This is not Romeo, he’s some other where.
Groan! why, no;
But sadly tell me who.
Bid a sick man in sadness make his will:
Ah, word ill urged to one that is so ill!
In sadness, cousin, I do love a woman.
Well, in that hit you miss: she’ll not be hit
With Cupid’s arrow; she hath Dian’s wit;
And, in strong proof of chastity well arm’d,
From love’s weak childish bow she lives unharm’d.
She will not stay the siege of loving terms,
Nor bide the encounter of assailing eyes,
Nor ope her lap to saint-seducing gold:
O, she is rich in beauty, only poor,
That when she dies with beauty dies her store.
She hath, and in that sparing makes huge waste,
For beauty starved with her severity
Cuts beauty off from all posterity.
She is too fair, too wise, wisely too fair,
To merit bliss by making me despair:
She hath forsworn to love, and in that vow
Do I live dead that live to tell it now.
By giving liberty unto thine eyes;
Examine other beauties.
’Tis the way
To call hers exquisite, in question more:
These happy masks that kiss fair ladies’ brows
Being black put us in mind they hide the fair;
He that is strucken blind cannot forget
The precious treasure of his eyesight lost:
Show me a mistress that is passing fair,
What doth her beauty serve, but as a note
Where I may read who pass’d that passing fair?
Farewell: thou canst not teach me to forget.
Scene II
A street.
Enter Capulet, Paris, and Servant. | |
Capulet |
But Montague is bound as well as I, |
Paris |
Of honourable reckoning are you both; |
Capulet |
But saying o’er what I have said before: |
Paris | Younger than she are happy mothers made. |
Capulet |
And too soon marr’d are those so early made. |
Servant | Find them out whose names are written here! It is written, that the shoemaker should meddle with his yard, and the tailor with his last, the fisher with his pencil, and the painter with his nets; but I am sent to find those persons whose names are here writ, and can never find what names the writing person hath here writ. I must to the learned.—In good time. |
Enter Benvolio and Romeo. | |
Benvolio |
Tut, man, one fire burns out another’s burning, |
Romeo | Your plaintain-leaf is excellent for that. |
Benvolio | For what, I pray thee? |
Romeo | For your broken shin. |
Benvolio | Why, Romeo, art thou mad? |
Romeo |
Not mad, but bound more than a madman is; |
Servant | God gi’ god-den. I pray, sir, can you read? |
Romeo | Ay, mine own fortune in my misery. |
Servant | Perhaps you have learned it without book: but, I pray, can you read anything you see? |
Romeo | Ay, if I know the letters and the language. |
Servant | Ye say honestly: rest you merry! |
Romeo |
Stay, fellow; I can read. Reads.
A fair assembly: whither should they come? |
Servant | Up. |
Romeo | Whither? |
Servant | To supper; to our house. |
Romeo | Whose house? |
Servant | My master’s. |
Romeo | Indeed, I should have ask’d you that before. |
Servant | Now I’ll tell you without asking: my master is the great rich Capulet; and if you be not of the house of Montagues, I pray, come and crush a cup of wine. Rest you merry! Exit. |
Benvolio |
At this same ancient feast of Capulet’s |
Romeo |
When the devout religion |