“One of my homes, Mr. Warren Smith,” he said, “where we will teach you to rest.”
And there was just one thing more.
He was quite certain that when Mr. Warren Smith was well he was the last man in the world to frighten his wife. But he had talked of killing himself.
“We all have our moments of depression,” said Sir William.
Once you fall, Septimus repeated to himself, human nature is on you. Holmes and Bradshaw are on you. They scour the desert. They fly screaming into the wilderness. The rack and the thumbscrew are applied. Human nature is remorseless.
“Impulses came upon him sometimes?” Sir William asked, with his pencil on a pink card.
That was his own affair, said Septimus.
“Nobody lives for himself alone,” said Sir William, glancing at the photograph of his wife in Court dress.
“And you have a brilliant career before you,” said Sir William. There was Mr. Brewer’s letter on the table. “An exceptionally brilliant career.”
But if he confessed? If he communicated? Would they let him off then, his torturers?
“I—I—” he stammered.
But what was his crime? He could not remember it.
“Yes?” Sir William encouraged him. (But it was growing late.)
Love, trees, there is no crime—what was his message?
He could not remember it.
“I—I—” Septimus stammered.
“Try to think as little about yourself as possible,” said Sir William kindly. Really, he was not fit to be about.
Was there anything else they wished to ask him? Sir William would make all arrangements (he murmured to Rezia) and he would let her know between five and six that evening he murmured.
“Trust everything to me,” he said, and dismissed them.
Never, never had Rezia felt such agony in her life! She had asked for help and been deserted! He had failed them! Sir William Bradshaw was not a nice man.
The upkeep of that motorcar alone must cost him quite a lot, said Septimus, when they got out into the street.
She clung to his arm. They had been deserted.
But what more did she want?
To his patients he gave three-quarters of an hour; and if in this exacting science which has to do with what, after all, we know nothing about—the nervous system, the human brain—a doctor loses his sense of proportion, as a doctor he fails. Health we must have; and health is proportion; so that when a man comes into your room and says he is Christ (a common delusion), and has a message, as they mostly have, and threatens, as they often do, to kill himself, you invoke proportion; order rest in bed; rest in solitude; silence and rest; rest without friends, without books, without messages; six months’ rest; until a man who went in weighing seven stone six comes out weighing twelve.
Proportion, divine proportion, Sir William’s goddess, was acquired by Sir William walking hospitals, catching salmon, begetting one son in Harley Street by Lady Bradshaw, who caught salmon herself and took photographs scarcely to be distinguished from the work of professionals. Worshipping proportion, Sir William not only prospered himself but made England prosper, secluded her lunatics, forbade childbirth, penalised despair, made it impossible for the unfit to propagate their views until they, too, shared his sense of proportion—his, if they were men, Lady Bradshaw’s if they were women (she embroidered, knitted, spent four nights out of seven at home with her son), so that not only did his colleagues respect him, his subordinates fear him, but the friends and relations of his patients felt for him the keenest gratitude for insisting that these prophetic Christs and Christesses, who prophesied the end of the world, or the advent of God, should drink milk in bed, as Sir William ordered; Sir William with his thirty years’ experience of these kinds of cases, and his infallible instinct, this is madness, this sense; in fact, his sense of proportion.
But Proportion has a sister, less smiling, more formidable, a Goddess even now engaged—in the heat and sands of India, the mud and swamp of Africa, the purlieus of London, wherever in short the climate or the devil tempts men to fall from the true belief which is her own—is even now engaged in dashing down shrines, smashing idols, and setting up in their place her own stern countenance. Conversion is her name and she feasts on the wills of the weakly, loving to impress, to impose, adoring her own features stamped on the face of the populace. At Hyde Park Corner on a tub she stands preaching; shrouds herself in white and walks penitentially disguised as brotherly love through factories and parliaments; offers help, but desires power; smites out of her way roughly the dissentient, or dissatisfied; bestows her blessing on those who, looking upward, catch submissively from her eyes the light of their own. This lady too (Rezia Warren Smith divined it) had her dwelling in Sir William’s heart, though concealed, as she mostly is, under some plausible disguise; some venerable name; love, duty, self sacrifice. How he would work—how toil to raise funds, propagate reforms, initiate institutions! But conversion, fastidious Goddess, loves blood better than brick, and feasts most subtly on the human will. For example, Lady Bradshaw. Fifteen years ago she had gone under. It was nothing you could put your finger on; there had been no scene, no snap; only the slow sinking, waterlogged, of her will into his. Sweet was her smile, swift her submission; dinner in Harley Street, numbering eight or nine courses, feeding ten or fifteen guests of the professional classes, was smooth and urbane. Only as the evening wore on a very slight dullness, or uneasiness perhaps, a nervous twitch, fumble, stumble and confusion indicated, what it was really painful to believe—that the poor lady lied. Once, long ago, she had caught salmon freely: now, quick to minister to the craving which lit her husband’s eye so oilily for dominion, for power, she cramped, squeezed, pared, pruned, drew back, peeped through; so that without knowing precisely what made the evening disagreeable, and caused this pressure
