A Passage to India

the tinsel into which it had sunk. Godbole consulted the music-book, said a word to the drummer, who broke rhythm, made a thick little blur of sound, and produced a new rhythm. This was more exciting, the inner images it evoked more definite, and the singers’ expressions became fatuous and languid. They loved all men, the whole universe, and scraps of their past, tiny splinters of detail, emerged for a moment to melt into the universal warmth. Thus Godbole, though she was not important to him, remembered an old woman he had met in Chandrapore days. Chance brought her into his mind while it was in this heated state, he did not select her, she happened to occur among the throng of soliciting images, a tiny splinter, and he impelled her by his spiritual force to that place where completeness can be found. Completeness, not reconstruction. His senses grew thinner, he remembered a wasp seen he forgot where, perhaps on a stone. He loved the wasp equally, he impelled it likewise, he was imitating God. And the stone where the wasp clung⁠—could he⁠ ⁠… no, he could not, he had been wrong to attempt the stone, logic and conscious effort had seduced, he came back to the strip of red carpet and discovered that he was dancing upon it. Up and down, a third of the way to the altar and back again, clashing his cymbals, his little legs twinkling, his companions dancing with him and each other. Noise, noise, the Europeanized band louder, incense on the altar, sweat, the blaze of lights, wind in the bananas, noise, thunder, eleven-fifty by his wristwatch, seen as he threw up his hands and detached the tiny reverberation that was his soul. Louder shouts in the crowd. He danced on. The boys and men who were squatting in the aisles were lifted forcibly and dropped without changing their shapes into the laps of their neighbours. Down the path thus cleared advanced a litter. It was the aged ruler of the state, brought against the advice of his physicians to witness the Birth ceremony.

No one greeted the Rajah, nor did he wish it; this was no moment for human glory. Nor could the litter be set down, lest it defiled the temple by becoming a throne. He was lifted out of it while its feet remained in air, and deposited on the carpet close to the altar, his immense beard was straightened, his legs tucked under him, a paper containing red powder was placed in his hand. There he sat, leaning against a pillar, exhausted with illness, his eyes magnified by many unshed tears.

He had not to wait long. In a land where all else was unpunctual, the hour of the Birth was chronometrically observed. Three minutes before it was due, a Brahman brought forth a model of the village of Gokul (the Bethlehem in that nebulous story) and placed it in front of the altar. The model was on a wooden tray about a yard square; it was of clay, and was gaily blue and white with streamers and paint. Here, upon a chair too small for him and with a head too large, sat King Kansa, who is Herod, directing the murder of some Innocents, and in a corner, similarly proportioned, stood the father and mother of the Lord, warned to depart in a dream. The model was not holy, but more than a decoration, for it diverted men from the actual image of the God, and increased their sacred bewilderment. Some of the villagers thought the Birth had occurred, saying with truth that the Lord must have been born, or they could not see Him. But the clock struck midnight, and simultaneously the rending note of the conch broke forth, followed by the trumpeting of elephants; all who had packets of powder threw them at the altar, and in the rosy dust and incense, and clanging and shouts, Infinite Love took upon itself the form of Shri Krishna, and saved the world. All sorrow was annihilated, not only for Indians, but for foreigners, birds, caves, railways, and the stars; all became joy, all laughter; there had never been disease nor doubt, misunderstanding, cruelty, fear. Some jumped in the air, others flung themselves prone and embraced the bare feet of the universal lover; the women behind the purdah slapped and shrieked; the little girl slipped out and danced by herself, her black pigtails flying. Not an orgy of the body; the tradition of that shrine forbade it. But the human spirit had tried by a desperate contortion to ravish the unknown, flinging down science and history in the struggle, yes, beauty herself. Did it succeed? Books written afterwards say “Yes.” But how, if there is such an event, can it be remembered afterwards? How can it be expressed in anything but itself? Not only from the unbeliever are mysteries hid, but the adept himself cannot retain them. He may think, if he chooses, that he has been with God, but as soon as he thinks it, it becomes history, and falls under the rules of time.

A cobra of papier-mâché now appeared on the carpet, also a wooden cradle swinging from a frame. Professor Godbole approached the latter with a red silk napkin in his arms. The napkin was God, not that it was, and the image remained in the blur of the altar. It was just a napkin, folded into a shape which indicated a baby’s. The Professor dandled it and gave it to the Rajah, who, making a great effort, said, “I name this child Shri Krishna,” and tumbled it into the cradle. Tears poured from his eyes, because he had seen the Lord’s salvation. He was too weak to exhibit the silk baby to his people, his privilege in former years. His attendants lifted him up, a new path was cleared through the crowd, and he was carried away to a less sacred part of the palace. There, in a room