I went out on the observation platform just now, expecting my appearance to be greeted with hails of delight. Both the women were listening spellbound to one of Race’s travellers’ tales. I shall label this car—not “Sir Eustace Pedler and Party,” but “Colonel Race and Harem.”
Then Mrs. Blair must needs begin taking silly photographs. Every time we went round a particularly appalling curve, as we climbed higher and higher, she snapped at the engine.
“You see the point,” she cried delightedly. “It must be some curve if you can photograph the front part of the train from the back, and with the mountain background it will look awfully dangerous.”
I pointed out to her that no one could possibly tell it had been taken from the back of the train. She looked at me pityingly.
“I shall write underneath it: ‘Taken from the train. Engine going round a curve.’ ”
“You could write that under any snapshot of a train,” I said. Women never think of these simple things.
“I’m glad we’ve come up here in daylight,” cried Anne Beddingfeld. “I shouldn’t have seen this if I’d gone last night to Durban, should I?”
“No,” said Colonel Race, smiling. “You’d have waked up tomorrow morning to find yourself in the Karoo, a hot, dusty desert of stones and rocks.”
“I’m glad I changed my mind,” said Anne, sighing contentedly, and looking round.
It was rather a wonderful sight. The great mountains all around, through which we turned and twisted and laboured ever steadily upwards.
“Is this the best train in the day to Rhodesia?” asked Anne Beddingfeld.
“In the day?” laughed Race. “Why, my dear Miss Anne, there are only three trains a week. Mondays, Wednesdays and Saturdays. Do you realize that you don’t arrive at the falls until Saturday next?”
“How well we shall know each other by that time,” said Mrs. Blair maliciously. “How long are you going to stay at the falls, Sir Eustace?”
“That depends,” I said cautiously.
“On what?”
“On how things go at Johannesburg. My original idea was to stay a couple of days or so at the falls—which I’ve never seen, though this is my third visit to Africa—and then go on to Jo’burg and study the conditions of things on the Rand. At home, you know, I pose as being an authority on South African politics. But from all I hear, Jo’burg will be a particularly unpleasant place to visit in about a week’s time. I don’t want to study conditions in the midst of a raging revolution.”
Race smiled in a rather superior manner. “I think your fears are exaggerated, Sir Eustace. There will be no great danger in Jo’burg.”
The women immediately looked at him in the “what a brave hero you are” manner. It annoyed me intensely. I am every bit as brave as Race—but I lack the figure. These long, lean, brown men have it all their own way.
“I suppose you’ll be there,” I said coldly.
“Very possibly. We might travel together.”
“I’m not sure that I shan’t stay on at the falls a bit,” I answered non-committally. Why is Race so anxious that I should go to Jo’burg? He’s got his eye on Anne, I believe. “What are your plans, Miss Anne?”
“That depends,” she replied demurely, copying me.
“I thought you were my secretary,” I objected.
“Oh, but I’ve been cut out. You’ve been holding Miss Pettigrew’s hand all the afternoon.”
“Whatever I’ve been doing, I can swear I’ve not been doing that,” I assured her.
Thursday night.
We have just left Kimberley. Race was made to tell the story of the diamond robbery all over again. Why are women so excited by anything to do with diamonds?
At last Anne Beddingfeld has shed her veil of mystery. It seems that she’s a newspaper correspondent. She sent an immense cable from De Aar this morning. To judge by the jabbering that went on nearly all night in Mrs. Blair’s cabin, she must have been reading aloud all her special articles for years to come.
It seems that all along she’s been on the track of the “man in the brown suit.” Apparently she didn’t spot him on the Kilmorden—in fact, she hardly had the chance, but she’s now very busy cabling home: “How I journeyed out with the murderer,” and inventing highly fictitious stories of “What he said to me,” etc. I know how these things are done. I do them myself, in my reminiscences when Pagett will let me. And of course one of Nasby’s efficient staff will brighten up the details still more, so that when it appears in the Daily Budget Rayburn won’t recognize himself.
The girl’s clever, though. All on her own, apparently, she’s ferreted out the identity of the woman who was killed in my house. She was a Russian dancer called Nadina. I asked Anne Beddingfeld if she was sure of this. She replied that it was merely a deduction—quite in the Sherlock Holmes manner. However, I gather that she had cabled it home to Nasby as a proved fact. Women have these intuitions—I’ve no doubt that Anne Beddingfeld is perfectly right in her guess—but to call it a deduction is absurd.
How she ever got on the staff of the Daily Budget is more than I can imagine. But she is the kind of young woman who does these things. Impossible to withstand her. She is full of coaxing ways that mask an invincible determination. Look how she has got into my private car!
I am beginning to
