“You can’t follow it without that,” said Pestsov, addressing Levin, as the person he had been speaking to had gone away, and he had no one to talk to.
In the entr’acte Levin and Pestsov fell into an argument upon the merits and defects of music of the Wagner school. Levin maintained that the mistake of Wagner and all his followers lay in their trying to take music into the sphere of another art, just as poetry goes wrong when it tries to paint a face as the art of painting ought to do, and as an instance of this mistake he cited the sculptor who carved in marble certain poetic phantasms flitting round the figure of the poet on the pedestal. “These phantoms were so far from being phantoms that they were positively clinging on the ladder,” said Levin. The comparison pleased him, but he could not remember whether he had not used the same phrase before, and to Pestsov, too, and as he said it he felt confused.
Pestsov maintained that art is one, and that it can attain its highest manifestations only by conjunction with all kinds of art.
The second piece that was performed Levin could not hear. Pestsov, who was standing beside him, was talking to him almost all the time, condemning the music for its excessive affected assumption of simplicity, and comparing it with the simplicity of the Pre-Raphaelites in painting. As he went out Levin met many more acquaintances, with whom he talked of politics, of music, and of common acquaintances. Among others he met Count Bol, whom he had utterly forgotten to call upon.
“Well, go at once then,” Madame Lvova said, when he told her; “perhaps they’ll not be at home, and then you can come to the meeting to fetch me. You’ll find me still there.”
VI
“Perhaps they’re not at home?” said Levin, as he went into the hall of Countess Bola’s house.
“At home; please walk in,” said the porter, resolutely removing his overcoat.
“How annoying!” thought Levin with a sigh, taking off one glove and stroking his hat. “What did I come for? What have I to say to them?”
As he passed through the first drawing-room Levin met in the doorway Countess Bola, giving some order to a servant with a careworn and severe face. On seeing Levin she smiled, and asked him to come into the little drawing-room, where he heard voices. In this room there were sitting in armchairs the two daughters of the countess, and a Moscow colonel, whom Levin knew. Levin went up, greeted them, and sat down beside the sofa with his hat on his knees.
“How is your wife? Have you been at the concert? We couldn’t go. Mamma had to be at the funeral service.”
“Yes, I heard. … What a sudden death!” said Levin.
The countess came in, sat down on the sofa, and she too asked after his wife and inquired about the concert.
Levin answered, and repeated an inquiry about Madame Apraksina’s sudden death.
“But she was always in weak health.”
“Were you at the opera yesterday?”
“Yes, I was.”
“Lucca was very good.”
“Yes, very good,” he said, and as it was utterly of no consequence to him what they thought of him, he began repeating what they had heard a hundred times about the characteristics of the singer’s talent. Countess Bola pretended to be listening. Then, when he had said enough and paused, the colonel, who had been silent till then, began to talk. The colonel too talked of the opera, and about culture. At last, after speaking of the proposed folle journée at Turin’s, the colonel laughed, got up noisily, and went away. Levin too rose, but he saw by the face of the countess that it was not yet time for him to go. He must stay two minutes longer. He sat down.
But as he was thinking all the while how stupid it was, he could not find a subject for conversation, and sat silent.
“You are not going to the public meeting? They say it will be very interesting,” began the countess.
“No, I promised my belle-sœur to fetch her from it,” said Levin.
A silence followed. The mother once more exchanged glances with a daughter.
“Well, now I think the time has come,” thought Levin, and he got up. The ladies shook hands with him, and begged him to say mille choses to his wife for them.
The porter asked him, as he gave him his coat, “Where is your honor staying?” and immediately wrote down his address in a big handsomely bound book.
“Of course I don’t care, but still I feel ashamed and awfully stupid,” thought Levin, consoling himself with the reflection that everyone does it. He drove to the public meeting, where he was to find his sister-in-law, so as to drive home with her.
At the public meeting of the committee there were a great many people, and almost all the highest society. Levin was in time for the report which, as everyone said, was very interesting. When the reading of the report was over, people moved about, and Levin met Sviazhsky, who invited him very pressingly to come that evening to a meeting of the Society of Agriculture, where a celebrated lecture was to be delivered, and Stepan Arkadyevitch, who had only just come from the races, and many other acquaintances; and Levin heard and uttered various criticisms on the meeting, on the new fantasia, and on a public trial. But, probably from the mental fatigue he was beginning to feel, he made a blunder in speaking of the trial, and this blunder he recalled several times with vexation. Speaking of the sentence upon a foreigner who had been condemned in Russia, and of how unfair it would be to punish him by exile abroad, Levin repeated what he had heard the day before in conversation from an acquaintance.
“I think sending him abroad is much the same as punishing a carp by putting
