Kaatje with much complacence. Indeed, this bride was willing enough to be chaffed, had even a saucy reply handy when she was teased, and ogled her friends slyly as she went by. But Gilda remained silent and demure. I don’t think that she heard a word that was said. She literally seemed to glide across the room like the veritable sprite her ardent lover had called her. Her tiny hand, white and slightly fluttering, rested on his arm, lost in the richly embroidered folds of his magnificent doublet. She was not fully conscious of her actions, moved along as in a dream, without the exertion of her will. She was wont to speak afterwards of this brief progress of hers through the crowded room with the chattering throng of friends all around, as a walk through air. Nothing seemed to her to exist. There was no room, no crowd, no noise. She alone existed, and ethereally. Her lover was there, however, and she was fully conscious of his will. She knew that anon she would be a captive in his arms, to be dealt with my him as he liked; and this caused her to feel that fearful and yet wholly content.

He, Diogenes, on the other hand, was the picture of fretful impatience, squeezing his soft felt hat in his hand as if it were the throat of some deadly enemy. He never once looked at his bride; probably if he had he would have lost the last shred of self-control, would have seized her in his arms and carried her away then and there, regardless of the respect due to the Stadtholder and to his host.

But the trial, though severe to any ebullient temper, was not of long duration. Anon the Stadtholder was in the hall, booted once more and spurred, and surrounded by his equerries and by the bridal party.

His bodyguard encumbered the hall, their steel bonnets and short breastplates reflecting the wintry light which came, many-hued, through the tall, stained glass windows. In the rear the wedding guests were crowding forward to catch a last glimpse of the Stadtholder, and of the pageant of his departure. The great hall door had been thrown open, and through it, framed in the richness of the heavy oaken jambs, a picture appeared, gay, animated, brilliant, such as the small city had never before seen.

There was the holiday throng, moving ceaselessly in an ever flowing and glittering stream. The women in huge, winged hoods and short kirtles, the men in fur bonnets and sleeved coats, were strolling up and down the quay. There were the inevitable musicians with pipes, viols, and sackbuts, pushing their way through the dense mass of people, with a retinue behind them of young people and old, and of children, all stepping it to the measure of the tune. There was the swarthy foreigner with his monkey dressed out in gaily coloured rags, and the hawker with his tray full of bright handkerchiefs, of glass beads, chains, and amulets, crying out his wares. It was, in fact, a holiday crowd, drawn thither by Mynheer Beresteyn’s largesse; the shopkeepers with their wives, who had been induced to shut down shop for the afternoon, as if some official function had been in progress; the apprentices getting in everybody’s way, hilarious and full of mischief, trying to steal the hawkers’ wares, or to play impish pranks on their employers; servant maids and sober apothecaries, out-at-elbow scriveners and stolid rustics, together with the rag and tag of soldiery, the paid mercenaries of Maurice of Nassau’s army, in their showy doublets and plumed bonnets, elbowing their way through with the air of masters.

And all this brilliant gathering was lit by a pale, wintry sun: and with the sleepy waters of the Eem, and the frowning towers of the Koppel-poort forming just the right natural-tinted background to the scene.

“Make way there!” the prince’s herald shouted, whilst another rang a fanfare upon the trumpet. “Make way for his High and Mightiness, Maurice of Nassau, Prince of Orange, Stadtholder of the United Provinces of Holland, Friesland, Utrecht, Gelderland, Over Yssel, and Groningen! Make way!”

The equerries were bringing the prince’s charger, the pikemen followed in gorgeous padded trunks and slashed hose. To the noise of the moving throng, the chatter and the laughter, the scraping of viols and piping of sackbuts, was now added the din of champing horses, rattle of bits and chains, the shouts of the men who were bringing the horses along. The crowd receded, leaving an open space in front of the house, where mounted men assembled so quickly that they seemed as if they had risen out of the ground.

The Stadtholder was taking final leave of his host listening with what patience he could master to lengthy, loyal speeches from the more important guests, and from the other bride and bridegroom. He had⁠—deliberately methinks⁠—turned his back on Diogenes, who, strangely enough, was booted and spurred too, had his sword buckled to his belt, and carried a dark cloak on his arm, presenting not at all the picture of a bridegroom in holiday attire.

And it all happened so quickly that neither the guests within, nor the soldiers, nor the crowd outside, had time to realize it or to take it in. No one understood, in fact, what was happening, save perhaps the Stadtholder, who guessed; and he engaged the sober fathers near him in earnest conversation.

A mounted equerry, dressed in rough leather jerkin and leading another horse by the bridle, had taken up his stand in the forefront of the crowd. Now at a signal unheard by all save him, he jumped out of the saddle and stood beside the stirrup leathers of the second charger. At that same instant Diogenes, with movements quick as lightning, had thrown the cloak, which he was carrying round Gilda’s shoulders, and before she could utter a scream or even a gasp, he had stooped and picked her up in his arms as if she were

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