They arrived at twilight, and, as we strolled out among the sparkling hundreds, Daisy’s voice was playing murmurous tricks in her throat.
“These things excite me so,” she whispered. “If you want to kiss me any time during the evening, Nick, just let me know and I’ll be glad to arrange it for you. Just mention my name. Or present a green card. I’m giving out green—”
“Look around,” suggested Gatsby.
“I’m looking around. I’m having a marvellous—”
“You must see the faces of many people you’ve heard about.”
Tom’s arrogant eyes roamed the crowd.
“We don’t go around very much,” he said; “in fact, I was just thinking I don’t know a soul here.”
“Perhaps you know that lady.” Gatsby indicated a gorgeous, scarcely human orchid of a woman who sat in state under a white-plum tree. Tom and Daisy stared, with that peculiarly unreal feeling that accompanies the recognition of a hitherto ghostly celebrity of the movies.
“She’s lovely,” said Daisy.
“The man bending over her is her director.”
He took them ceremoniously from group to group:
“Mrs. Buchanan … and Mr. Buchanan—” After an instant’s hesitation he added: “the polo player.”
“Oh no,” objected Tom quickly, “not me.”
But evidently the sound of it pleased Gatsby for Tom remained “the polo player” for the rest of the evening.
“I’ve never met so many celebrities,” Daisy exclaimed. “I liked that man—what was his name?—with the sort of blue nose.”
Gatsby identified him, adding that he was a small producer.
“Well, I liked him anyhow.”
“I’d a little rather not be the polo player,” said Tom pleasantly, “I’d rather look at all these famous people in—in oblivion.”
Daisy and Gatsby danced. I remember being surprised by his graceful, conservative foxtrot—I had never seen him dance before. Then they sauntered over to my house and sat on the steps for half an hour, while at her request I remained watchfully in the garden. “In case there’s a fire or a flood,” she explained, “or any act of God.”
Tom appeared from his oblivion as we were sitting down to supper together. “Do you mind if I eat with some people over here?” he said. “A fellow’s getting off some funny stuff.”
“Go ahead,” answered Daisy genially, “and if you want to take down any addresses here’s my little gold pencil.” … She looked around after a moment and told me the girl was “common but pretty,” and I knew that except for the half-hour she’d been alone with Gatsby she wasn’t having a good time.
We were at a particularly tipsy table. That was my fault—Gatsby had been called to the phone, and I’d enjoyed these same people only two weeks before. But what had amused me then turned septic on the air now.
“How do you feel, Miss Baedeker?”
The girl addressed was trying, unsuccessfully, to slump against my shoulder. At this inquiry she sat up and opened her eyes.
“Wha’?”
A massive and lethargic woman, who had been urging Daisy to play golf with her at the local club tomorrow, spoke in Miss Baedeker’s defence:
“Oh, she’s all right now. When she’s had five or six cocktails she always starts screaming like that. I tell her she ought to leave it alone.”
“I do leave it alone,” affirmed the accused hollowly.
“We heard you yelling, so I said to Doc Civet here: ‘There’s somebody that needs your help, Doc.’ ”
“She’s much obliged, I’m sure,” said another friend, without gratitude, “but you got her dress all wet when you stuck her head in the pool.”
“Anything I hate is to get my head stuck in a pool,” mumbled Miss Baedeker. “They almost drowned me once over in New Jersey.”
“Then you ought to leave it alone,” countered Doctor Civet.
“Speak for yourself!” cried Miss Baedeker violently. “Your hand shakes. I wouldn’t let you operate on me!”
It was like that. Almost the last thing I remember was standing with Daisy and watching the moving-picture director and his Star. They were still under the white-plum tree and their faces were touching except for a pale, thin ray of moonlight between. It occurred to me that he had been very slowly bending toward her all evening to attain this proximity, and even while I watched I saw him stoop one ultimate degree and kiss at her cheek.
“I like her,” said Daisy, “I think she’s lovely.”
But the rest offended her—and inarguably because it wasn’t a gesture but an emotion. She was appalled by West Egg, this unprecedented “place” that Broadway had begotten upon a Long Island fishing village—appalled by its raw vigour that chafed under the old euphemisms and by the too obtrusive fate that herded its inhabitants along a shortcut from nothing to nothing. She saw something awful in the very simplicity she failed to understand.
I sat on the front steps with them while they waited for their car. It was dark here in front; only the bright door sent ten square feet of light volleying out into the soft black morning. Sometimes a shadow moved against a dressing-room blind above, gave way to another shadow, an indefinite procession of shadows, who rouged and powdered in an invisible glass.
“Who is this Gatsby anyhow?” demanded Tom suddenly. “Some big bootlegger?”
“Where’d you hear that?” I inquired.
“I didn’t hear it. I imagined it. A lot of these newly rich people are just big bootleggers, you know.”
“Not Gatsby,” I said shortly.
He was silent for a moment. The pebbles of the drive crunched under his feet.
“Well, he certainly must have strained himself to get this menagerie together.”
A breeze stirred the grey haze of Daisy’s fur collar.
“At least they are more interesting than the people we know,” she said with an effort.
“You didn’t look so interested.”
“Well, I was.”
Tom laughed and turned to me.
“Did you notice Daisy’s face when that girl asked her to put her under a cold shower?”
Daisy began to sing with the music in a husky, rhythmic whisper, bringing out a meaning in each word that it had never had before and would never have again. When the melody rose her
