Michael’s mother came home towards the end of July, and Madame Flauve vanished to her husband and house and furniture. Michael did not regret her. Mrs. Fane asked him many questions and particularly she wanted to know if he was perfectly happy. Michael said “yes,” and his mother seemed satisfied. She was now very much taken up with Stella, who was a lovely little girl with grey eyes and light brown glinting hair. Michael did not exactly feel jealous of his sister, but he had an emotion of disappointment that no longer could he be alone with his mother in a fragrant intimacy from which the perpetually sleeping Stella was excluded. Now Stella no longer slept all the time, but, on the contrary, was very much awake and very eager to be entertained. Michael also felt a twinge of regret that Stella should be able out of her own self to entertain grown-up people. He wished that he could compose these wonderful, endless songs of hers. He could not but admit that they were wonderful, and exactly like real poetry. To be sure their subjects were ordinary enough. There was no magic in them. Stella would simply sing of getting up in the morning and of the morning bath and the towel and the bread and milk for breakfast. She would sing, too, of the ride in the perambulator and of the ladies who paid her compliments as she passed. It was a little galling to Michael that he, so long his mother’s only companion, should have to share her love with such an insidious rival. Curious men with long hair came to the house, apparently just to see Stella; for they took no notice at all of Michael. These long-haired visitors would sit round in the drawing-room, while Stella played at the piano pieces that were not half so hummable as those which Michael had already learned to play in violent allegretto. Stella would sit upright in her starchiest frock and widest sash and play without any music a long and boring noise that made Michael feel very fidgety. He would endure it for a while and then he would have to go out of the room. The first time he had done this he had expected somehow that people would run after him to bring him back. But nobody moved. Everyone was intent upon Stella and her noise. They were all grunting and clearing their throats and making unintelligible exclamations. Michael was glad that they had begun to build houses in the waste ground opposite. It was better to watch men climbing up ladders and walking over planks and messing with lumps of mortar than to sit there among those guttural men in an atmosphere of Stella worship. He felt sometimes that he would like to pinch Stella’s legs—they looked so sleek and well-behaved, as she sat there playing the piano. Michael was never invited to play on the drawing-room piano. He was only allowed to play up in the day-nursery, with merely the ambition of one day being able to reach the pedals to stir him on.
“Ach, Mrs. Vane,” he heard these long-haired men declare. “Your daughter is wonderful. Ach! Ach! Ach! She is a genius. She will be the great bianist of the new generation. Ach! Ach! Ach!”
Michael began to feel that his love for his mother or her love for him did not matter. He began to feel that only what he himself thought and wanted did matter; and when she went away again he was sorry, but not so sorry as he used to be. One of these long-haired men now began to come every day to give Stella lessons on the drawing-room piano. He would give a very loud knock and hang up a wide-brimmed black hat in the hall and clear his throat and button up his coat very tightly and march into the drawing-room to wait for Stella to be brought down. Stella would come down the stairs with her grey eyes shining and her hair all fuzzy and her hands smelling of pink soap, while Nurse would blow very importantly and tell Michael not to peep round corners. Stella’s music lessons were much grander than Michael’s in the stuffy backroom of Miss Marrow’s. Besides, Michael’s music lessons were now particularly unpleasant, because Miss Hunt, his mistress, had grown two warts on her first finger during the summer holidays, which made him feel sick during their eternal duets.
The withdrawal of Madame Flauve from the superintendence of Michael’s afternoon walks was apparently a great blow to Nurse. She had acquired a habit either of retiring to the night-nursery or of popping out of the backdoor on secret errands. Stella in the charge of Annie was perfectly happy upstairs, and Nurse resented very strongly Michael’s enquiries as to where she was going. Michael had no ulterior reasons for his questions. He was sincerely interested by these afternoon walks of Nurse, and speculated often upon her destination. She would always return very cheerful and would often bring him home small presents—a dark blue bird on a pin at boat-race time (for Nurse was staunchly Oxford), a penny packet of stamps most of which were duplicates inside, penny illustrated books of Cock Robin or Tom Thumb; and once she brought him home a Night Companion. This Night Companion was a club-headed stick, very powerful and warranted
