For months it had been the innocents; but since then it has also been the assassins. And the populace, still awaiting the Millennium, clamour for more victims and for more—for the aristocrat and for the sans-culotte, and howl with execration impartially at both.
II
But through this mad orgy of murder and of hatred, one man survives, stands apart indeed, wielding a power which the whole pack of infuriated wolves thirsting for his blood are too cowardly to challenge. The Girondists and the Extremists have fallen. Hébert, the idol of the mob, Danton its hero and its mouthpiece, have been hurled from their throne, sent to the scaffold along with ci-devant nobles, aristocrats, royalists and traitors. But this one man remains, calm in the midst of every storm, absolute in his will, indigent where others have grasped riches with both hands, adored, almost deified, by a few, dreaded by all, sphinx-like, invulnerable, sinister—Robespierre!
Robespierre at this time was at the height of his popularity and of his power. The two great Committees of Public Safety and of General Security were swayed by his desires, the Clubs worshipped him, the Convention was packed with obedient slaves to his every word. The Dantonists, cowed into submission by the bold coup which had sent their leader, their hero, their idol, to the guillotine, were like a tree that has been struck at the root. Without Danton, the giant of the Revolution, the collossus of crime, the maker of the Terror, the thunderbolt of the Convention, the part was atrophied, robbed of its strength and its vitality, its last few members hanging, servile and timorous, upon the great man’s lips.
Robespierre was in truth absolute master of France. The man who had dared to drag his only rival down to the scaffold was beyond the reach of any attack. By this final act of unparalleled despotism he had revealed the secrets of his soul, shown himself to be rapacious as well as self-seeking. Something of his aloofness, of his incorruptibility, had vanished, yielding to that ever-present and towering ambition which hitherto none had dared to suspect. But ambition is the one vice to which the generality of mankind will always accord homage, and Robespierre, by gaining the victory over his one in the Convention, in the Clubs and in the Committees, had tacitly agreed to obey. The tyrant out of his vaulting ambition had brought forth the slaves.
Faint hearted and servile, they brooded over their wrongs, gazed with smouldering wrath on Danton’s vacant seat in the Convention, which no one cared to fill. But they did not murmur, hardly dared to plot, and gave assent to every decree, every measure, every suggestion promulgated by the dictator who held their lives in the hollow of his thin white hand; who with a word, a gesture, could send his enemy, his detractor, a mere critic of his actions, to the guillotine.
II
Feet of Clay
I
On this 26th day of April, 1794, which in the newly constituted calendar is the 7th Floreal, year II of the Republic, three women and one man were assembled in a small, closely curtained room on the top floor of a house in the Rue de la Planchette, which is situated in a remote and dreary quarter of Paris. The man sat upon a chair which was raised on a dais. He was neatly, indeed immaculately, dressed, in dark cloth coat and tan breeches, with clean linen at throats and wrists, white stockings and buckled shoes. His own hair was concealed under a mouse-coloured wig. He sat quite still, with one leg crossed over the other, and his thin, bony hands were clasped in front of him.
Behind the dais there was a heavy curtain which stretched right across the room, and in front of it, at opposite corners, two young girls, clad in grey, clinging draperies, sat upon their heels, with the palms of their hands resting flat upon their thighs. Their hair hung loose down their backs, their chins were uplifted, their eyes fixed, their bodies rigid in an attitude of contemplation. In the centre of the room a woman stood, gazing upwards at the ceiling, her arms folded across her breast. Her grey hair, lank and unruly, was partially hidden by an ample floating veil of an indefinite shade of grey, and from her meagre shoulders and arms, her garment—it was hardly a gown—descended in straight, heavy, shapeless folds. In front of her was a small table, on it a large crystal globe, which rested on a stand of black wood, exquisitely carved and inlaid with mother-of-pearl, and beside it a small metal box.
Immediately above the old woman’s head an oil lamp, the flame of which was screened by a piece of crimson silk, shed a feeble and lurid light upon the scene. Against the wall half a dozen chairs, on the floor a threadbare carpet, and in one corner a broken-down chiffonier represented the sum total of the furniture in the stuffy little room. The curtains in front of the window, as
