Paul’s Wife
To drive Paul out of any lumber camp
All that was needed was to say to him,
“How is the wife, Paul?”—and he’d disappear.
Some said it was because he had no wife,
And hated to be twitted on the subject.
Others because he’d come within a day
Or so of having one, and then been jilted.
Others because he’d had one once, a good one,
Who’d run away with some one else and left him.
And others still because he had one now
He only had to be reminded of—
He was all duty to her in a minute:
He had to run right off to look her up,
As if to say, “That’s so, how is my wife?
I hope she isn’t getting into mischief.”
No one was anxious to get rid of Paul.
He’d been the hero of the mountain camps
Ever since, just to show them, he had slipped
The bark of a whole tamarack off whole,
As clean as boys do off a willow twig
To make a willow whistle on a Sunday
In April by subsiding meadow brooks.
They seemed to ask him just to see him go,
“How is the wife, Paul?” and he always went.
He never stopped to murder anyone
Who asked the question. He just disappeared—
Nobody knew in what direction,
Although it wasn’t usually long
Before they heard of him in some new camp,
The same Paul at the same old feats of logging.
The question everywhere was why should Paul
Object to being asked a civil question—
A man you could say almost anything to
Short of a fighting word. You have the answers.
And there was one more not so fair to Paul:
That Paul had married a wife not his equal.
Paul was ashamed of her. To match a hero,
She would have had to be a heroine;
Instead of which she was some half-breed squaw.
But if the story Murphy told was true,
She wasn’t anything to be ashamed of.
You know Paul could do wonders. Everyone’s
Heard how he thrashed the horses on a load
That wouldn’t budge until they simply stretched
Their rawhide harness from the load to camp.
Paul told the boss the load would be all right,
“The sun will bring your load in”—and it did—
By shrinking the rawhide to natural length.
That’s what is called a stretcher. But I guess
The one about his jumping so’s to land
With both his feet at once against the ceiling,
And then land safely right side up again,
Back on the floor, is fact or pretty near fact.
Well this is such a yarn. Paul sawed his wife
Out of a white-pine log. Murphy was there,
And, as you might say, saw the lady born.
Paul worked at anything in lumbering.
He’d been hard at it taking boards away
For—I forget—the last ambitious sawyer
To want to find out if he couldn’t pile
The lumber on Paul till Paul begged for mercy.
They’d sliced the first slab off a big butt log,
And the sawyer had slammed the carriage back
To slam end on again against the saw teeth.
To judge them by the way they caught themselves
When they saw what had happened to the log,
They must have had a guilty expectation
Something was going to go with their slambanging.
Something had left a broad black streak of grease
On the new wood the whole length of the log
Except, perhaps, a foot at either end.
But when Paul put his finger in the grease,
It wasn’t grease at all, but a long slot.
The log was hollow. They were sawing pine.
“First time I ever saw a hollow pine.
That comes of having Paul around the place.
Take it to hell for me,” the sawyer said.
Everyone had to have a look at it,
And tell Paul what he ought to do about it.
(They treated it as his.) “You take a jack-knife,
And spread the opening, and you’ve got a dug-out
All dug to go a-fishing in.” To Paul
The hollow looked too sound and clean and empty
Ever to have housed birds or beasts or bees.
There was no entrance for them to get in by.
It looked to him like some new kind of hollow
He thought he’d better take his jack-knife to.
So after work that evening he came back
And let enough light into it by cutting
To see if it was empty. He made out in there
A slender