And when Tietjens had been gone to France for a little time Mrs. Duchemin seemed to forget the matter, contenting herself with saying that he might very likely not come back. He was the sort of clumsy man who generally got killed. In that case, since no I.O.U.s or paper had passed, Mrs. Tietjens would have no claim. So that would be all right.
But two days after the return of Christopher—and that was how Valentine knew he had come back!—Mrs. Duchemin with a lowering brow exclaimed:
“That oaf, Tietjens, is in England, perfectly safe and sound. And now the whole miserable business of Vincent’s indebtedness. … Oh!”
She had stopped so suddenly and so markedly that even the stoppage of Valentine’s own heart couldn’t conceal the oddness from her. Indeed it was as if there were an interval before she completely realised what the news was and as if, during that interval, she said to herself:
“It’s very queer. It’s exactly as if Edith Ethel has stopped abusing him on my account. … As if she knew!” But how could Edith Ethel know that she loved the man who had returned? It was impossible! She hardly knew herself. Then the great wave of relief rolled over her: he was in England. One day she would see him, there: in the great room. For these colloquies with Edith Ethel always took place in the great room where she had last seen Tietjens. It looked suddenly beautiful and she was resigned to sitting there, waiting for the distinguished.
It was indeed a beautiful room: it had become so during the years. It was long and high—matching the Tietjens’. A great cut-glass chandelier from the rectory hung dimly coruscating in the centre, reflected and re-reflected in convex gilt mirrors, topped by eagles. A great number of books had gone to make place on the white panelled walls for the mirrors, and for the fair orange and brown pictures by Turner, also from the rectory. From the rectory had come the immense scarlet and lapis lazuli carpet, the great brass fire-basket and appendages, the great curtains that, in the three long windows, on their peacock blue Chinese silk showed particoloured cranes ascending in long flights—and all the polished Chippendale armchairs. Amongst all these, gracious, trailing, stopping with a tender gesture to rearrange very slightly the crimson roses in the famous silver bowls, still in dark blue silks, with an amber necklace and her elaborate black hair, waved exactly like that of Julia Domma of the Musée Lapidaire at Arles, moved Mrs. Macmaster—also from the rectory. Macmaster had achieved his desire: even to the shortbread cakes and the peculiarly scented tea that came every Friday morning from Princes Street. And, if Mrs. Macmaster hadn’t the pawky, relishing humour of the great Scots ladies of past days, she had in exchange her deep aspect of comprehension and tenderness. An astonishingly beautiful and impressive woman: dark hair; dark, straight eyebrows; a straight nose; dark blue eyes in the shadows of her hair and bowed, pomegranate lips in a chin curved like the bow of a Greek boat. …
The etiquette of the place on Fridays was regulated as if by a royal protocol. The most distinguished and, if possible, titled person was led to a great walnut wood fluted chair that stood askew by the fireplace, its back and seat of blue velvet, heaven knows how old. Over him would hover Mrs. Duchemin: or, if he were very distinguished, both Mr. and Mrs. Macmaster. The not so distinguished were led up by turns to be presented to the celebrity and would then arrange themselves in a half-circle in the beautiful armchairs; the less distinguished still, in outer groups in chairs that had no arms: the almost undistinguished stood, also in groups or languished, awestruck on the scarlet leather window seats. When all were there Macmaster would establish himself on the incredibly unique hearthrug and would address wise sayings to the celebrity; occasionally, however, saying a kind thing to the youngest man present—to give him a chance of distinguishing himself. Macmaster’s hair, at that date, was still black, but not quite so stiff or so well brushed; his beard had in it greyish streaks and his teeth, not being quite so white, looked less strong. He wore also a single eyeglass, the retaining of which in his right eye gave him a slightly agonised expression. It gave him, however, the privilege of putting his face very close to the face of anyone upon whom he wished to make a deep impression. He had lately become much interested in the drama, so that there were usually several large—and, of course, very reputable and serious actresses in the room. On rare occasions Mrs. Duchemin would say across the room in her deep voice:
“Valentine, a cup of tea for his highness,” or “Sir Thomas,” as the case might be, and when Valentine had threaded her way through the chairs with a cup of tea Mrs. Duchemin, with a kind, aloof smile, would say: “Your highness, this is my little brown bird.” But as a rule Valentine sat alone at the tea-table, the guests fetching from her what they wanted.
Tietjens came to the Fridays twice during the five months of his stay at Ealing. On each occasion he accompanied Mrs. Wannop.
In earlier days—during the earliest Fridays—Mrs. Wannop, if she ever came, had always been installed, with her flowing black, in the throne and, like an enlarged Queen Victoria, had sat there whilst suppliants were led up to this great writer. But now: on the first occasion Mrs. Wannop got a chair without arms in the outer ring, whilst a general officer commanding lately in chief somewhere in the East, whose military success had not been considerable, but whose despatches were considered very literary, occupied, rather blazingly, the throne. But Mrs. Wannop had chatted very contentedly all the afternoon with Tietjens, and it had been comforting to
