That was his old trick, opening a pocketknife, thought Sally, always opening and shutting a knife when he got excited. They had been very, very intimate, she and Peter Walsh, when he was in love with Clarissa, and there was that dreadful, ridiculous scene over Richard Dalloway at lunch. She had called Richard “Wickham.” Why not call Richard “Wickham”? Clarissa had flared up! and indeed they had never seen each other since, she and Clarissa, not more than half a dozen times perhaps in the last ten years. And Peter Walsh had gone off to India, and she had heard vaguely that he had made an unhappy marriage, and she didn’t know whether he had any children, and she couldn’t ask him, for he had changed. He was rather shrivelled-looking, but kinder, she felt, and she had a real affection for him, for he was connected with her youth, and she still had a little Emily Brontë he had given her, and he was to write, surely? In those days he was to write.
“Have you written?” she asked him, spreading her hand, her firm and shapely hand, on her knee in a way he recalled.
“Not a word!” said Peter Walsh, and she laughed.
She was still attractive, still a personage, Sally Seton. But who was this Rosseter? He wore two camellias on his wedding day—that was all Peter knew of him. “They have myriads of servants, miles of conservatories,” Clarissa wrote; something like that. Sally owned it with a shout of laughter.
“Yes, I have ten thousand a year”—whether before the tax was paid or after, she couldn’t remember, for her husband, “whom you must meet,” she said, “whom you would like,” she said, did all that for her.
And Sally used to be in rags and tatters. She had pawned her great-grandfather’s ring which Marie Antoinette had given him—had he got it right?—to come to Bourton.
Oh yes, Sally remembered; she had it still, a ruby ring which Marie Antoinette had given her great-grandfather. She never had a penny to her name in those days, and going to Bourton always meant some frightful pinch. But going to Bourton had meant so much to her—had kept her sane, she believed, so unhappy had she been at home. But that was all a thing of the past—all over now, she said. And Mr. Parry was dead; and Miss Parry was still alive. Never had he had such a shock in his life! said Peter. He had been quite certain she was dead. And the marriage had been, Sally supposed, a success? And that very handsome, very self-possessed young woman was Elizabeth, over there, by the curtains, in pink.
(She was like a poplar, she was like a river, she was like a hyacinth, Willie Titcomb was thinking. Oh how much nicer to be in the country and do what she liked! She could hear her poor dog howling, Elizabeth was certain.) She was not a bit like Clarissa, Peter Walsh said.
“Oh, Clarissa!” said Sally.
What Sally felt was simply this. She had owed Clarissa an enormous amount. They had been friends, not acquaintances, friends, and she still saw Clarissa all in white going about the house with her hands full of flowers—to this day tobacco plants made her think of Bourton. But—did Peter understand?—she lacked something. Lacked what was it? She had charm; she had extraordinary charm. But to be frank (and she felt that Peter was an old friend, a real friend—did absence matter? did distance matter? She had often wanted to write to him, but torn it up, yet felt he understood, for people understand without things being said, as one realises growing old, and old she was, had been that afternoon to see her sons at Eton, where they had the mumps), to be quite frank, then, how could Clarissa have done it?—married Richard Dalloway? a sportsman, a man who cared only for dogs. Literally, when he came into the room he smelt of the stables. And then all this? She waved her hand.
Hugh Whitbread it was, strolling past in his white waistcoat, dim, fat, blind, past everything he looked, except self-esteem and comfort.
“He’s not going to recognise us,” said Sally, and really she hadn’t the courage—so that was Hugh! the admirable Hugh!
“And what does he do?” she asked Peter.
He blacked the King’s boots or counted bottles at Windsor, Peter told her. Peter kept his sharp tongue still! But Sally must be frank, Peter said. That kiss now, Hugh’s.
On the lips, she assured him, in the smoking-room one evening. She went straight to Clarissa in a rage. Hugh didn’t do such things! Clarissa said, the admirable Hugh! Hugh’s socks were without exception the most beautiful she had ever seen—and now his evening dress. Perfect! And had he children?
“Everybody in the room has six sons at Eton,” Peter told her, except himself. He, thank God, had none. No sons, no daughters, no wife. Well, he didn’t seem to mind, said Sally. He looked younger, she thought, than any of them.
But it had been a silly thing to do, in many ways, Peter said, to marry like that; “a perfect goose she was,” he said, but, he said, “we had a splendid time of it,” but how could that be? Sally wondered; what did he mean? and how odd it was to know him and yet not know a single thing that had happened to him. And did he say it out of pride? Very likely, for after all it must be galling for him (though he was an oddity, a sort of sprite, not at all an ordinary man), it must be lonely at his age to have no home, nowhere to go to. But he must stay with them for weeks and weeks. Of course he would; he would love to stay with them, and
