“Vous n’êtes donc que des poupées,” I heard him thunder. “Vous n’avez pas de passions—vous autres. Vous ne sentez donc rien? Votre chair est de neige, votre sang de glace! Moi, je veux que tout cela s’allume, qu’il ait une vie, une âme!”
Vain resolve! And when he at last found it was vain, he suddenly broke the whole business down. Hitherto he had been teaching them a grand tragedy; he tore the tragedy in morsels, and came next day with a compact little comic trifle. To this they took more kindly; he presently knocked it all into their smooth round pates.
Mademoiselle St. Pierre always presided at M. Emanuel’s lessons, and I was told that the polish of her manner, her seeming attention, her tact and grace, impressed that gentleman very favourably. She had, indeed, the art of pleasing, for a given time, whom she would; but the feeling would not last: in an hour it was dried like dew, vanished like gossamer.
The day preceding Madame’s fête was as much a holiday as the fête itself. It was devoted to clearing out, cleaning, arranging and decorating the three schoolrooms. All within-doors was the gayest bustle; neither upstairs nor down could a quiet, isolated person find rest for the sole of her foot; accordingly, for my part, I took refuge in the garden. The whole day did I wander or sit there alone, finding warmth in the sun, shelter among the trees, and a sort of companionship in my own thoughts. I well remember that I exchanged but two sentences that day with any living being: not that I felt solitary; I was glad to be quiet. For a looker-on, it sufficed to pass through the rooms once or twice, observe what changes were being wrought, how a greenroom and a dressing-room were being contrived, a little stage with scenery erected, how M. Paul Emanuel, in conjunction with Mademoiselle St. Pierre, was directing all, and how an eager band of pupils, amongst them Ginevra Fanshawe, were working gaily under his control.
The great day arrived. The sun rose hot and unclouded, and hot and unclouded it burned on till evening. All the doors and all the windows were set open, which gave a pleasant sense of summer freedom—and freedom the most complete seemed indeed the order of the day. Teachers and pupils descended to breakfast in dressing-gowns and curl-papers: anticipating avec délices the toilette of the evening, they seemed to take a pleasure in indulging that forenoon in a luxury of slovenliness; like aldermen fasting in preparation for a feast. About nine o’clock a.m., an important functionary, the coiffeur, arrived. Sacrilegious to state, he fixed his headquarters in the oratory, and there, in presence of bénitier, candle, and crucifix, solemnised the mysteries of his art. Each girl was summoned in turn to pass through his hands; emerging from them with head as smooth as a shell, intersected by faultless white lines, and wreathed about with Grecian plaits that shone as if lacquered. I took my turn with the rest, and could hardly believe what the glass said when I applied to it for information afterwards; the lavished garlandry of woven brown hair amazed me—I feared it was not all my own, and it required several convincing pulls to give assurance to the contrary. I then acknowledged in the coiffeur a first-rate artist—one who certainly made the most of indifferent materials.
The oratory closed, the dormitory became the scene of ablutions, arrayings and bedizenings curiously elaborate. To me it was, and ever must be an enigma, how they contrived to spend so much time in doing so little. The operation seemed close, intricate, prolonged: the result simple. A clear white muslin dress, a blue sash (the Virgin’s colours), a pair of white, or straw-colour kid gloves—such was the gala uniform, to the assumption whereof that houseful of teachers and pupils devoted three mortal hours. But though simple, it must be allowed the array was perfect—perfect in fashion, fit, and freshness; every head being also dressed with exquisite nicety, and a certain compact taste—suiting the full, firm comeliness of Labassecourien contours, though too stiff for any more flowing and flexible style of beauty—the general effect was, on the whole, commendable.
In beholding this diaphanous and snowy mass, I well remember feeling myself to be a mere shadowy spot on a field of light; the courage was not in me to put on a transparent white dress: something thin I must wear—the weather and rooms being too hot to give substantial fabrics sufferance, so I had sought through a dozen shops till I lit upon a crape-like material of purple-gray—the colour, in short, of dun mist, lying on a moor in bloom. My tailleuse had kindly made it as well as she could: because, as she judiciously observed, it was “si triste—si pen voyant,” care in the fashion was the more imperative: it was well she took
