“But if you write,” said I, “I must have your letters; and I will have them: ten directors, twenty directresses, shall not keep them from me. I am a Protestant: I will not bear that kind of discipline: Monsieur, I will not.”
“Doucement—doucement,” rejoined he; “we will contrive a plan; we have our resources: soyez tranquille.”
So speaking, he paused.
We were now returning from the long walk. We had reached the middle of a clean Faubourg, where the houses were small, but looked pleasant. It was before the white doorstep of a very neat abode that M. Paul had halted.
“I call here,” said he.
He did not knock, but taking from his pocket a key, he opened and entered at once. Ushering me in, he shut the door behind us. No servant appeared. The vestibule was small, like the house, but freshly and tastefully painted; its vista closed in a French window with vines trained about the panes, tendrils, and green leaves kissing the glass. Silence reigned in this dwelling.
Opening an inner door, M. Paul disclosed a parlour, or salon—very tiny, but I thought, very pretty. Its delicate walls were tinged like a blush; its floor was waxed; a square of brilliant carpet covered its centre; its small round table shone like the mirror over its hearth; there was a little couch, a little chiffonnière, the half-open, crimson-silk door of which, showed porcelain on the shelves; there was a French clock, a lamp; there were ornaments in biscuit china; the recess of the single ample window was filled with a green stand, bearing three green flowerpots, each filled with a fine plant glowing in bloom; in one corner appeared a guéridon with a marble top, and upon it a work-box, and a glass filled with violets in water. The lattice of this room was open; the outer air breathing through, gave freshness, the sweet violets lent fragrance.
“Pretty, pretty place!” said I. M. Paul smiled to see me so pleased.
“Must we sit down here and wait?” I asked in a whisper, half awed by the deep pervading hush.
“We will first peep into one or two other nooks of this nutshell,” he replied.
“Dare you take the freedom of going all over the house?” I inquired.
“Yes, I dare,” said he, quietly.
He led the way. I was shown a little kitchen with a little stove and oven, with few but bright brasses, two chairs and a table. A small cupboard held a diminutive but commodious set of earthenware.
“There is a coffee service of china in the salon,” said M. Paul, as I looked at the six green and white dinner-plates; the four dishes, the cups and jugs to match.
Conducted up the narrow but clean staircase, I was permitted a glimpse of two pretty cabinets of sleeping-rooms; finally, I was once more led below, and we halted with a certain ceremony before a larger door than had yet been opened.
Producing a second key, M. Emanuel adjusted it to the lock of this door. He opened, put me in before him.
“Voici!” he cried.
I found myself in a good-sized apartment, scrupulously clean, though bare, compared with those I had hitherto seen. The well-scoured boards were carpetless; it contained two rows of green benches and desks, with an alley down the centre, terminating in an estrade, a teacher’s chair and table; behind them a tableau. On the walls hung two maps; in the windows flowered a few hardy plants; in short, here was a miniature classe—complete, neat, pleasant.
“It is a school then?” said I. “Who keeps it? I never heard of an establishment in this faubourg.”
“Will you have the goodness to accept of a few prospectuses for distribution in behalf of a friend of mine?” asked he, taking from his surtout-pocket some quires of these documents, and putting them into my hand. I looked, I read—printed in fair characters—
“Externat de demoiselles. Numéro 7, Faubourg Clotilde. Directrice, Mademoiselle Lucy Snowe.
And what did I say to M. Paul Emanuel?
Certain junctures of our lives must always be difficult of recall to memory. Certain points, crises, certain feelings, joys, griefs, and amazements, when reviewed, must strike us as things wildered and whirling, dim as a wheel fast spun.
I can no more remember the thoughts or the words of the ten minutes succeeding this disclosure, than I can retrace the experience of my earliest year of life: and yet the first thing distinct to me is the consciousness that I was speaking very fast, repeating over and over again—
“Did you do this, M. Paul? Is this your house? Did you furnish it? Did you get these papers printed? Do you mean me? Am I the directress? Is there another Lucy Snowe? Tell me: say something.”
But he would not speak. His pleased silence, his laughing down-look, his attitude, are visible to me now.
“How is it? I must know all—all,” I cried.
The packet of papers fell on the floor. He had extended his hand, and I had fastened thereon, oblivious of all else.
“Ah! you said I had forgotten you all these weary days,” said he. “Poor old Emanuel! These are the thanks he gets for trudging about three mortal weeks from house-painter to upholsterer, from cabinetmaker to charwoman. Lucy and Lucy’s cot, the sole thoughts in his head!”
I hardly knew what to do. I first caressed the soft velvet on his cuff, and then. I stroked the hand it surrounded. It was his foresight, his goodness, his silent, strong, effective goodness, that overpowered me by their proved reality. It was the assurance of his sleepless interest which broke on me like a light from heaven; it was his—I will dare to say it—his fond, tender look, which now shook me indescribably. In the midst of all I forced myself to look at the practical.
“The trouble!” I cried, “and the cost! Had you money, M. Paul?”
“Plenty of money!” said he heartily. “The disposal
