Timmy Durrant in his little room in the Admiralty, going to consult a Blue book, stopped for a moment by the window and observed the placard tied round the lamppost.
Miss Thomas, one of the typists, said to her friend that if the Cabinet was going to sit much longer she should miss her boy outside the Gaiety.
Timmy Durrant, returning with his Blue book under his arm, noticed a little knot of people at the street corner; conglomerated as though one of them knew something; and the others, pressing round him, looked up, looked down, looked along the street. What was it that he knew?
Timothy, placing the Blue book before him, studied a paper sent round by the Treasury for information. Mr. Crawley, his fellow-clerk, impaled a letter on a skewer.
Jacob rose from his chair in Hyde Park, tore his ticket to pieces, and walked away.
“Such a sunset,” wrote Mrs. Flanders in her letter to Archer at Singapore. “One couldn’t make up one’s mind to come indoors,” she wrote. “It seemed wicked to waste even a moment.”
The long windows of Kensington Palace flushed fiery rose as Jacob walked away; a flock of wild duck flew over the Serpentine; and the trees were stood against the sky, blackly, magnificently.
“Jacob,” wrote Mrs. Flanders, with the red light on her page, “is hard at work after his delightful journey …”
“The Kaiser,” the faraway voice remarked in Whitehall, “received me in audience.”
“Now I know that face—” said the Reverend Andrew Floyd, coming out of Carter’s shop in Piccadilly, “but who the dickens—?” and he watched Jacob, turned round to look at him, but could not be sure—
“Oh, Jacob Flanders!” he remembered in a flash.
But he was so tall; so unconscious; such a fine young fellow.
“I gave him Byron’s works,” Andrew Floyd mused, and started forward, as Jacob crossed the road; but hesitated, and let the moment pass, and lost the opportunity.
Another procession, without banners, was blocking Long Acre. Carriages, with dowagers in amethyst and gentlemen spotted with carnations, intercepted cabs and motorcars turned in the opposite direction, in which jaded men in white waistcoats lolled, on their way home to shrubberies and billiard-rooms in Putney and Wimbledon.
Two barrel-organs played by the kerb, and horses coming out of Aldridge’s with white labels on their buttocks straddled across the road and were smartly jerked back.
Mrs. Durrant, sitting with Mr. Wortley in a motorcar, was impatient lest they should miss the overture.
But Mr. Wortley, always urbane, always in time for the overture, buttoned his gloves, and admired Miss Clara.
“A shame to spend such a night in the theatre!” said Mrs. Durrant, seeing all the windows of the coachmakers in Long Acre ablaze.
“Think of your moors!” said Mr. Wortley to Clara.
“Ah! but Clara likes this better,” Mrs. Durrant laughed.
“I don’t know—really,” said Clara, looking at the blazing windows. She started.
She saw Jacob.
“Who?” asked Mrs. Durrant sharply, leaning forward.
But she saw no one.
Under the arch of the Opera House large faces and lean ones, the powdered and the hairy, all alike were red in the sunset; and, quickened by the great hanging lamps with their repressed primrose lights, by the tramp, and the scarlet, and the pompous ceremony, some ladies looked for a moment into steaming bedrooms near by, where women with loose hair leaned out of windows, where girls—where children—(the long mirrors held the ladies suspended) but one must follow; one must not block the way.
Clara’s moors were fine enough. The Phoenicians slept under their piled grey rocks; the chimneys of the old mines pointed starkly; early moths blurred the heather-bells; cartwheels could be heard grinding on the road far beneath; and the suck and sighing of the waves sounded gently, persistently, forever.
Shading her eyes with her hand Mrs. Pascoe stood in her cabbage-garden looking out to sea. Two steamers and a sailing-ship crossed each other; passed each other; and in the bay the gulls kept alighting on a log, rising high, returning again to the log, while some rode in upon the waves and stood on the rim of the water until the moon blanched all to whiteness.
Mrs. Pascoe had gone indoors long ago.
But the red light was on the columns of the Parthenon, and the Greek women who were knitting their stockings and sometimes crying to a child to come and have the insects picked from its head were as jolly as sand-martins in the heat, quarrelling, scolding, suckling their babies, until the ships in the Piraeus fired their guns.
The sound spread itself flat, and then went tunnelling its way with fitful explosions among the channels of the islands.
Darkness drops like a knife over Greece.
“The guns?” said Betty Flanders, half asleep, getting out of bed and going to the window, which was decorated with a fringe of dark leaves.
“Not at this distance,” she thought. “It is the sea.”
Again, far away, she heard the dull sound, as if nocturnal women were beating great carpets. There was Morty lost, and Seabrook dead; her sons fighting for their country. But were the chickens safe? Was that someone moving downstairs? Rebecca with the toothache? No. The nocturnal women were beating great carpets. Her hens shifted slightly on their perches.
XIV
“He left everything just as it was,” Bonamy marvelled. “Nothing arranged. All his letters strewn about for anyone to read. What did he expect? Did he think he would come back?” he mused, standing in the middle of Jacob’s room.
The eighteenth century has its distinction. These houses were built, say, a hundred and fifty years ago. The rooms are shapely, the ceilings high; over the doorways a rose or a ram’s skull is carved in the wood. Even the panels, painted in raspberry-coloured paint, have their distinction.
Bonamy took up a bill for a hunting-crop.
“That seems to be paid,” he said.
There were Sandra’s letters.
Mrs. Durrant was taking a party to Greenwich.
Lady Rocksbier hoped for the pleasure. …
Listless is the air in an empty room, just swelling