“Gloria, dear, I wish we could have dinner together, but I promised a man and it’s seven-thirty already. I’ve got to tear.”
“Oh, I couldn’t, anyway. In the first place I’ve been ill all day. I couldn’t eat a thing.”
After she had walked with Muriel to the door, Gloria came back into the room, turned out the lamp, and leaning her elbows on the window sill looked out at Palisades Park, where the brilliant revolving circle of the Ferris wheel was like a trembling mirror catching the yellow reflection of the moon. The street was quiet now; the children had gone in—over the way she could see a family at dinner. Pointlessly, ridiculously, they rose and walked about the table; seen thus, all that they did appeared incongruous—it was as though they were being jiggled carelessly and to no purpose by invisible overhead wires.
She looked at her watch—it was eight o’clock. She had been pleased for a part of the day—the early afternoon—in walking along that Broadway of Harlem, One Hundred and Twenty-Fifth Street, with her nostrils alert to many odors, and her mind excited by the extraordinary beauty of some Italian children. It affected her curiously—as Fifth Avenue had affected her once, in the days when, with the placid confidence of beauty, she had known that it was all hers, every shop and all it held, every adult toy glittering in a window, all hers for the asking. Here on One Hundred and Twenty-Fifth Street there were Salvation Army bands and spectrum-shawled old ladies on doorsteps and sugary, sticky candy in the grimy hands of shiny-haired children—and the late sun striking down on the sides of the tall tenements. All very rich and racy and savory, like a dish by a provident French chef that one could not help enjoying, even though one knew that the ingredients were probably leftovers. …
Gloria shuddered suddenly as a river siren came moaning over the dusky roofs, and leaning back in till the ghostly curtains fell from her shoulder, she turned on the electric lamp. It was growing late. She knew there was some change in her purse, and she considered whether she would go down and have some coffee and rolls where the liberated subway made a roaring cave of Manhattan Street or eat the devilled ham and bread in the kitchen. Her purse decided for her. It contained a nickel and two pennies.
After an hour the silence of the room had grown unbearable, and she found that her eyes were wandering from her magazine to the ceiling, toward which she stared without thought. Suddenly she stood up, hesitated for a moment, biting at her finger—then she went to the pantry, took down a bottle of whiskey from the shelf and poured herself a drink. She filled up the glass with ginger ale, and returning to her chair finished an article in the magazine. It concerned the last revolutionary widow, who, when a young girl, had married an ancient veteran of the Continental Army and who had died in 1906. It seemed strange and oddly romantic to Gloria that she and this woman had been contemporaries.
She turned a page and learned that a candidate for Congress was being accused of atheism by an opponent. Gloria’s surprise vanished when she found that the charges were false. The candidate had merely denied the miracle of the loaves and fishes. He admitted, under pressure, that he gave full credence to the stroll upon the water.
Finishing her first drink, Gloria got herself a second. After slipping on a negligee and making herself comfortable on the lounge, she became conscious that she was miserable and that the tears were rolling down her cheeks. She wondered if they were tears of self-pity, and tried resolutely not to cry, but this existence without hope, without happiness, oppressed her, and she kept shaking her head from side to side, her mouth drawn down tremulously in the corners, as though she were denying an assertion made by someone, somewhere. She did not know that this gesture of hers was years older than history, that, for a hundred generations of men, intolerable and persistent grief has offered that gesture, of denial, of protest, of bewilderment, to something more profound, more powerful than the God made in the image of man, and before which that God, did he exist, would be equally impotent. It is a truth set at the heart of tragedy that this force never explains, never answers—this force intangible as air, more definite than death.
Richard Caramel
Early in the summer Anthony resigned from his last club, the Amsterdam. He had come to visit it hardly twice a year, and the dues were a recurrent burden. He had joined it on his return from Italy because it had been his grandfather’s club and his father’s, and because it was a club that, given the opportunity, one indisputably joined—but as a matter of fact he had preferred the Harvard Club, largely because of Dick and Maury. However, with the decline of his fortunes, it had seemed an increasingly desirable bauble to cling to. … It was relinquished at the last, with some regret. …
His companions numbered now a curious dozen. Several of them he had met in a place called “Sammy’s,” on Forty-Third Street, where, if one knocked on the door and were favorably passed on from behind a grating, one could sit around a great round table drinking fairly good whiskey. It was here that he encountered a man named Parker Allison, who had been exactly the wrong sort of rounder at Harvard, and who was running through a large “yeast” fortune as rapidly as possible. Parker Allison’s notion of distinction consisted in driving a noisy red-and-yellow racing-car up Broadway with two glittering, hard-eyed girls beside him. He was the sort who dined with two girls rather than with one—his imagination was almost incapable of sustaining a
