which shone there, were the most horrifying features in the whole vision. There was intelligence of a kind in them—intelligence beyond that of a beast, below that of a man.
The feelings which this horror stirred in Dennistoun were the intensest physical fear and the most profound mental loathing. What did he do? What could he do? He has never been quite certain what words he said, but he knows that he spoke, that he grasped blindly at the silver crucifix, that he was conscious of a movement towards him on the part of the demon, and that he screamed with the voice of an animal in hideous pain.
Pierre and Bertrand, the two sturdy little serving-men, who rushed in, saw nothing, but felt themselves thrust aside by something that passed out between them, and found Dennistoun in a swoon. They sat up with him that night, and his two friends were at St. Bertrand by nine o’clock next morning. He himself, though still shaken and nervous, was almost himself by that time, and his story found credence with them, though not until they had seen the drawing and talked with the sacristan.
Almost at dawn the little man had come to the inn on some pretence, and had listened with the deepest interest to the story retailed by the landlady. He showed no surprise.
“It is he—it is he! I have seen him myself,” was his only comment; and to all questionings but one reply was vouchsafed: “Deux fois je l’ai vu; mille fois je l’ai senti.” He would tell them nothing of the provenance of the book, nor any details of his experiences. “I shall soon sleep, and my rest will be sweet. Why should you trouble me?” he said.2
We shall never know what he or Canon Alberic de Mauléon suffered. At the back of that fateful drawing were some lines of writing which may be supposed to throw light on the situation:
“Contradictio Salomonis cum demonio nocturno.
Albericus de Mauléone delineavit.
V. Deus in adiutorium. Ps. Qui habitat.
Sancte Bertrande, demoniorum effugator, intercede pro me miserrimo.
Primum uidi nocte 12mi Dec. 1694: uidebo mox ultimum. Peccaui et passus sum, plura adhuc passurus. Dec. 29, 1701.”3
I have never quite understood what was Dennistoun’s view of the events I have narrated. He quoted to me once a text from Ecclesiasticus: “Some spirits there be that are created for vengeance, and in their fury lay on sore strokes.” On another occasion he said: “Isaiah was a very sensible man; doesn’t he say something about night monsters living in the ruins of Babylon? These things are rather beyond us at present.”
Another confidence of his impressed me rather, and I sympathized with it. We had been, last year, to Comminges, to see Canon Alberic’s tomb. It is a great marble erection with an effigy of the Canon in a large wig and soutane, and an elaborate eulogy of his learning below. I saw Dennistoun talking for some time with the Vicar of St. Bertrand’s, and as we drove away he said to me: “I hope it isn’t wrong: you know I am a Presbyterian—but I—I believe there will be ‘saying of Mass and singing of dirges’ for Alberic de Mauléon’s rest.” Then he added, with a touch of the Northern British in his tone, “I had no notion they came so dear.”
The book is in the Wentworth Collection at Cambridge. The drawing was photographed and then burnt by Dennistoun on the day when he left Comminges on the occasion of his first visit.
Lost Hearts
It was, as far as I can ascertain, in September of the year 1811 that a post-chaise drew up before the door of Aswarby Hall, in the heart of Lincolnshire. The little boy who was the only passenger in the chaise, and who jumped out as soon as it had stopped, looked about him with the keenest curiosity during the short interval that elapsed between the ringing of the bell and the opening of the hall door. He saw a tall, square, redbrick house, built in the reign of Anne; a stone-pillared porch had been added in the purer classical style of 1790; the windows of the house were many, tall and narrow, with small panes and thick white woodwork. A pediment, pierced with a round window, crowned the front. There were wings to right and left, connected by curious glazed galleries, supported by colonnades, with the central block. These wings plainly contained the stables and offices of the house. Each was surmounted by an ornamental cupola with a gilded vane.
An evening light shone on the building, making the windowpanes glow like so many fires. Away from the Hall in front stretched a flat park studded with oaks and fringed with firs, which stood out against the sky. The clock in the church-tower, buried in trees on the edge of the park, only its golden weathercock catching the light, was striking six, and the sound came gently beating down the wind. It was altogether a pleasant impression, though tinged with the sort of melancholy appropriate to an evening in early autumn, that was conveyed to the mind of the boy who
